Metabolism

Eugenia Lim, film stills from Metabolism, 2K single-channel video, colour, sound, 29:15. Courtesy of the artist and STATION.


Eugenia Lim, film stills from Metabolism, 2K single-channel video, colour, sound, 29:15. Courtesy of the artist and STATION.

upcoming
11 May – 1 Jun

Eugenia Lim

A portrait of a living, working ecology and the multi-species it sustains, Metabolism is a film essay that considers the body-as-land and land-as-body.

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Filmed around the site of the Western Treatment Plant (WTP) in Werribee, Victoria, Australia, Metabolism considers metabolism as an ambivalent process that connects external and internal forces: from chemical energy-creation within our bodies, to capitalism’s ‘metabolic rift’. For the Wadawurrung people, Wirribi-yaluk (Werribee river) is the backbone and spine of Country, a waterway that has sustained life since time immemorial. Wirribi-yaluk runs along the eastern edge of the WTP, a living and flowing entity connecting old ways with new. Since colonisation, the land, waters and air of this place have been drastically shaped to produce and metabolise food, waste, energy and water. New housing developments with names like ‘Riverwalk’ and ‘Manor Lakes’ spring up within smelling distance of effluent ponds in an ongoing process of birth, death and renewal. Through multiscalar ‘ways of seeing’, in Metabolism, bodies are porous and interconnected—from the microscopic to the planetary. 

Created across seasons, in dialogue with the site-as-protagonist, Metabolism considers the interdependencies between human and more-than-human bodies, interior and exterior ecologies, and the consumption, colonisation and capitalisation of body-as-land.  


CREDITS

Director, Editor, Producer, Writer - Eugenia Lim
Cinematographer - Tim Hillier
Composer, Sound Designer, Mixing - Carolyn Schofield (Fia Fiell)
Drone Operators - Trent Perrett and Glenn Hester
Production Coordinator - Bianca Chang
Wadawurrung Cultural Advisors - Stephanie Skinner and Corinna Eccles
Performers - Lee Wan and Harshanie Habarakadage
Western Treatment Plant Operations - Peter Kissonergis
Melbourne Water Heritage Advisor - Paul Balassone
Colourist and Post - Chris Tomkins
Title Design - Amery Oke-Johnston (Thought & Found)
Sound Mastering, Recording Engineer - Pat Telfer
Artistic Advisors - Amos Gebhardt and Gabrielle Brady


Metabolism was filmed on and in the lands, waters and skies of the Wadawurrung. We pay our deep respect to the sovereign traditional custodians of this place for their deep, ongoing practice of care for country, kin and culture.

Commissioned by Public Art Commission, Deakin University and the City of Wyndham. Presented by PUBLICS.


Eugenia would like to thank: Peter Kissonergis, Paul Balassone, Catherine Rees, Lee Wan and Harshanie Habarakadage at Melbourne Water; Trisha-lee Donavan at Wadawurrung Aboriginal Corporation; David Cross, Cameron Bishop, Simon Reis and the Public Art Commission team; Paul O’Neill and PUBLICS; Amelia Wallin, Anu Pennanen and Stéphane Querrec; Gabrielle Brady and Amos Gebhardt for creative support; and all her Metabolism collaborators, human and more-than-human.

EUGENIA LIM
Eugenia Lim is an artist of Chinese-Singaporean ancestry who works across body, lens, social and spatial practice to explore how migration, capital and encounter cut, divide and bond our interdependent world.

Based in Melbourne, Australia, on unceded Wurundjeri lands in the Kulin Nation, Lim has shown at the Tate Modern (GBR), LOOP Barcelona (ESP), Recontemporary (IT), Kassel Dokfest (DE), Museum of Contemporary Art (AU), ACCA (AU), FACT Liverpool (GBR), Kunsthal Charlottenborg (DK) and EXiS (KR). She co-founded CHANNELS Festival, co-wrote and hosted Video Becomes Us on ABC iView and is a former co-director at APHIDS. Lim has been artist-in-residence with the Experimental Television Centre (NY), Bundanon Trust, 4A Beijing Studio, and Gertrude Contemporary. Lim is a 2022 Sidney Myer Creative Fellow and winner of Charlottenborg Spring’s 2022 Deep Forest Art Land Award. In 2024, Lim is an AIDC Leading Light, a Frame Documentary Lab participant, and one of 10 international directors selected for the prestigious Berlinale Talents Short Form Station. Eugenia Lim is represented by STATION.

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Gaza: the Soul of Souls

Poster designed by Rocky Press Studio.

Poster designed by Rocky Press Studio.

upcoming
24 Apr – 27 Apr

Gaza: the Soul of Souls, an exhibition by Justice for Palestine, is focused on Gaza, the people, our martyrs and a place where on it are, as Palestinian poet Mahmoud Darwish says, those who deserve to live.

 

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To quote the manifesto What is the Future of Art? by the Palestinian Pavilion in Venice, “Palestine is the world in its future tense.” Is this a world we want to live in? The exhibition looks at decades of occupation in Palestine, and dives into histories behind popular symbols of resistance. Gaza: the Soul of Souls is a celebration of Palestinian life, community, and a call for collective efforts to work towards a future void of colonial violence, guided by the Soul of Gaza.

The term “soul of souls” is a phrase strongly linked to the current violence in Gaza due to the tragic emerging video of child victim Reem Nabhan’s grandfather holding his deceased granddaughter, farewelling her after she was killed, and calling her “Ya rooh al rooh” (the soul of souls).

 

Curated by Justice for Palestine

Event

Opening: Gaza: the Soul of Souls

Join us at 6pm, Tuesday 23 April to open Gaza: the Soul of Souls, an exhibition by Justice for Palestine, focused on Gaza, the people, our martyrs and a place where on it are, as Palestinian poet Mahmoud Darwish says, those who deserve to live.

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