The making of bread, etc.

Saturday 4 May 2019


For The making of bread, etc. artist Zoe Thompson-Moore will make bread to be shared at selected Enjoy events during the remainder of 2019, collaborating with other women who bake bread at home for each iteration of the project.

The making of bread, etc. explores the various forms of labour that are at play in the (re)production of subjects and relationships, both in the gallery and the domestic realm. It will take place on an “as-needed” and “as-possible” basis, eschewing a regular schedule in favour of what is possible—and what creates the best outcomes—for the artist and her collaborators.

Bread is significant because of its relationship to shared and personal histories, including working-class consciousness, customs and practices before and during enclosure of the commons, the agricultural revolution, and later, the colonisation of Aotearoa. In eighteenth-century England, the making and consumption of bread was significantly affected by the move from production based on subsistence, common rights and use value, to a market imperative and production based on exchange for profit.

In her artistic practice, Thompson-Moore navigates the edges between creative practice and maintenance work, highlighting sites and lived experiences of reproductive labour in particular. This is grounded in an understanding of unwaged, feminised work as being an essential part of capitalist social (re)production–the work that makes all other work possible. Maintaining the optimal conditions for breadmaking requires time, attention, care and generosity. Thinking through these conditions of reproductive labour, the artist will use the process of breadmaking to generate new relationships, both with the women she makes bread with and those who eat it.

The making of bread, etc. is part of Until further notice: A transitional programme. From the beginning of May, Enjoy will temporarily operate in a different way. Our built-in office and storage at 1/147 Cuba Street will be dismantled and rearranged as we pause the exhibition programme to establish a flexible space for work, discussion and gathering.

As our team prepares for Enjoy’s upcoming relocation later this year, we will be hosting a selection of public events, workshops and working bees. Driven by both the practical considerations of this transition as well as a desire to fully embrace the possibilities of this moment, Until further notice embraces the new series of social relations a change such as this introduces, asking new questions and demanding different ways of working. Read more about Until further notice.


Image: Zoe Thompson-Moore, Research image, 2019. Image courtesy of the artist.