| Barton, Christina and Batchen, Geoffrey |
Dark Sky |
Adam Art Gallery |
2012 |
| Barton, Christina, Curnow, Wystan and Leonard, Robert (eds.) |
Reading Room: A Journal of Art and Culture |
Auckland Art Gallery |
2007 |
| Cunnane, Abby and Oliver, Melanie (eds.) |
Reading Walking Writing |
The Physics Room |
2015 |
| Cormack, Emily (Curator) |
Super Natural |
The Physics Room |
2006 |
| Art New Zealand |
Various Issues |
Auckland, New Zealand |
2015 |
| un Magazine |
Issue 7.2 |
un Projects Inc., Melbourne |
2013 |
| un Magazine |
Issue 9.1 |
un Projects Inc., Melbourne |
2015 |
| Galloway, Matthew and Sutherland, Ella |
Speaking Places: Hamilton 2015 |
Self published |
2016 |
| Dryburgh, Emil |
Night School |
FUZZYVIBES |
2014 |
| Menzies, Louise |
What Is Radiant Living |
Clouds Publishing |
2012 |
| Meros, Richard |
Beggars and Choosers |
Lawrence and Gibson |
2010 |
| Unknown |
Portage 15 Ceramic Awards |
Te Uru Waitakere Contemporary Gallery |
2015 |
| Walker, Paul |
Gavin Hipkins: The Habitat |
Adam Art Gallery / ARTSPACE NZ |
2000 |
| Barton, Christina (ed.) |
Joseph Kosuth: Guests and Foreigners, Rules and Meanings (Te Kore) |
Adam Art Gallery |
2004 |
| Barton, Christina (ed.) |
Play On |
Adam Art Gallery |
2010 |
| Barton, Christina (ed.) |
Four Times Painting |
Adam Art Gallery |
2007 |
| McIntosh, Clare (ed.) |
NAS pt.1 |
ARTSPACE NZ |
2012 |
| Irish, Gina |
Sampler Joanna Langford |
The Physics Room |
2004 |
| Rajkowski, Raymonda (Curator) |
David Spooner: Chiromancy |
Boxcopy |
2009 |
| Bennett, Kaleb |
The Sumidero Canyon |
Artbruit |
2005 |
| Robinson, James |
James+_pictures Tourettes+_words 09 |
KOLEKTIV |
2009 |
| Slater, Marnie (Curator) |
Some Kind of Fact, Some Kind of Fiction |
The Engine Room Gallery |
2007 |
| Galloway, Matthew |
The Ground Swallows You |
Blue Oyster Art Project Space |
2016 |
| Fine Arts at Massey University |
SOFA SO GOOD |
Self published |
2014 |
| Abbott, Edwin. A. |
Flatland: A Romance of Many Dimensions |
Trust Waikato Contemporary Art |
2007 |
| Cunnane, Abby |
File 7 Critical Text: The uses of silence; Amy Howden-Chapman's Advice for our Aerial Ocean |
ARTSPACE NZ |
2015 |
| Cunnane, Abby and Oliver, Melanie (eds.) |
Reading Walking Writing |
The Physics Room |
2015 |
| Adams, Mark and Taouma, Lisa |
Tatau- Pe'a: Photographs & Measina Samoa: Stories of the Malu |
Adam Art Gallery |
2003 |
| Mitcalfe Wilson, Alex |
File 6 Critical Text: In repsonse to the exhibition: 'Welcome' curated by Ahilapalapa Rands |
ARTSPACE NZ |
2014 |
| Smith, Allan |
A Very Peculiar Practice | Aspects of Recent New Zealand Painting |
City Gallery Wellington |
1995 |
| Amodeo, Gabrielle |
Keeping Secrets and Stealing Things |
ARTSPACE NZ |
2014 |
| Kilford, Angela, Patrick, Dr. Martin and Lee, Kim |
Mokopuna Island Project |
Wellington City Council |
2015 |
| Tiatia, Angela |
Foreign Objects |
Fresh Gallery Otara |
2011 |
| Shelton, Ann |
Ann Shelton: A library to scale |
Rim Books, Auckland |
2006 |
| Apperly, Jane, Darragh, Tamara and Sanderson, Kylie |
The Artists |
Beatnick Publishing, Auckland |
2013 |
| Armanious, Hany |
Morphic Resonance: Hany Armanious |
IMA Brisbane and City Gallery Wellington |
2007 |
| Arozqueta, Claudia |
File 3: Critical Text |
ARTSPACE NZ |
2014 |
| Art and Design at Massey University |
Exposure 2012 |
Massey University Wellington |
2012 |
| Art and Industry Biennial Trust |
Wandering Lines- Towards a New Culture of Space |
Art and Industry Biennial Trust, Christchurch |
2009 |
| Art and Industry Biennial Trust |
Don't Misbehave! |
Art and Industry Biennial Trust, Christchurch |
2006 |
| Art New Zealand |
Various Issues |
Auckland, New Zealand |
2013 |
| Baker, Kriselle |
The Enchantment of Irony |
64zero3 Gallery, Christchurch |
2008 |
| Ballard, Susan and Lonie, Bridie |
Space Invaders |
Blue Oyster Art Project Space |
2002 |
| Barnett, Cassandra |
A Ramp Magazine |
Horton Media, Auckland |
2005 |
| Barr, Mary |
Ready Mix: Essays and Pictures from the Concrete Detail |
The Concrete Deal |
1998 |
| Barrar, Wayne |
An Expanding Subterra |
Dunedin Public Art Gallery |
2012 |
| Barton, Christina, Riva, Caterina and White, Anne-Marie |
Shannon Te Ao: I can press my face up against the glass |
Ilam Press |
2014 |
| Barton, Christina (ed.) |
The Expatriates |
Adam Art Gallery |
2005 |
| Breuning, Olaf |
Group |
ARTSPACE NZ |
2002 |
| Baxter, Alice |
Sometime Later |
Enjoy Public Art Gallery |
2011 |
| Berger, Tobias |
Follow The White Rabbit |
ARTSPACE NZ |
2003 |
| Bickers, Patricia |
Art Monthly (various editions) |
Britannia Art Publications Ltd. |
2001 |
| Bishop, Claire |
Participation |
Whitechapel Ventures Limited, Italy |
2006 |
| Blackley, Roger |
Te Mata: The Ethnological Portrait |
Adam Art Gallery and Victoria University of Wellington |
2012 |
| Blue Oyster Art Project Space |
Blue Oyster Annual 2013 |
Blue Oyster Art Project Space |
2014 |
| Blue Oyster Art Project Space |
Mr and Mrs Pink's Fabulous Collection |
Blue Oyster Art Project Space |
2004 |
| Blue Oyster Art Project Space |
Performance Series 2006 [DVD] |
Blue Oyster Art Project Space |
2006 |
| Booth, Jeremy and Caudwell, Catherine (eds.) |
White Pages: Dark Matter |
Enjoy Public Art Gallery |
2010 |
| Booth, Jeremy and Edmunds, Hannah (eds.) |
Workshopping Performance |
Enjoy Public Art Gallery |
2008 |
| Borrell, Jessie |
Sister City |
Enjoy Public Art Gallery |
2006 |
| Breikers, Joseph |
Stephen Russell: Super Vanitas |
Boxcopy |
2009 |
| Nightingale, Brenda and Calder, Helen |
Brenda Nightingale: Twin Peaks |
The Physics Room |
2008 |
| Brennan, Stella |
Fetus Reproductions |
ARTSPACE NZ |
1981 |
| Brennan, Stella and ARTSPACE NZ |
Dirty Pixels |
ARTSPACE NZ |
2002 |
| McLeod, Rob and Rutledge, Louise |
The Immigrants |
Bath Street Gallery |
2016 |
| Britton, Stephanie |
Artlink |
Artlink, South Australia |
1996 |
| Galloway, Bryce |
Incredibly Hot Sex with Hideous People |
Wellington |
2002 |
| Buchanan, Benjamin |
There's a Ghost in my House |
Enjoy Public Art Gallery |
2007 |
| Bugden, Emma |
Who's Afraid of the Big Bad Wolf? : Mythology, Fairytales and the Occult |
Te Tuhi |
2007 |
| Bugden, Emma |
Sweet Punch: Recent Nordic Video |
Clouds Publishing |
2006 |
| Burke, Gregory |
Drive: Power>Progress>Desire |
Govett-Brewster Art Gallery |
2000 |
| Burke, Gregory |
Arcadia: The Other Life of Video Games |
Govett-Brewster Art Gallery |
2003 |
| Burke, Gregory |
Mladen, Bizumic: Fiji Biennale |
Govett-Brewster Art Gallery |
2004 |
| Burke, Gregory |
Go Girl |
Govett-Brewster Art Gallery |
2002 |
| Burke, Gregory |
Entropy in Reverse |
Govett-Brewster Art Gallery |
2003 |
| Burke, Gregory |
Lee Bul |
Govett Brewster Art Gallery |
2007 |
| Burke, Gregory and Scott, Hanna |
Feature: art, life, cinema |
Govett-Brewster Art Gallery |
2001 |
| Burke, Gregory and Fraser, Jacqueline |
The Making of the Ciao Manhattan Tapes |
Adam Art Gallery |
2013 |
| Butler, Brian |
Speculation |
Venice Project |
2007 |
| Burke, Gregory and Rees, Simon |
Extended Play: Art Remixing Music |
Govett-Brewster Art Gallery |
2003 |
| Butler, Brian |
Peter Robinson: Ack and Other Abdications |
ARTSPACE NZ / Clouds Publishing |
2008 |
| Bywater, John |
Critical Text Files 1 |
ARTSPACE NZ |
2013 |
| Byrt, Anthony |
Sticky |
RAMP Gallery / Whitecliffe |
2004 |
| Cranston, Meg |
Hot Pants In a Cold Cold World |
ARTSPACE NZ / Clouds Publishing |
2008 |
| Brennan, Stella and Ballard, Stu |
The Aotearoa Digital Arts Reader |
Aotearoa Digital Arts / Clouds Publishing |
2008 |
| Canterbury University |
Ilam/Elam/Massey/AUT art work |
Canterbury University |
2013 |
| Connor, Fiona and Didsbury, Margot |
Drifting Observatories |
Self published |
2006 |
| Huddleston, Charlotte (Curator) |
Diagram |
The Engine Room |
2010 |
| Hammond, Catherine (ed.) |
Reading Room : A Journal of Art and Culture |
E. H. McCormick Research Library |
2013 |
| Turner, Caroline (ed.) |
Art and Social Change |
Pandanus Books / Research School of Pacific and Asian Studies / The Australian National University |
2005 |
| Chay, Bopha (ed) |
Apocalypse Tent |
Enjoy Public Art Gallery |
2011 |
| Cheesman, Iain |
Sampler: Iain Cheesman |
The Physics Room |
2004 |
| Cheng, Xin and Dryburgh, Kirsten |
Gleaners' Garden |
Enjoy Public Art Gallery |
2014 |
| Cheng, Xin and Smith, Allan |
Distracted- Reader #1 Mixtures |
Split/Fountain |
2013 |
| Geoghegan, Chloe (ed.) |
Blue Oyster 2014 |
Blue oyster Art Project Space |
2014 |
| Choy, Lee Weng, McIntyre, Sophie and Tan, Eugene |
Islanded: Contemporary Art from New Zealand, Singapore and Taiwan |
Institute of Contemporary Arts Singapore |
2005 |
| Barton, Christina (ed.) |
Kim Pieters: What is a Life? |
Adam Art Gallery |
2015 |
| Read, Christina |
Evidence |
ARTSPACE NZ / The Physics Room |
2008 |
| Mark Williams (Curator) |
The Artists' Cinema |
CIRCUIT Artist Film and Video Aotearoa |
2012 |
| Strongman, Lara (ed.) |
Bambury: Works 1975 - 1999 |
City Gallery Wellington |
1999 |
| College of Creative Arts |
Exposure 2013 |
Massey University Wellington |
2013 |
| Bennewith, David |
The Collapse of Several Pillars |
Piet Zwart Institute, Rotterdam |
2007 |
| I Must Behave |
Connew, Bruce |
Vapor Momenta Books |
2009 |
| Connew, Bruce |
I Saw You |
Vapor Momenta Books |
2007 |
| Cotterell, Chris, Montgomery, Kate, Pratt, Susie |
Ascending Scale |
High Street Project |
2006 |
| Crop Magazine |
Crop Issue 2 |
Dunedin |
2011 |
| Cross, David and Doherty, Claire |
One Day Sculpture |
Kerber Verlag |
2009 |
| Crowe, Meredith (ed.) |
The League of Makers Retrospective 2010-2013 |
The League of Makers, Wellington |
2013 |
| Crowe, Meredith and Ng, Emma (eds.) |
Sensum |
Enjoy Public Art Gallery |
2014 |
| Kreisler, Aaron (Curator) |
Erica van Zon: Dogwood Days |
Dunedin Public Art Gallery |
2014 |
| Smith, Allan |
Bright Paradise: The first Auckland Triennial |
Auckland Art Gallery |
2001 |
| Carran, Victoria, Francis, Jessica (Curators) |
ROM |
The Date Club |
2014 |
| Riggir, Bridget (Curator) |
Hapori, Vol. 1: Dead to the World |
Hapori Project, New Zealand |
2015 |
| Conland, Natasha |
Last Ride in a Hot Air Balloon: The fourth Auckland Triennial |
Auckland Art Gallery |
2010 |
| Arps, Dan and Porter, Gwyneth (Eds.) |
Natural Selection |
Auckland, New Zealand |
2004 |
| Mossman, Danae |
Ayse Erkem: awesome |
The Physics Room |
2006 |
| Mossman, Danae, Mudder, Earl, Bennett, Kaleb |
The Sumidero Canyon |
Artbruit / The Physics Room |
2005 |
| Mitchell, Dane, Garrett, Louise, Cormack, Emily |
Dane Mitchell: Present Surface of Tell |
The Physics Room |
2005 |
| Dashper, Julian |
This Is Not Writing |
Clouds Publishing / Michael Lett |
2010 |
| Maskill, David (ed.) |
State of the Art: Reproductive prints from the Renaissance to now |
Adam Art Gallery |
2014 |
| Devenport, Rhana |
Break Construct |
Govett-Brewster Art Gallery |
2007 |
| Devenport, Rhana |
Compelled: Annual New Artists Show 05 |
ARTSPACE NZ |
2005 |
| Devenport, Rhana |
New Nature |
Govett-Brewster Art Gallery |
2008 |
| Di Stefano, John and Vicente, Mercedes |
Unfold |
Enjoy Public Art Gallery |
2011 |
| Diehr, Ursula and Steinmann, Holger |
Art/38/Basel |
Hatje Cantz Verlag |
2007 |
| Lister, Aaron, M Gómez, Edward, Shepherd, Stuart |
Tea Time: Ron Dixon, Don Driver and Maiangi Waitai |
Enjoy Public Art Gallery |
2010 |
| lloyd-Jenkins, Douglas, McAloon, William |
Living Room: The Third Goodman-Suter Contemporary Art Project 2003 |
The Suter Te Aratoi o Whakatu, Nelson |
2003 |
| Douglass, Adam |
Life, the Universe and the 420 Centre |
Blue Oyster Art Project Space |
2007 |
| Carly, Rachel |
Pausing terrain |
RAMP Gallery |
2009 |
| Hotere, Ralph |
Ralph Hotere: Black Light |
Te Papa Press |
2000 |
| Read, Christina (ed.) |
The Brain |
The Brain |
2015 |
| Mautambu, John and Riggir, Birdget |
Perspective: Journal of the University of Auckland Art History Society Issue No. 3 Parahistory |
The University of Auckland Art History Society |
2015 |
| Leonard, Robert (ed.) |
Unseen City: Gary Bigent, Rodney Charters, and Robert Ellis in Sixties Auckland |
Te Uru / City Gallery Wellington |
2015 |
| Hanfling, Edward |
Thoughts on art in life |
Free Parking Space |
2014 |
| Bett, Elva |
New Zealand Art: A Modern Perspective |
Reed Methuen Publishers LTD |
1986 |
| Tavola, Ema Tavola and Borell, Nigel (eds.) |
South: Issue One |
Toi o Manukau |
2011 |
| Tavola, Ema Tavola and Borell, Nigel (eds.) |
South: Issue Two |
Toi o Manukau |
2013 |
| Crowe, Deborah |
Sarah Walker-Holt: Kitset |
Te Uru Waitakere Contemporary Gallery |
2015 |
| Dryburgh, Emil and Parkin, Haley (ed.) |
Free For All |
Hashtag500words |
2015 |
| Bugden, Emma (Curator) |
The Young Artist's Library Companion |
The Hocken Library Galleries, Dunedin |
1999 |
| Eng, Sam |
Volume: He Knew Something Was Up. He Could Smell It! |
The Physics Room |
2005 |
| Esche, Charles, Lawson, Thomas and Lewis, Mark |
Afterall |
Central Saint Martin |
2006 |
| et al. |
et al.: the fundamental practice (New Zealand at the 51st Venice Biennale) |
CNZ / Govett Brewster Art Gallery / Te Papa Press |
2005 |
| et al., Barr, Jim, Barr, Mary and Burke, Gregory |
arguments for immortality |
Govett-Brewster Art Gallery |
2003 |
| M. Schwartz, Eugene |
Confessions of a Poor Collector: How to build a worthwhile art collection with the least possible mo |
Edition Taube |
2012 |
| Faigan, Violet |
Help |
Dunedin Public Art Gallery |
2001 |
| Finlay, John and Plummer, Matt |
Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011 |
Adam Art Gallery |
2012 |
| Ferrier, Finn and Hopkinson, Sarah |
Shortcuts, via the [known] Solar System: Map One |
George Fraser Gallery, Auckland |
2006 |
| Ford, James R |
Fail Better |
Self published |
2014 |
| Frankovich, Alicia |
Volume: We are Housed (In and Around All of This Stuff) |
The Physics Room |
2005 |
| Frieling, Rudolf |
Medien Kunst Aktuell: Current Media Art |
Zentrum fur Kunst und Medientechnologie Karlsruhe |
1997 |
| Frieling, Rudolf |
Medien Kunst Aktuell: Current Media Art |
Zentrum fur Kunst und Medientechnologie Karlsruhe |
1997 |
| Amodeo, Gabrielle, Kosovac, Ena, Simons, Daphne and Beattie, Michelle |
Ricotta: The Whey Publication |
PILOT, Hamilton |
2014 |
| Galbraith, Heather |
Telecom Prospect 2007: New Art New Zealand |
City Gallery Wellington |
2007 |
| Galloway, Matthew (ed.) |
Points of Departure #1 |
o-s-x-x-o-s-x-x.com |
2012 |
| Galloway, Matthew (ed.) |
Seeing Which Way the Wind Blows |
Split/Fountain |
2013 |
| Galloway, Matthew (ed.) |
Seeing Which Way the Wind Blows |
Split/Fountain |
2013 |
| Galloway, Matthew (ed.) |
The Silver Bulletin |
o-s-x-x-o-s-x-x.com |
2012 |
| Gambia Castle |
The Delivery: Gambia Castle Exhibitions 2007 |
Gambia Castle Press, Auckland |
2008 |
| Lee, Gary |
gorgeousness |
Fresh Gallery Otara |
2011 |
| Hipkins, Gavin (Curator) |
Folklore: The New Zealanders |
ARTSPACE NZ |
1998 |
| Gentry, Regan |
Of Gorse Of Course |
umbrella, USA |
2007 |
| Hunkin, Galumalemana Alfred |
Tatau |
Adam Art Gallery |
2003 |
| Ned Holte, Michael (Curator) |
TL;DR |
ARTSPACE NZ |
2014 |
| Menzies, Michelle (ed.) |
Cinema & Painting |
Adam Art Gallery |
2014 |
| Smith, Bronwyn |
Wildlife |
Enjoy Public Art Gallery |
2006 |
| Gentry, Regan |
Flour Power |
Art & Industry Biennial Trust, Christchurch |
2008 |
| Donson, Greg and McClintock, Sarah |
Infiltrations II |
Infiltrations Artists Collective |
2016 |
| Watson, Georgina |
Yona Lee: Specific Objects |
Blue Oyster Art Project Space |
2014 |
| Getty, Rosalind and Wagstaff, Taylorw |
Whats The Point? |
Wagstaff and Getty Publisher |
2013 |
| Giblin, Tessa |
Giblin, Tessa |
ARTSPACE NZ |
2004 |
| Giblin, Tessa and Smart, Jonathan |
Sowstoppers |
Jonathan Smart Gallery, Christchurch |
2004 |
| Gillam, Jenny |
Show |
Massey University Wellington |
2009 |
| Griffin, Kate and Stanhope, Zara |
Art forum series 2001 |
Adam Art Gallery |
2002 |
| Wright, Alan and Hanfling, Edward |
Vuletic and his Circle |
Gus Fisher Gallery |
2003 |
| Porter, Gwyneth |
Ani O'Neill: "Doodles" at the Lord Mori Gallery LA, "Comfort Zone" at the Sue Crockford Gallery Auck |
Unknown |
2001 |
| Porter, Gwyneth and Laird, Tessa (eds.) |
Log 14: Life and death |
The Physics Room |
2001 |
| Hagen, Penny |
The Picnic |
The Physics Room |
2000 |
| Foster, Hal |
Recodings: Art, Spectacle, Cultural Politics |
Bay Press, Seattle |
1985 |
| Hall, David John |
Lean: Recipes for Starving Artists |
Rm103 |
2008 |
| Hanson, Ron |
The Subconcious Restaurant |
White Fungus |
2012 |
| Hanton, Jamie |
Other Echoes |
Blue Oyster Art Project Space |
2013 |
| Hanton, Jamie (ed.) |
Blue Oyster Annual 2011 & 2012 |
Blue Oyster Art Project Space |
2013 |
| Heald, Robert |
Michael Harrison: Love in the Shadows |
ARTSPACE NZ |
2013 |
| Haurey, Mark |
Home Helper |
Unknown |
2007 |
| Hemer, Andre |
hyper/links |
The Physics Room |
2012 |
| Davidson, Henry (ed.) |
Close Your Eyes With Holy Dread |
ARTSPACE NZ |
2015 |
| Hipkins, Gavin |
Folklore |
ARTSPACE NZ |
2001 |
| Hoffmann, Jens |
The Next Documenta Should be Curated by an Artist |
Revolver Archiv für aktuelle Kunst |
2004 |
| Best, Holly, de Latour, Tony and Tappenden, Alice (ed.) |
Domestic Abstraction |
Chambers, Christchurch |
2015 |
| Hood, Robert |
Techno Psychics |
Jonathan Smart Gallery, Christchurch |
2007 |
| Hood, Robert and Moore, Tahi |
Vacuum Idle Adjustment |
Enjoy Public Art Gallery |
2009 |
| Hopkinson, Sarah |
How W.H. Auden spends the night in friend's house |
Gambia Castle Press, Auckland |
2007 |
| Janssen, Horst |
Horst Janssenz: Hundred Posters |
Germany |
1991 |
| Huddleston, Charlotte |
Mostly Harmless: A Performance Series |
Govett-Brewster Art Gallery |
2006 |
| Hudsucker, Rudolf |
White Fungus |
White Fungus |
2004 |
| Hughes, Sara |
Sara Hughes: Love Me Tender. Software for Ada. Digital Mosaics |
Hocken Library, University of Otago |
2004 |
| Hutchinson, Lonnie & Vaevae, Veronica |
The Loni and Roni Show |
The Physics Room |
2003 |
| Ian Wedde and Gregory Burke (ed.) |
Now See Hear |
Victoria University Press, Wellington |
1990 |
| Kerr, Sean |
Pop: Sean Kerr |
Clouds Publishing |
2009 |
| Laird, Tessa, Leonard, Robert and Madden, Peter |
Peter Madden |
Institute of Modern Art, Brisbane |
2011 |
| Gordon-Smith, Iona and Lopesi, Lana (eds.) |
Localise 001 |
Auckland |
2015 |
| Read, Christina |
I blame it on Charlie Rose |
Te Uru Waitakere Contemporary Gallery |
2015 |
| Gordon-Smith, Iona and Lopesi, Lana (eds.) |
Localise 002 |
Auckland |
2015 |
| Gordon-Smith, Ioana |
James Cousins: Restless Idiom |
Te Uru Waitakere Contemporary Gallery |
2016 |
| Gordon-Smith, Ioana |
Judy Millar: The Model World |
Te Uru Waitakere Contemporary Gallery |
2015 |
| Gordon-Smith, Iona and Lopesi, Lana (eds.) |
Localise 001 |
Auckland |
2015 |
| Gordon-Smith, Iona and Lopesi, Lana (eds.) |
Localise 003 |
Auckland |
2015 |
| Gordon-Smith, Iona and Lopesi, Lana (eds.) |
Localise 004 |
Auckland |
2015 |
| Isobel Thom, and Barry, Kathy |
Home World |
Te Uru Waitakere Contemporary Gallery |
2015 |
| Parker, John (ed.) |
Five by Five: New Conversations with Clay |
Te Uru Waitakere Contemporary Gallery |
2015 |
| Voller, James |
James Voller: Off-Site Project |
High Street Project |
2009 |
| Abbott, Janet |
The Middle Way: The Art of Exchange |
Design and Arts College of New Zealand, Christchurch |
2005 |
| Hutchinson, Jay |
HATED, THE RISE AND FALL OF a gallery |
Dunedin |
2014 |
| Hutchinson, Ja |
HATED, THE RISE AND FALL OF a gallery |
Dunedin |
2014 |
| Vicente, Mercedes and Jee-sook, Beck (Curators) |
Activating Korea Tides of Collective Action |
Govett-Brewster Art Gallery |
2008 |
| Booth, Jeremy and Beck, Andrew |
Andrew Beck: Framework |
Enjoy Public Art Gallery |
2010 |
| Ng, Emma (Curator) |
In through the earth, and up to the sky |
Enjoy Public Art Gallery |
2015 |
| Jiangbo, Jin |
Booming |
Timezone 8 Limited, China |
2009 |
| Campbell, Jo and Wolf, Erika (eds.) |
Old, New, Borrowed, Blue: 10 Years at the Blue Oyster |
Blue Oyster Art Project Space |
2009 |
| Schmid, Joachim |
The Coach House / An Inventory |
NPN Drukkers |
2011 |
| Scott, Hannah (Curator) |
Honestly: New Artists Show |
ARTSPACE NZ |
2002 |
| Joo, Eungie and Swan, Ethan |
Art Spaces Directory |
New Museum / Art Asia Pacific |
2012 |
| Griffen, Joseph and Montgomery, Samuel |
Last Call for Drinks |
FUZZYVIBES |
2014 |
| Joy, Eliana |
Notes Collected from Arts Institutions |
University of Canterbury, Christchurch |
2013 |
| Jwa, Se Hoon |
A Tail of Two Cities |
Hyunsil Cultural Studies |
2006 |
| Newby, Kate |
Holding onto it only makes you sick |
Gambia Castle Press, Auckland |
2008 |
| Cleland, Kathy (Curator) |
ARTificial LIFE |
ARTSPACE NZ |
1999 |
| Carmichael, Kelly (ed.) |
John M. Armleder |
ARTSPACE NZ |
2001 |
| O'Hagan, Kelsey and Ralston, Cameron |
Strips Club Issue Two |
Ilam, Christchurch |
2014 |
| Barr, Jim and Barr, Mary |
Light switch and conduit |
Dunedin Public Art Gallery |
2016 |
| Taepa, Kereama |
A (very) brief history of Aotearoa |
Wellington Sculpture Trust |
2016 |
| Cooper, Eleanor |
They say this island changes shape |
The Physics Room |
2016 |
| Kennedy, Alexandra |
Pictures of Nothing |
The School of Art, Dunedin |
2009 |
| Kerr, Sean |
Bruce Is In The Garden; So Someone Is In The Garden |
Clouds Publishing |
2010 |
| Lee, Kerry Ann |
The Heat of a Thousand Suns |
Kerry Ann Lee / Pivot Print |
2014 |
| Lee, Kerry Ann |
The Unavailable Memory of Gold Coin Cafe |
Kerry Ann Lee / Enjoy Public Art Gallery |
2015 |
| Paton, Kim (ed.) |
Public Good #2 |
RAMP Gallery |
2014 |
| Laing, Melissa |
These Undesirable Immigrants |
Enjoy Public Art Gallery |
2013 |
| Laird, Tessa |
A Rainbow Reader |
Clouds Publishing |
2013 |
| Paton, Kim and Harvey, Mark |
What's the hurry? |
RAMP Gallery |
2014 |
| Carlin, Kirstin and Wynne-Jones, Victoria |
Kirstin Carlin: Other Avenues |
Melanie Roger Gallery |
2014 |
| Kregar, Gregory |
Gregory Kregar: Between Ridiculous and Sublime |
Unknown |
2005 |
| Lane, Tony |
Practical Meta-physics |
City Gallery Wellington |
2006 |
| Leach, Maddie |
My Blue Peninsula |
Te Papa Tongarewa, Wellington |
2006 |
| Lee, Kerry Ann |
Alternating Currents: Indigenous Perspectives in Taiwan |
Taipei Arts Village / Asia New Zealand Foundation |
2012 |
| Lee, Yona |
Tangential Structures |
Enjoy Public Art Gallery |
2013 |
| Leonard, Robert and Strongman, Lara |
Terry Urbahn |
Anna Bibby Gallery |
2003 |
| Fenemor, Bryn, McLauchlan, Seb and Pham, Son La (eds.) |
Hours |
Pivot Print, Wellington |
2014 |
| M&W |
Negative Space: A Glossary of Opinion |
Enjoy Public Art Gallery |
2007 |
| Leach, Maddie, Paton, Justin and Green, Tony |
Take Me Down to Your Dance Floor |
Dunedin Public Art Gallery |
2004 |
| Mahoney, Claire, Enberg, Oscar, Clement, Ben, Hadley, Jack and PBPR |
Chill Spree |
Dog Park Art Project Space |
2013 |
| Malone, Daniel |
malone@artspace |
ARTSPACE NZ |
2003 |
| Aull, Margaret, Borell, Nigel and Tavola, Ema |
Concealed Ancestors |
Papakura Art Gallery |
2013 |
| Helena, Maria Helena, Machado, P.T and Huber, Sasha |
(T)races of Louis Agassiz: Photography, Body and Science, Yesterday and Today |
Capacete Entretenimentos |
2010 |
| Marias, Annsuli and Redican, Lauren |
Concerntrate On What You Are Doing |
Enjoy Public Art Gallery |
2012 |
| Amery, Mark and Jerram, Sophie (eds.) |
TEZA 2013: The Catalogue |
Letting Space |
2014 |
| Marshall, Christopher John |
re SCAPE |
Unknown |
2008 |
| Martyn, Raewyn |
Glover Park Modifications |
Enjoy Public Art Gallery |
2011 |
| Fraser, Matilda |
Against Efficiency and other texts |
Blue Oyster Art Project Space |
2015 |
| Blomeley, Matt and Stevens, Emily |
Comfortable |
Bath Street Gallery |
2015 |
| Maw, Liz |
My Beloved Hackneyed |
Ivan Anthony / Peter McLeavey |
2009 |
| McAloon, William |
Gordon Walters: Prints + Design |
Adam Art Gallery |
2004 |
| McDonald, Lawrence |
Illusions No. 38 |
The Imaginary Partnership, Wellington |
2006 |
| McDonald, Lawrence |
Illusions No. 39 |
The Imaginary Partnership, Wellington |
2007 |
| McLeod, Andrew |
Largess |
ARTSPACE NZ / The Physics Room |
2005 |
| McQuarrie, Caroline |
No Town |
Self published |
2014 |
| Oliver, Melanie (Curator) |
Break: Towards a Public Realm |
Govett-Brewster Art Gallery |
2008 |
| Middleton, Jaki, Lawrey, David and Scott, Rachel |
Runway: Various Issues |
The Invisible Inc. |
2002 |
| Ryder, Grace and Davis, Sophie (Curators) |
Loverdose Tattoo |
North Projects and Ilam Press |
2015 |
| Loeffler, Frances and Cauchi, David. |
Andrew McLeod: Interior LIfe, A Wall Drawing |
Adam Art Gallery |
2007 |
| Barton, Christina (ed.) |
Vivian Lynn: I, Here, Now |
Adam Art Gallery |
2010 |
| Barton, Christina (ed.) |
Gavin Hipkins: Bible Studies (New Testament) |
Adam Art Gallery |
2009 |
| Heke, Walter |
Adam Douglass: Tomahawk |
Blue Oyster Art Project Space |
2008 |
| Amodeo, Gabrielle |
By The Rules |
Unknown |
2013 |
| Amodeo, Gabrielle |
PODOCARPACEAE / Dacrycarpus - ASTERACEAE / Pachystegia |
Enjoy Public Art Gallery |
2011 |
| Amodeo, Gabrielle and Sorensen, Jill |
Put Up Your Dukes! |
Blue Oyster Art Project Space |
2013 |
| Amodeo, Gabrielle and Sorensen, Jill |
Resisting Social Norms |
Unknown |
2012 |
| High Street Project |
Ampersand: A Catalogue of Art and Essays |
High Street Project |
2004 |
| Pitts, Priscilla (ed.) |
Mediatrix: new work from seven women artists |
ARTSPACE NZ |
1993 |
| Davidson, Alex (Curator) |
Hermes' lack of words |
ARTSPACE NZ |
2013 |
| Berger, Tobias |
Money for Nothing |
ARTSPACE NZ |
2003 |
| Davidson, Alex and Riva, Caterina |
NAS Pt 1 |
ARTSPACE NZ |
2012 |
| Butler, Brian and Preston, Laura |
Headway: New Artist Show 2006 |
ARTSPACE NZ |
2006 |
| Cleland, Kathy (Curator) |
artificial life': Installations by Patricia Piccinini & Troy Innocent |
ARTSPACE NZ |
1999 |
| Badger, Luke H. |
Daniel Campion: A Fabricated Daylight Response |
Unknown |
2006 |
| Fine Arts at Massey University |
Early Symptoms |
Self published |
2016 |
| Cullen, Paul, Eccleston, Tanya and Thomson, Andy (eds.) |
Weakforce4 |
Split/fountain publishing |
2016 |
| Cunnane, Abby, Hinemoa Heta, Elisapeta, Huddleston, Charlotte and Langdon, Matin Awa Clarke (eds.) |
Unfolding Kaitiakitanga: Shifting the institutional space with biculturalism |
ST PAUL St Publishing |
2015 |
| Rhodes, Pauline |
Dark Watch |
ST PAUL St Publishing |
2016 |
| Gander, Philippa and Trubridge, Sam |
The Waking Incubator: Sleep Science and Performing Arts in Dialogue |
Massey University Wellington |
2008 |
| Mcleod, Andrew |
Shhhhh shhhhh shhhh shhhh shangri-la |
Self published |
2011 |
| Frieling, Rudolf (ed.) |
Current Media Art: Video Art, CD-Rom and Internet Projects from Germany |
Zentrum fur Kunst and Medientechnologie Karlsruhe |
2000 |
| Cormack, Emily |
Vecu |
Conical |
2003 |
| Simpson, David (ed.) |
B.184 |
Christchurch Art Gallery |
2016 |
| Apple, Billy and Curnow, Wystan |
Tales of Gold: The tale of Ray |
ARTSPACE NZ |
2004 |
| T, Diamond Dane and Lee, Kerry Anne |
Celebretard Magazine |
Self published |
2007 |
| Farrar, Sarah, Johnson, Paul and van Roosmalen, Karin |
Returning Services |
Self published |
2006 |
| Menzies, Louise (ed.) |
Free Tours |
The Physics Room |
2008 |
| High Street Project |
HSP (various issues) |
High Street Project |
2006 |
| Copyshop |
Take a ride in a UFO |
Self published |
2005 |
| Pickens, Robyn (Curator) |
Spaghetti Junction |
64zero3 Gallery, Christchurch |
2008 |
| Law, Aidan |
Ctrl X + Ctrl V |
Self published |
2007 |
| Ganis, Janice Abo and Young, Stefanie |
Reframing the Ordinary |
Wintec, Hamilton |
2006 |
| Amodeo, Gabrielle |
Tender Validation |
Randolph Street Gallery |
2007 |
| Shelton, Ann and Turner, Stephen |
Wastelands |
Rim Books, Auckland |
2010 |
| Tyler, Linda |
Pig islanders painting like Picasso |
Te Papa Press |
2016 |
| Adam, Pip |
Appreciation: a short story |
Te Papa Press |
2016 |
| Grace, Patricia |
Face to face |
Te Papa Press |
2016 |
| McQuarrie, Caroline (Curator) |
From the Aether: Courtenay Place light box exhibition |
Self published |
2016 |
| Uxbridge Arts & Culture, Auckland |
Uxbridge Arts & Culture: Autumn 2016 |
Self published |
2016 |
| Browne, Mary-Louise |
Black and/or White White an/or Black |
Small Bore Books |
2016 |
| Chloe Geoghegan |
Blue Oyster Annual 2015 |
Blue Oyster Art Project Space |
2016 |
| Lopesi, Lana and Kumaran, Vinesh |
The Plaza |
Te Uru Waitakere Contemporary Gallery |
2016 |
| Kihara, Yuki |
A Study of a Samoan Savage |
Te Uru Waitakere Contemporary Gallery |
2016 |
| Lilo, Janet |
Status Update |
Te Uru Waitakere Contemporary Gallery |
2016 |
| Bhana, Bepen |
Frankie Goes to Bollywood |
Te Uru Waitakere Contemporary Gallery |
2016 |
| Eleanor Cooper |
They say this island changes shape |
The Physics Room |
2016 |
| Mark Shorter |
Mapping La Mancha |
The Physics Room |
2016 |
| Kemi Niko & Co. |
All Materials Salvaged |
Wellington Public Art Fund |
2015 |
| Novak, Aroha |
The Book Project |
Blue Oyster Art Project Space |
2016 |
| Art + Australia |
Issue One (53.2): Extraterritoriality |
Art + Australia |
2017 |
| Murdoch, Tiger |
The Insider |
Self Published / Blue Oyester Art Project Space |
2017 |
| Colless, Edward (ed.) |
MINEFEILD |
A + A Publishing |
2016 |
| Barton, Christina, Treadwell, Sarah and Twose, Simon (eds.) |
Drawing Is/Not Building: Roland Snooks, Sarah Treadwell, Simon Twose |
Adam Art Gallery |
2016 |
| Barton, Christina, Cann, Tyler and Vincente, Mercedes (eds.) |
Points of Contact: Jim Allen, Len Lye, Helio Oiticica |
Govett Brewster Gallery / Adam Art Gallery / Victoria Universty of Wellington |
2011 |
| Preston, Laura (ed.) |
Next Spring: An Occasional Series of Reviews |
Adam Art Gallery / Victoria University of Wellington / ATLAS Projectos |
2016 |
| Pound, Patrick |
Documentary Intersect |
Adam Art Gallery |
2016 |
| lightreading |
Ultra Vires |
8fold |
2016 |
| Mackie, Tom |
A Gift for the Walls |
The Young / MEANWHILE |
2016 |
| Unknown |
Bachelor of Visual Arts Degree Show 2016 |
Auckland University of Technology |
2016 |
| Shingade, Balamohan (Curator) |
Soft Architecture |
Malcolm Smith Gallery |
2016 |
| Lee, Yona |
In Transit |
Alternative Space LOOP |
2016 |
| Rutledge, Louise (ed.) |
Take that which has passed |
Wellington City Council |
2017 |
| Rutledge, Louise and Eade, Ruby Joy |
It was only a drunk contextualization of fleeting eye contact |
Play_station, Wellington |
2017 |
| Hammond, W. D. and Killeen, Richard |
Stop making sense |
Peter McLeavey Gallery |
2017 |
| Barton, Christina (ed.) |
Walking the Ridge |
Adam Art Gallery Te Pātaka Toi |
2017 |
| O'Connor, Maria and Harris, Brent |
Posteering |
The Physics Room |
2015 |
| Williams, Rountree Sam (ed.) |
Matters 2 |
Newcall publishing |
2009 |
| Lal, Rebecca (ed.) |
The Hive Hums with Many Minds |
Te Tuhi |
2017 |
| Donaldson, Cushla |
The Fairy Falls |
Te Uru Waitakere Contemporary Gallery |
2017 |
| Galloway, Matthew |
The Ground Swallows You Part II |
The Dowse Art Museum |
2017 |
| Read, Christina |
1. Here's a Plan - (things to do) |
Illam Campus Gallery |
2017 |
| Tonga, Ann (Curator) |
INFLUX |
ST PAUL St Gallery and PĀTAKA Art + Museum |
2017 |
| Riggir, Bridget (ed.) |
Hapori Vol. 1: Dead to the World |
Hapori |
2015 |
| Rankin, Anna (ed.) |
hapori vol. 3: anti-heroine |
Hapori |
2016 |
| Blyth, Olivia (ed.) |
Hapori Volume 5: communityity |
Hapori |
2017 |
| Murphy, Robin |
hapori volume 2 |
Hapori |
2015 |
| Watene, Yonel |
SAVOIE de LACY |
SAVOIE de LACY, Dunedin |
2017 |
| Tuke, Tom and Ronan Perry Lee (eds.) |
Hapori Vol 4: Waltzing Macabre |
Hapori |
2016 |
| McQuarrie, Caroline and Connah Podmore |
Tunnels pits pools |
Self Published |
2017 |
| Corson-Scott, Chris and Chris Holdaway |
Dreaming in the Anthropocene |
Compound Press |
2017 |
| Watson, George and Hamish Win (eds.) |
Matters 6 |
Dunedin, New Zealand |
2015 |
| Watson, George and Hamish Win (eds.) |
Matters 5 |
Wellington, New Zealand |
2014 |
| Watson, George and Hamish Win (eds.) |
Matters Issue 7 |
Wellington, New Zealand |
2017 |
| Louisson, Amalia (ed.) |
SADO: Capitalism & Anxiety in Aotearoa |
Wellington |
2018 |
| Lardies, Gabi |
To be of the other hand |
Self Published |
2017 |
| Ringer, Sylvie |
i, ii, iii: Trio (Poster) |
Moniker Press, Vancouver, BC |
2017 |
| Fresh & Fruity |
Your Luxury Gift |
Self Published |
2018 |
| Burns, Ali and Hana Pera Aoake (eds.) |
Shared Vulnerabilities |
Pivot Print, Wellington |
2018 |
| Kerr, Katie (ed.) |
Between Two Strangers: Twelve Stories of Migrating Artists |
GLORIA Publishing Collective |
2017 |
| Darragh, Judy and Imogen Taylor |
Femisphere, Issue 1 |
Self Published, Auckland |
2017 |
| Hanton, Jamie, Hamish Petersen and Hope Wilson (eds.) |
Hamster, Issue Two |
The Physics Room |
2018 |
| Geoghegan, Chloe (ed.) |
Cul De Sac |
GLORIA |
2018 |
| Barton, Christina |
Towards a History of the Contemporary |
Art History, Victoria University of Wellington |
2018 |
| Pearce, Laura (ed.) |
Ceramics New Zealand, Volume 1, Issue 1 |
Ceramics Association of New Zealand |
2018 |
| Hunter, Holly (ed.) |
Mimicry, Issue 4 |
Self Published |
2018 |
| Barr, Jim and Mary Barr (Curators) |
When Art Hits the Headlines: A Survey of Controversial Art in New Zealand |
National Art Gallery |
1987 |
| Holloway-Smith, Bronwyn |
The Southern Cross Cable |
City Gallery, Wellington |
2018 |
| Lardies, Gabi |
Aotearoa 2017 |
Self Published, Auckland |
2017 |
| Meyle, Lucy and Ziggy Lever |
Looking forwards and backwards |
Blue Oyster Art Project Space |
2017 |
| Hanton, Jamie, Hamish Peterson and Hope Wilson (eds.) |
HAMSTER Issue One |
The Physics Room |
2017 |
| Darragh, Judy and Imogen Taylor (eds.) |
FEMISPHERE |
Auckland |
2017 |
| Bywater, Jon, Louise Menzies and Marnie Slater |
Die Toilette |
Paraguay Press |
2014 |
| Geoghegan, Chole and Grace Ryder (eds.) |
Blue Oyster 2016 Annual |
Blue Oyster Art Project Space |
2017 |