Wai Ching Chan
10 Aug – 7 Sep
The Button knot: holding what was separated together
The ‘Caisson’ knot: establishing connection to the ‘world’ and us
The Endless knot: Typically seen as the ‘good luck knot’; ultimate, eternal blessings, friendship and connection
Ma'u Pe Kai
10 Aug – 7 Sep
Kaikohe is a small town located in Northland, a town that reflects the village culture my fāmili (family) were accustomed to back in Tonga. My ongo mātu'a (parents) made the decision to raise our fāmili in Kaikohe. They left their fonua in exchange for the whenua in Aotearoa. As my father had said, “To’uanga fiemalie pe, he teu ave koe ki Nusila mo fanau”, God had brought us here. My parents’ migration brought about a shift in perception, towards the idea that value was only obtained through Western knowledge.
Ordinary things will be signs for us
Kerry Ann Lee
30 Jun – 10 Aug
Ordinary things will be signs for us is a project by Pōneke-based artist and designer Kerry Ann Lee. Taking Enjoy’s 19-year archive of printed ephemera as a starting point, Lee has created a collage installation of graphic fragments that explores the social architecture of Enjoy’s history.
Until further notice
1 May – 30 Jun
A transitional programme
From the beginning of May, Enjoy will temporarily operate in a slightly different way. Our built-in office and storage at 1/147 Cuba Street will be dismantled and rearranged as we pause the exhibition programme to establish a flexible space for work, discussion and gathering.
24 Apr – 27 Apr
Films by Jonas Mekas, Chantal Akerman, Moyra Davey and Agnès Varda
Please join us for Home Movies, a series of screenings of films by Jonas Mekas, Chantal Akerman, Moyra Davey and Agnès Varda from Wednesday 24–Saturday 27 April.
Dreaming of Lulu
15 Mar – 20 Apr
Dreaming of Lulu is a solo exhibition by Pōneke-based artist Christopher Ulutupu. Reimagining music videos for 1970s Samoan love songs from groups such as Punialavaa, Penina Tiafau and Tiama’a, this is the first iteration of a new body of work by Ulutupu called 5 songs that explores music’s ability to travel across diasporic, cultural and intergenerational spaces.
8 Feb – 9 Mar
"Sometimes, when I drive down the street from my house, I see a woman walking backwards down the footpath. The street she walks on is long and straight, but at the end there is a corner and I wonder how smoothly she walks around this. I imagine she has done this many times and is now able to move backwards without looking behind her.
I wonder about what she is doing, this seems at first strange, but the more I’ve seen her the more neutral it becomes… mostly I try to see it for what it is… I don’t mean to be voyeuristic or overly-romanticised. But, I do wonder what it means to be walking backwards down the footpath in a world where people are always walking forwards."