| Barton, Christina and Batchen, Geoffrey |
Dark Sky |
Adam Art Gallery |
2012 |
| Barton, Christina, Curnow, Wystan and Leonard, Robert (eds.) |
Reading Room: A Journal of Art and Culture |
Auckland Art Gallery |
2007 |
| Cunnane, Abby and Oliver, Melanie (eds.) |
Reading Walking Writing |
The Physics Room |
2015 |
| Cormack, Emily (Curator) |
Super Natural |
The Physics Room |
2006 |
| Galloway, Matthew and Sutherland, Ella |
Speaking Places: Hamilton 2015 |
Self published |
2016 |
| Dryburgh, Emil |
Night School |
FUZZYVIBES |
2014 |
| Menzies, Louise |
What Is Radiant Living |
Clouds Publishing |
2012 |
| Meros, Richard |
Beggars and Choosers |
Lawrence and Gibson |
2010 |
| Unknown |
Portage 15 Ceramic Awards |
Te Uru Waitakere Contemporary Gallery |
2015 |
| Walker, Paul |
Gavin Hipkins: The Habitat |
Adam Art Gallery / ARTSPACE NZ |
2000 |
| Barton, Christina (ed.) |
Joseph Kosuth: Guests and Foreigners, Rules and Meanings (Te Kore) |
Adam Art Gallery |
2004 |
| Barton, Christina (ed.) |
Play On |
Adam Art Gallery |
2010 |
| Barton, Christina (ed.) |
Four Times Painting |
Adam Art Gallery |
2007 |
| McIntosh, Clare (ed.) |
NAS pt.1 |
ARTSPACE NZ |
2012 |
| Irish, Gina |
Sampler Joanna Langford |
The Physics Room |
2004 |
| Rajkowski, Raymonda (Curator) |
David Spooner: Chiromancy |
Boxcopy |
2009 |
| Tonga, Ane (curator, ed.) |
Declaration: A Pacific Feminist Agenda |
Auckland Art Gallery Toi o Tāmaki, Auckland |
2022 |
| Robinson, James |
James+_pictures Tourettes+_words 09 |
KOLEKTIV |
2009 |
| Slater, Marnie (Curator) |
Some Kind of Fact, Some Kind of Fiction |
The Engine Room Gallery |
2007 |
| Corbishley, Grant |
Artist Run Spaces |
Self published |
2000 |
| Lin, Aimee; Terrien, David (eds.) |
ArtReview Asia, volume 4, issue 5, Winter 2016 |
ArtReview Asia, London |
2016 |
| Booth, Jeremy (ed.) |
Bedwyr Williams: Le 'Welsh' Man's 24 Hour |
Enjoy Public Art Gallery, Wellington |
2010 |
| Barton, Christina (ed.) |
Behind Closed Doors |
Adam Art Gallery, Wellington |
2011 |
| Whitwell, Matt |
Black Flora |
Self published, Wellington |
2012 |
| Kerr, Katie; Walsh, Gemma |
Dirt |
GLORIA, Auckland |
2018 |
| Collage Club; Sarah Lee; Sasha Francis (curators) |
Aotearoa Rising |
5ever, Wellington |
2020 |
| Shelton, Ann |
The Physical Garden |
Auckland Art Gallery Toi o Tāmaki |
2018 |
| Bennett, Kaleb (artist); Danae Mossman, Earl Mudder (texts) |
The Sumidero Canyon |
Artbruit / The Physics Room, Christchurch |
2005 |
| John McCormack (ed.) |
Art News New Zealand, vol. 41, no. 2 (Winter 2021) |
Art News New Zealand, Auckland |
2021 |
| Fine Arts at Massey University |
SOFA SO GOOD |
Self published |
2014 |
| Smith, Allan (curator) |
A Very Peculiar Practice: Aspects of Recent New Zealand Painting |
City Gallery, Wellington |
1995 |
| Cunnane, Abby and Oliver, Melanie (eds.) |
Reading Walking Writing |
The Physics Room |
2015 |
| Adams, Mark and Taouma, Lisa |
Tatau- Pe'a: Photographs & Measina Samoa: Stories of the Malu |
Adam Art Gallery |
2003 |
| Suaalii-Sauni, Tamasailau M; Maualaivao Albert Wendt; Vitolia Mo'a; Naomi Fuamatu; Upolu Luma Va'ai; |
Whispers and Vanities: Samoan Indigenous Knowledge and Religion |
Huia Publishers, Wellington |
2014 |
| Kilford, Angela, Patrick, Dr. Martin and Lee, Kim |
Mokopuna Island Project |
Wellington City Council |
2015 |
| Tiatia, Angela |
Foreign Objects |
Fresh Gallery Otara |
2011 |
| Shelton, Ann |
Ann Shelton: A library to scale |
Rim Books, Auckland |
2006 |
| Apperly, Jane, Darragh, Tamara and Sanderson, Kylie |
The Artists |
Beatnick Publishing, Auckland |
2013 |
| Art and Design at Massey University |
Exposure 2012 |
Massey University Wellington |
2012 |
| Artspace; Claudia Arozqueta (author) |
In response to the exhibition: Peter Friedl The Dramatist at Artspace, March-April 2014 |
Artspace, Auckland |
2014 |
| Artspace; Alex Mitcalfe Wilson (author) |
In repsonse to the exhibition: Welcome curated by Ahilapalapa Rands at Artspace, September-October 2 |
Artspace, Auckland |
2014 |
| Baker, Kriselle |
The Enchantment of Irony |
64zero3 Gallery, Christchurch |
2008 |
| Barr, Mary |
Ready Mix: Essays and Pictures from the Concrete Detail |
The Concrete Deal |
1998 |
| Culbert, Bill (artist); Julia Waite (cur.); Justin Clemens |
Bill Culbert Slow Wonder |
Auckland Art Gallery Toi o Tāmaki, Auckland |
2021 |
| Barton, Christina, Riva, Caterina and White, Anne-Marie |
Shannon Te Ao: I can press my face up against the glass |
Ilam Press |
2014 |
| Barton, Christina (ed.) |
The Expatriates |
Adam Art Gallery |
2005 |
| Breuning, Olaf |
Group |
ARTSPACE NZ |
2002 |
| Baxter, Alice |
Sometime Later |
Enjoy Public Art Gallery |
2011 |
| Amodeo, Gabrielle |
Keeping Secrets and Stealing Things |
Artspace, Auckland |
2014 |
| John McCormack (ed.) |
Art News New Zealand, vol. 41, no. 1 (Autumn 2021) |
Art News New Zealand, Auckland |
2021 |
| Abbott, Edwin. A. |
Flatland: A Romance of Many Dimensions |
rm103, Auckland |
2007 |
| Artspace; Tobias Berger (curator) |
Follow The White Rabbit |
Artspace, Auckland |
2006 |
| Bickers, Patricia |
Art Monthly (various editions) |
Britannia Art Publications Ltd. |
2001 |
| Bishop, Claire |
Participation |
Whitechapel Ventures Limited, Italy |
2006 |
| Ioana Gordon-Smith and Lana Lopesi (eds.) |
Localise 005 (19 October 2015) |
Whau Arts Festival, Auckland |
2015 |
| Bizumic, Mladen (artist), Gregory Burke, Simon Rees |
Mladen Bizumic: Fiji Biennale Pavilions |
Govett-Brewster Art Gallery, New Plymouth |
2004 |
| Booth, Jeremy and Caudwell, Catherine (eds.) |
White Pages: Dark Matter |
Enjoy Public Art Gallery |
2010 |
| Booth, Jeremy and Edmunds, Hannah (eds.) |
Workshopping Performance |
Enjoy Public Art Gallery |
2008 |
| Borrell, Jessie |
Sister City |
Enjoy Public Art Gallery |
2006 |
| Breikers, Joseph |
Stephen Russell: Super Vanitas |
Boxcopy |
2009 |
| Nightingale, Brenda and Calder, Helen |
Brenda Nightingale: Twin Peaks |
The Physics Room |
2008 |
| Brennan, Stella |
Fetus Reproductions |
ARTSPACE NZ |
1981 |
| McLeod, Rob and Rutledge, Louise |
The Immigrants |
Bath Street Gallery |
2016 |
| Britton, Stephanie |
Artlink |
Artlink, South Australia |
1996 |
| Buchanan, Benjamin |
There's a Ghost in my House |
Enjoy Public Art Gallery |
2007 |
| Bugden, Emma |
Who's Afraid of the Big Bad Wolf? : Mythology, Fairytales and the Occult |
Te Tuhi |
2007 |
| Bugden, Emma |
Sweet Punch: Recent Nordic Video |
Clouds Publishing |
2006 |
| Burke, Gregory |
Drive: Power>Progress>Desire |
Govett-Brewster Art Gallery |
2000 |
| Burke, Gregory |
Arcadia: The Other Life of Video Games |
Govett-Brewster Art Gallery |
2003 |
| Burke, Gregory |
Entropy in Reverse |
Govett-Brewster Art Gallery |
2003 |
| Burke, Gregory and Scott, Hanna |
Feature: art, life, cinema |
Govett-Brewster Art Gallery |
2001 |
| Burke, Gregory and Fraser, Jacqueline |
The Making of the Ciao Manhattan Tapes |
Adam Art Gallery |
2013 |
| Butler, Brian |
Speculation |
Venice Project |
2007 |
| Burke, Gregory and Rees, Simon |
Extended Play: Art Remixing Music |
Govett-Brewster Art Gallery |
2003 |
| Butler, Brian |
Peter Robinson: Ack and Other Abdications |
ARTSPACE NZ / Clouds Publishing |
2008 |
| Lee Bul (artist); Gregory Burke; Charlotte Huddleston (eds) |
Lee Bul |
Govett-Brewster Art Gallery, New Plymouth |
2007 |
| Şenova, Başak (curator); Adel Abidin; Rosa Barba; Runa Islam (artists); İlkay Baliç (ed.) |
Adel Abidin. Rosa Barba. Runa Islam: The Move |
ARTER, Istanbul |
2012 |
| Byrt, Anthony |
Sticky |
RAMP Gallery / Whitecliffe |
2004 |
| Cranston, Meg |
Hot Pants In a Cold Cold World |
ARTSPACE NZ / Clouds Publishing |
2008 |
| Brennan, Stella and Ballard, Stu |
The Aotearoa Digital Arts Reader |
Aotearoa Digital Arts / Clouds Publishing |
2008 |
| Canterbury University |
Ilam/Elam/Massey/AUT art work |
Canterbury University |
2013 |
| Connor, Fiona and Didsbury, Margot |
Drifting Observatories |
Self published |
2006 |
| Hammond, Catherine (ed.) |
Reading Room : A Journal of Art and Culture |
E. H. McCormick Research Library |
2013 |
| Chay, Bopha (ed) |
Apocalypse Tent |
Enjoy Public Art Gallery |
2011 |
| Cheesman, Iain |
Sampler: Iain Cheesman |
The Physics Room |
2004 |
| Cheng, Xin and Dryburgh, Kirsten |
Gleaners' Garden |
Enjoy Public Art Gallery |
2014 |
| Cheng, Xin and Smith, Allan |
Distracted- Reader #1 Mixtures |
Split/Fountain |
2013 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 38 (2010) |
Self published, Wellington |
2010 |
| Choy, Lee Weng, McIntyre, Sophie and Tan, Eugene |
Islanded: Contemporary Art from New Zealand, Singapore and Taiwan |
Institute of Contemporary Arts Singapore |
2005 |
| Barton, Christina (ed.) |
Kim Pieters: What is a Life? |
Adam Art Gallery |
2015 |
| Read, Christina |
Evidence |
ARTSPACE NZ / The Physics Room |
2008 |
| Strongman, Lara (ed.) |
Bambury: Works 1975 - 1999 |
City Gallery Wellington |
1999 |
| College of Creative Arts |
Exposure 2013 |
Massey University Wellington |
2013 |
| I Must Behave |
Connew, Bruce |
Vapor Momenta Books |
2009 |
| Connew, Bruce |
I Saw You |
Vapor Momenta Books |
2007 |
| Cotterell, Chris, Montgomery, Kate, Pratt, Susie |
Ascending Scale |
High Street Project |
2006 |
| Crop Magazine |
Crop Issue 2 |
Dunedin |
2011 |
| Cross, David and Doherty, Claire |
One Day Sculpture |
Kerber Verlag |
2009 |
| Crowe, Meredith (ed.) |
The League of Makers Retrospective 2010-2013 |
The League of Makers, Wellington |
2013 |
| Crowe, Meredith and Ng, Emma (eds.) |
Sensum |
Enjoy Public Art Gallery |
2014 |
| Kreisler, Aaron (Curator) |
Erica van Zon: Dogwood Days |
Dunedin Public Art Gallery |
2014 |
| Carran, Victoria, Francis, Jessica (Curators) |
ROM |
The Date Club |
2014 |
| Buchanan, Ruth (ed.) |
The Collapse of Several Pillars |
Piet Zwart Institute, Rotterdam |
2007 |
| CIRCUIT; Williams, Mark (curator) |
The Artists' Cinema |
CIRCUIT Artist Film and Video Aotearoa |
2012 |
| Huddleston, Charlotte (curator) |
Diagram |
The Engine Room |
2010 |
| Auckland Triennial; Allan Smith (curator) |
Bright Paradise: The first Auckland Triennial |
Auckland Art Gallery Toi o Tāmaki, Auckland |
2001 |
| Conland, Natasha |
Last Ride in a Hot Air Balloon: The fourth Auckland Triennial |
Auckland Art Gallery |
2010 |
| Nigel Borell; Ema Tavola (eds) |
South: Issue 2 |
Toi o Manukau |
2013 |
| Mitchell, Dane, Garrett, Louise, Cormack, Emily |
Dane Mitchell: Present Surface of Tell |
The Physics Room |
2005 |
| Dashper, Julian |
This Is Not Writing |
Clouds Publishing / Michael Lett |
2010 |
| Maskill, David (ed.) |
State of the Art: Reproductive prints from the Renaissance to now |
Adam Art Gallery |
2014 |
| Nigel Borell; Ema Tavola (eds) |
South: Issue 1 |
Toi o Manukau |
2011 |
| Devenport, Rhana |
New Nature |
Govett-Brewster Art Gallery |
2008 |
| Di Stefano, John and Vicente, Mercedes |
Unfold |
Enjoy Public Art Gallery |
2011 |
| Diehr, Ursula and Steinmann, Holger |
Art/38/Basel |
Hatje Cantz Verlag |
2007 |
| Lister, Aaron, M Gómez, Edward, Shepherd, Stuart |
Tea Time: Ron Dixon, Don Driver and Maiangi Waitai |
Enjoy Public Art Gallery |
2010 |
| lloyd-Jenkins, Douglas, McAloon, William |
Living Room: The Third Goodman-Suter Contemporary Art Project 2003 |
The Suter Te Aratoi o Whakatu, Nelson |
2003 |
| Douglass, Adam |
Life, the Universe and the 420 Centre |
Blue Oyster Art Project Space |
2007 |
| Carly, Rachel |
Pausing terrain |
RAMP Gallery |
2009 |
| Hotere, Ralph |
Ralph Hotere: Black Light |
Te Papa Press |
2000 |
| Read, Christina (ed.) |
The Brain |
The Brain |
2015 |
| Mautambu, John and Riggir, Birdget |
Perspective: Journal of the University of Auckland Art History Society Issue No. 3 Parahistory |
The University of Auckland Art History Society |
2015 |
| Leonard, Robert (ed.) |
Unseen City: Gary Bigent, Rodney Charters, and Robert Ellis in Sixties Auckland |
Te Uru / City Gallery Wellington |
2015 |
| Hanfling, Edward |
Thoughts on art in life |
Free Parking Space |
2014 |
| Bett, Elva |
New Zealand Art: A Modern Perspective |
Reed Methuen Publishers LTD |
1986 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 80 (2022) The Last Parenting Issue |
Self published, Te Whanganui-a-Tara/Wellington |
2022 |
| Artspace; Rhana Devenport (curator) |
Compelled: Annual New Artists Show 05 |
Artspace, Auckland |
2005 |
| Crowe, Deborah |
Sarah Walker-Holt: Kitset |
Te Uru Waitakere Contemporary Gallery |
2015 |
| Dryburgh, Emil and Parkin, Haley (ed.) |
Free For All |
Hashtag500words |
2015 |
| Buchanan, Ruth; Aileen Burns & Jonah Lundh; Hanahiva Rose (eds) |
Uneven Bodies (Reader) |
Govett-Brewster Art Gallery, New Plymouth |
2021 |
| Bugden, Emma (Curator) |
The Young Artist's Library Companion |
The Hocken Library Galleries, Dunedin |
1999 |
| et al. |
et al.: the fundamental practice (New Zealand at the 51st Venice Biennale) |
CNZ / Govett Brewster Art Gallery / Te Papa Press |
2005 |
| et al., Barr, Jim, Barr, Mary and Burke, Gregory |
arguments for immortality |
Govett-Brewster Art Gallery |
2003 |
| Faigan, Violet |
Help |
Dunedin Public Art Gallery |
2001 |
| Finlay, John and Plummer, Matt |
Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011 |
Adam Art Gallery |
2012 |
| Ferrier, Finn and Hopkinson, Sarah |
Shortcuts, via the [known] Solar System: Map One |
George Fraser Gallery, Auckland |
2006 |
| Ford, James R |
Fail Better |
Self published |
2014 |
| Frieling, Rudolf |
Medien Kunst Aktuell: Current Media Art |
Zentrum fur Kunst und Medientechnologie Karlsruhe |
1997 |
| Galbraith, Heather |
Telecom Prospect 2007: New Art New Zealand |
City Gallery Wellington |
2007 |
| Galloway, Matthew (ed.) |
Seeing Which Way the Wind Blows |
Split/Fountain |
2013 |
| Galloway, Matthew (ed.) |
Seeing Which Way the Wind Blows |
Split/Fountain |
2013 |
| Galloway, Matthew (ed.) |
The Silver Bulletin |
o-s-x-x-o-s-x-x.com |
2012 |
| Gambia Castle |
The Delivery: Gambia Castle Exhibitions 2007 |
Gambia Castle Press, Auckland |
2008 |
| Lee, Gary |
gorgeousness |
Fresh Gallery Otara |
2011 |
| Hipkins, Gavin (Curator) |
Folklore: The New Zealanders |
ARTSPACE NZ |
1998 |
| Gentry, Regan |
Of Gorse Of Course |
umbrella, USA |
2007 |
| Hunkin, Galumalemana Alfred |
Tatau |
Adam Art Gallery |
2003 |
| Menzies, Michelle (ed.) |
Cinema & Painting |
Adam Art Gallery |
2014 |
| Smith, Bronwyn |
Wildlife |
Enjoy Public Art Gallery |
2006 |
| Gentry, Regan |
Flour Power |
Art & Industry Biennial Trust, Christchurch |
2008 |
| Donson, Greg and McClintock, Sarah |
Infiltrations II |
Infiltrations Artists Collective |
2016 |
| Watson, Georgina |
Yona Lee: Specific Objects |
Blue Oyster Art Project Space |
2014 |
| Amodeo, Gabrielle; Ena Kosovac, Daphne Simons, Michelle Beattie |
Ricotta: The Whey Publication |
PILOT, Hamilton; RAMP Gallery, Hamilton |
2014 |
| Matthew Galloway (ed.) |
Points of Departure, Issue One (September 2012) Effects of Remoteness/How to Travel |
o-s-x-x, Christchurch |
2012 |
| Sylva, Sasha da |
Pragmatic speculativity, less the thickness of feeling |
5ever, Wellington |
2020 |
| Artspace; Michael Ned Holte (curator) |
TL;DR |
Artspace, Auckland |
2014 |
| Getty, Rosalind and Wagstaff, Taylorw |
Whats The Point? |
Wagstaff and Getty Publisher |
2013 |
| Giblin, Tessa |
Giblin, Tessa |
ARTSPACE NZ |
2004 |
| Giblin, Tessa and Smart, Jonathan |
Sowstoppers |
Jonathan Smart Gallery, Christchurch |
2004 |
| Gillam, Jenny |
Show |
Massey University Wellington |
2009 |
| Griffin, Kate and Stanhope, Zara |
Art forum series 2001 |
Adam Art Gallery |
2002 |
| Wright, Alan and Hanfling, Edward |
Vuletic and his Circle |
Gus Fisher Gallery |
2003 |
| Porter, Gwyneth |
Ani O'Neill: "Doodles" at the Lord Mori Gallery LA, "Comfort Zone" at the Sue Crockford Gallery Auck |
Unknown |
2001 |
| Hagen, Penny |
The Picnic |
The Physics Room |
2000 |
| Foster, Hal |
Recodings: Art, Spectacle, Cultural Politics |
Bay Press, Seattle |
1985 |
| Hall, David John |
Lean: Recipes for Starving Artists |
Rm103 |
2008 |
| Hanton, Jamie |
Other Echoes |
Blue Oyster Art Project Space |
2013 |
| Heald, Robert |
Michael Harrison: Love in the Shadows |
ARTSPACE NZ |
2013 |
| Haurey, Mark |
Home Helper |
Unknown |
2007 |
| Hemer, Andre |
hyper/links |
The Physics Room |
2012 |
| Davidson, Henry (ed.) |
Close Your Eyes With Holy Dread |
ARTSPACE NZ |
2015 |
| Hipkins, Gavin |
Folklore |
ARTSPACE NZ |
2001 |
| Hoffmann, Jens |
The Next Documenta Should be Curated by an Artist |
Revolver Archiv für aktuelle Kunst |
2004 |
| Blue Oyster Art Project Space; Charlotte Dick (curator) |
Performance Series 2006 [DVD] |
Blue Oyster Art Project Space, Dunedin |
2006 |
| Hood, Robert |
Techno Psychics |
Jonathan Smart Gallery, Christchurch |
2007 |
| Hood, Robert and Moore, Tahi |
Vacuum Idle Adjustment |
Enjoy Public Art Gallery |
2009 |
| Hopkinson, Sarah |
How W.H. Auden spends the night in friend's house |
Gambia Castle Press, Auckland |
2007 |
| Janssen, Horst |
Horst Janssenz: Hundred Posters |
Germany |
1991 |
| Huddleston, Charlotte |
Mostly Harmless: A Performance Series |
Govett-Brewster Art Gallery |
2006 |
| Hughes, Sara |
Sara Hughes: Love Me Tender. Software for Ada. Digital Mosaics |
Hocken Library, University of Otago |
2004 |
| Hutchinson, Lonnie & Vaevae, Veronica |
The Loni and Roni Show |
The Physics Room |
2003 |
| Ian Wedde and Gregory Burke (ed.) |
Now See Hear |
Victoria University Press, Wellington |
1990 |
| Kerr, Sean |
Pop: Sean Kerr |
Clouds Publishing |
2009 |
| Ron Hanson (ed.) |
The Subconcious Restaurant |
White Fungus, Taichung City |
2012 |
| Davis, Kate (artist); Lucy Hammonds (curator) |
Kate Davis: The Unswept Floor |
Dunedin Public Art Gallery, Dunedin |
2016 |
| Laird, Tessa, Leonard, Robert and Madden, Peter |
Peter Madden |
Institute of Modern Art, Brisbane |
2011 |
| Read, Christina |
I blame it on Charlie Rose |
Te Uru Waitakere Contemporary Gallery |
2015 |
| Galloway, Bryce |
Incredibly Hot Sex with Hideous People: Diary Comics |
Pikitia Press, Wellington[?] |
2017 |
| Gordon-Smith, Ioana |
James Cousins: Restless Idiom |
Te Uru Waitakere Contemporary Gallery |
2016 |
| Gordon-Smith, Ioana |
Judy Millar: The Model World |
Te Uru Waitakere Contemporary Gallery |
2015 |
| Isobel Thom, and Barry, Kathy |
Home World |
Te Uru Waitakere Contemporary Gallery |
2015 |
| Parker, John (ed.) |
Five by Five: New Conversations with Clay |
Te Uru Waitakere Contemporary Gallery |
2015 |
| Voller, James |
James Voller: Off-Site Project |
High Street Project |
2009 |
| Abbott, Janet |
The Middle Way: The Art of Exchange |
Design and Arts College of New Zealand, Christchurch |
2005 |
| Hutchinson, Jay |
HATED, THE RISE AND FALL OF a gallery |
Dunedin |
2014 |
| Clark, Fiona (artist); Gregory Burke (curator) |
Go Girl |
Govett-Brewster Art Gallery, New Plymouth |
2002 |
| Ng, Emma (Curator) |
In through the earth, and up to the sky |
Enjoy Public Art Gallery |
2015 |
| Jiangbo, Jin |
Booming |
Timezone 8 Limited, China |
2009 |
| Schmid, Joachim |
The Coach House / An Inventory |
NPN Drukkers |
2011 |
| Scott, Hannah (Curator) |
Honestly: New Artists Show |
ARTSPACE NZ |
2002 |
| Griffen, Joseph and Montgomery, Samuel |
Last Call for Drinks |
FUZZYVIBES |
2014 |
| Joy, Eliana |
Notes Collected from Arts Institutions |
University of Canterbury, Christchurch |
2013 |
| Jwa, Se Hoon |
A Tail of Two Cities |
Hyunsil Cultural Studies |
2006 |
| Newby, Kate |
Holding onto it only makes you sick |
Gambia Castle Press, Auckland |
2008 |
| O'Hagan, Kelsey and Ralston, Cameron |
Strips Club Issue Two |
Ilam, Christchurch |
2014 |
| Armleder, John M. (artist); Stephen Bambury (curator); Kelly Carmichael (ed.) |
John M. Armleder |
Artspace, Auckland |
2001 |
| Unlisted editor/s |
Mousse Magazine #51 (December 2015 - Jan 2016) |
Mousse Publishing, Milan |
2015 |
| Yasmine Ganley (ed.) |
ISLAND, issue 02 (Raumati Summer 2021) |
Index Corp Ltd., Auckland |
2021 |
| Ioana Gordon-Smith and Lana Lopesi (eds.) |
Localise 002 (16 October 2015) |
Whau Arts Festival, Auckland |
2015 |
| Ioana Gordon-Smith and Lana Lopesi (eds.) |
Localise 004 (18 October 2015) |
Whau Arts Festival, Auckland |
2015 |
| Taepa, Kereama |
A (very) brief history of Aotearoa |
Wellington Sculpture Trust |
2016 |
| Cooper, Eleanor |
They say this island changes shape |
The Physics Room |
2016 |
| Kennedy, Alexandra |
Pictures of Nothing |
The School of Art, Dunedin |
2009 |
| Kerr, Sean |
Bruce Is In The Garden; So Someone Is In The Garden |
Clouds Publishing |
2010 |
| Lee, Kerry Ann |
The Heat of a Thousand Suns |
Kerry Ann Lee / Pivot Print |
2014 |
| Lee, Kerry Ann |
The Unavailable Memory of Gold Coin Cafe |
Kerry Ann Lee / Enjoy Public Art Gallery |
2015 |
| Tessa Laird (ed.) |
LOG Illustrated, Issue #3 (Summer 1998) The Writing Issue |
The Physics Room, Christchurch |
1998 |
| Laing, Melissa |
These Undesirable Immigrants |
Enjoy Public Art Gallery |
2013 |
| Laird, Tessa |
A Rainbow Reader |
Clouds Publishing |
2013 |
| Becky Hemus (ed.) |
The Art Paper, issue 02 (April-June 2022) Light |
The Art Paper Magazine, Auckland |
2022 |
| Carlin, Kirstin and Wynne-Jones, Victoria |
Kirstin Carlin: Other Avenues |
Melanie Roger Gallery |
2014 |
| Kregar, Gregory |
Gregory Kregar: Between Ridiculous and Sublime |
Unknown |
2005 |
| Lane, Tony |
Practical Meta-physics |
City Gallery Wellington |
2006 |
| Leach, Maddie |
My Blue Peninsula |
Te Papa Tongarewa, Wellington |
2006 |
| Lee, Kerry Ann |
Alternating Currents: Indigenous Perspectives in Taiwan |
Taipei Arts Village / Asia New Zealand Foundation |
2012 |
| Lee, Yona |
Tangential Structures |
Enjoy Public Art Gallery |
2013 |
| Leonard, Robert and Strongman, Lara |
Terry Urbahn |
Anna Bibby Gallery |
2003 |
| Fenemor, Bryn, McLauchlan, Seb and Pham, Son La (eds.) |
Hours |
Pivot Print, Wellington |
2014 |
| M&W |
Negative Space: A Glossary of Opinion |
Enjoy Public Art Gallery |
2007 |
| Leach, Maddie, Paton, Justin and Green, Tony |
Take Me Down to Your Dance Floor |
Dunedin Public Art Gallery |
2004 |
| Mahoney, Claire, Enberg, Oscar, Clement, Ben, Hadley, Jack and PBPR |
Chill Spree |
Dog Park Art Project Space |
2013 |
| Malone, Daniel |
malone@artspace |
ARTSPACE NZ |
2003 |
| Marias, Annsuli and Redican, Lauren |
Concerntrate On What You Are Doing |
Enjoy Public Art Gallery |
2012 |
| Amery, Mark and Jerram, Sophie (eds.) |
TEZA 2013: The Catalogue |
Letting Space |
2014 |
| Marshall, Christopher John |
re SCAPE |
Unknown |
2008 |
| Martyn, Raewyn |
Glover Park Modifications |
Enjoy Public Art Gallery |
2011 |
| Kemi Niko & Co. |
All Materials Salvaged |
Wellington Public Art Fund |
2015 |
| RAMP; Kim Paton (ed.) |
Public Good #2 |
RAMP Press, Hamilton |
2014 |
| Fraser, Matilda |
Against Efficiency and other texts |
Blue Oyster Art Project Space |
2015 |
| Blomeley, Matt and Stevens, Emily |
Comfortable |
Bath Street Gallery |
2015 |
| Maw, Liz |
My Beloved Hackneyed |
Ivan Anthony / Peter McLeavey |
2009 |
| McAloon, William |
Gordon Walters: Prints + Design |
Adam Art Gallery |
2004 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 34 (2009) Meeting Famousness |
Self published, Wellington |
2009 |
| McLeod, Andrew |
Largess |
ARTSPACE NZ / The Physics Room |
2005 |
| McQuarrie, Caroline |
No Town |
Self published |
2014 |
| Oliver, Melanie (Curator) |
Break: Towards a Public Realm |
Govett-Brewster Art Gallery |
2008 |
| Middleton, Jaki, Lawrey, David and Scott, Rachel |
Runway: Various Issues |
The Invisible Inc. |
2002 |
| Ryder, Grace and Davis, Sophie (Curators) |
Loverdose Tattoo |
North Projects and Ilam Press |
2015 |
| Loeffler, Frances and Cauchi, David. |
Andrew McLeod: Interior LIfe, A Wall Drawing |
Adam Art Gallery |
2007 |
| Barton, Christina (ed.) |
Vivian Lynn: I, Here, Now |
Adam Art Gallery |
2010 |
| Barton, Christina (ed.) |
Gavin Hipkins: Bible Studies (New Testament) |
Adam Art Gallery |
2009 |
| Heke, Walter |
Adam Douglass: Tomahawk |
Blue Oyster Art Project Space |
2008 |
| Joo, Eungie; Ethan Swan |
Art Spaces Directory |
New Museum / Art Asia Pacific |
2012 |
| Max and Olive |
Crude common denominator pleb trash baseline urge ass poetry: confessions from the sick bay |
5ever, Wellington |
2020 |
| Suzette Wearne (sub ed.) |
un Magazine, Issue 8.1 (2014) |
un Projects Inc., Melbourne |
2014 |
| Pitts, Priscilla (ed.) |
Mediatrix: new work from seven women artists |
ARTSPACE NZ |
1993 |
| Davidson, Alex (Curator) |
Hermes' lack of words |
ARTSPACE NZ |
2013 |
| Berger, Tobias |
Money for Nothing |
ARTSPACE NZ |
2003 |
| Davidson, Alex and Riva, Caterina |
NAS Pt 1 |
ARTSPACE NZ |
2012 |
| Badger, Luke H. |
Daniel Campion: A Fabricated Daylight Response |
Unknown |
2006 |
| Fine Arts at Massey University |
Early Symptoms |
Self published |
2016 |
| Cullen, Paul, Eccleston, Tanya and Thomson, Andy (eds.) |
Weakforce4 |
Split/fountain publishing |
2016 |
| Novak, Aroha |
The Book Project |
Blue Oyster Art Project Space |
2016 |
| Amodeo, Gabrielle / Jill Sorenson |
Control Through Collecting / Resisting Social Norms |
Self-published |
2012 |
| Artspace |
Headway: New Artist Show 2006 |
Artspace, Auckland |
2006 |
| High Street Project; Andrew Paul Wood (ed.) |
Ampersand: A Catalogue of Art and Essays |
High Street Project, Christchurch |
2004 |
| Lowe, Geoff; Jacqueline Riva (authors); Antoine Dufeu; Fabien Vallos (eds) |
Idéologie & A Constructed World; Les Ecrits / The Complete Writings |
Mix, Paris; Telephone Publishing, Melbourne |
2018 |
| Rhodes, Pauline |
Dark Watch |
ST PAUL St Publishing |
2016 |
| Gander, Philippa and Trubridge, Sam |
The Waking Incubator: Sleep Science and Performing Arts in Dialogue |
Massey University Wellington |
2008 |
| Mcleod, Andrew |
Shhhhh shhhhh shhhh shhhh shangri-la |
Self published |
2011 |
| Cormack, Emily |
Vecu |
Conical |
2003 |
| Simpson, David (ed.) |
B.184 |
Christchurch Art Gallery |
2016 |
| Charles Esche; Thomas Lawson; Mark Lewis; Dieter Roelstraete (eds) |
Afterall, Issue 17 (Spring 2008) |
Central Saint Martins College of Art and Design, London |
2008 |
| T, Diamond Dane and Lee, Kerry Anne |
Celebretard Magazine |
Self published |
2007 |
| Farrar, Sarah, Johnson, Paul and van Roosmalen, Karin |
Returning Services |
Self published |
2006 |
| High Street Project |
HSP (various issues) |
High Street Project |
2006 |
| Copyshop |
Take a ride in a UFO |
Self published |
2005 |
| Pickens, Robyn (Curator) |
Spaghetti Junction |
64zero3 Gallery, Christchurch |
2008 |
| Law, Aidan |
Ctrl X + Ctrl V |
Self published |
2007 |
| Shelton, Ann and Turner, Stephen |
Wastelands |
Rim Books, Auckland |
2010 |
| Tyler, Linda |
Pig islanders painting like Picasso |
Te Papa Press |
2016 |
| Adam, Pip |
Appreciation: a short story |
Te Papa Press |
2016 |
| Grace, Patricia |
Face to face |
Te Papa Press |
2016 |
| McQuarrie, Caroline (Curator) |
From the Aether: Courtenay Place light box exhibition |
Self published |
2016 |
| Uxbridge Arts & Culture, Auckland |
Uxbridge Arts & Culture: Autumn 2016 |
Self published |
2016 |
| Chloe Geoghegan |
Blue Oyster Annual 2015 |
Blue Oyster Art Project Space |
2016 |
| Kihara, Yuki |
A Study of a Samoan Savage |
Te Uru Waitakere Contemporary Gallery |
2016 |
| Lilo, Janet |
Status Update |
Te Uru Waitakere Contemporary Gallery |
2016 |
| Mark Shorter |
Mapping La Mancha |
The Physics Room |
2016 |
| Browne, Mary-Louise |
Black and/or White White and/or Black |
Small Bore Books, Whanganui |
2016 |
| Abo Ganis, Janice (artist); Stefanie Young (essay) |
reframing the ordinary |
Wintec, Hamilton |
2006 |
| Amodeo, Gabrielle |
tender validation |
Self-published; Randolph Street Gallery, Auckland (host instituation) |
2007 |
| SCAPE; Marnie Slater (artist) Louise Menzies (ed.) |
Free Tours |
The Physics Room, Christchurch |
2008 |
| Apple, Billy (artist); Wystan Curnow |
Tales of Gold: The Tale of Ray |
Artspace, Auckland |
2004 |
| Bhana, Bepen |
Frankie Goes to Bollywood |
Te Uru Waitakere Contemporary Gallery, Auckland |
2016 |
| Murdoch, Tiger |
The Insider |
Self Published / Blue Oyester Art Project Space |
2017 |
| Barton, Christina, Treadwell, Sarah and Twose, Simon (eds.) |
Drawing Is/Not Building: Roland Snooks, Sarah Treadwell, Simon Twose |
Adam Art Gallery |
2016 |
| Barton, Christina, Cann, Tyler and Vincente, Mercedes (eds.) |
Points of Contact: Jim Allen, Len Lye, Helio Oiticica |
Govett Brewster Gallery / Adam Art Gallery / Victoria Universty of Wellington |
2011 |
| Preston, Laura (ed.) |
Next Spring: An Occasional Series of Reviews |
Adam Art Gallery / Victoria University of Wellington / ATLAS Projectos |
2016 |
| Pound, Patrick |
Documentary Intersect |
Adam Art Gallery |
2016 |
| lightreading |
Ultra Vires |
8fold |
2016 |
| Mackie, Tom |
A Gift for the Walls |
The Young / MEANWHILE |
2016 |
| Shingade, Balamohan (Curator) |
Soft Architecture |
Malcolm Smith Gallery |
2016 |
| Lee, Yona |
In Transit |
Alternative Space LOOP |
2016 |
| Rutledge, Louise (ed.) |
Take that which has passed |
Wellington City Council |
2017 |
| Rutledge, Louise and Eade, Ruby Joy |
It was only a drunk contextualization of fleeting eye contact |
Play_station, Wellington |
2017 |
| Hammond, W. D. and Killeen, Richard |
Stop making sense |
Peter McLeavey Gallery |
2017 |
| Barton, Christina (ed.) |
Walking the Ridge |
Adam Art Gallery Te Pātaka Toi |
2017 |
| O'Connor, Maria and Harris, Brent |
Posteering |
The Physics Room |
2015 |
| Lal, Rebecca (ed.) |
The Hive Hums with Many Minds |
Te Tuhi |
2017 |
| Galloway, Matthew |
The Ground Swallows You Part II |
The Dowse Art Museum |
2017 |
| Read, Christina |
1. Here's a Plan - (things to do) |
Illam Campus Gallery |
2017 |
| Tonga, Ann (Curator) |
INFLUX |
ST PAUL St Gallery and PĀTAKA Art + Museum |
2017 |
| Watene, Yonel |
SAVOIE de LACY |
SAVOIE de LACY, Dunedin |
2017 |
| McQuarrie, Caroline and Connah Podmore |
Tunnels pits pools |
Self Published |
2017 |
| Colless, Edward (ed.) |
MINEFIELD |
A + A Publishing, Melbourne |
2016 |
| Anna Rankin (ed.) |
Hapori, Volume 3 (April 2016) anti-heroine |
Hapori, Auckland |
2016 |
| Bridget Riggir, (curator) |
Hapori, Volume 1 (April 2015) Dead to the World |
Hapori, unknown |
2015 |
| Olivia Blyth (ed.) |
Hapori, Volume 5 (April 2017) communityity |
Hapori, Auckland |
2017 |
| Donaldson, Cushla (artist), Ioana Gordon-Smith, David John Hall, Heidi Brickell |
The Fairy Falls |
Te Uru Waitakere Contemporary Gallery |
2017 |
| Auckland University of Technology |
Bachelor of Visual Arts Degree Show 2016 |
Auckland University of Technology, Auckland |
2016 |
| Corson-Scott, Chris and Chris Holdaway |
Dreaming in the Anthropocene |
Compound Press |
2017 |
| Louisson, Amalia (ed.) |
SADO: Capitalism & Anxiety in Aotearoa |
Wellington |
2018 |
| Lardies, Gabi |
To be of the other hand |
Self Published |
2017 |
| Ringer, Sylvie |
i, ii, iii: Trio (Poster) |
Moniker Press, Vancouver, BC |
2017 |
| Fresh & Fruity |
Your Luxury Gift |
Self Published |
2018 |
| Rand, Steven; Heather Felty (eds) |
Life between Borders: The Nomadic Life of Curators and Artists |
Apexart, New York |
2013 |
| Kerr, Katie (ed.) |
Between Two Strangers: Twelve Stories of Migrating Artists |
GLORIA Publishing Collective |
2017 |
| Darragh, Judy and Imogen Taylor |
Femisphere, Issue 1 |
Self Published, Auckland |
2017 |
| Geoghegan, Chloe (ed.) |
Cul De Sac |
GLORIA |
2018 |
| Asch, Alex (artist); Sasha Grishin |
Alex Asch |
Beaver Galleries, Canberra |
2015 |
| Pearce, Laura (ed.) |
Ceramics New Zealand, Volume 1, Issue 1 |
Ceramics Association of New Zealand |
2018 |
| Unlisted editor/s |
Mousse Magazine #55 (October - November 2016) |
Mousse Publishing, Milan |
2016 |
| Holloway-Smith, Bronwyn |
The Southern Cross Cable |
City Gallery, Wellington |
2018 |
| Lardies, Gabi |
Aotearoa 2017 |
Self Published, Auckland |
2017 |
| Meyle, Lucy and Ziggy Lever |
Looking forwards and backwards |
Blue Oyster Art Project Space |
2017 |
| Darragh, Judy and Imogen Taylor (eds.) |
FEMISPHERE |
Auckland |
2017 |
| Bywater, Jon, Louise Menzies and Marnie Slater |
Die Toilette |
Paraguay Press |
2014 |
| Holly Hunter (ed.) |
Mimicry, Issue 4 (Autumn 2018) |
Mimicry Journal, Wellington |
2018 |
| Tamm, Triin |
Bookcatalogtest |
Printed Matter, New York |
2012 |
| Simpson, David (ed.) |
Bulletin 185, Spring 2016 |
Christchurch Art Gallery, Christchurch |
2016 |
| Simpson, David (ed.) |
Bulletin 184, Winter 2016 |
Christchurch Art Gallery, Christchurch |
2016 |
| Simpson, David (ed.) |
Bulletin 178, Summer 2014–2015 |
Christchurch Art Gallery, Christchurch |
2014 |
| Kelvin Soh (ed.) |
LE ROY, Issue 1: Subjectivity and Self-Design |
DDMMYY, Auckland |
2014 |
| Barr, Jim and Mary (curators) |
When Art Hits the Headlines: A Survey of Controversial Art in New Zealand |
National Art Gallery |
1987 |
| Simpson, David (ed.) |
Bulletin 177, Spring 2014 |
Christchurch Art Gallery, Christchurch |
2014 |
| Davidson, Elizabeth; Simpson, David (eds.) |
Bulletin 182, Summer 2015–2016 |
Christchurch Art Gallery, Christchurch |
2015 |
| Davidson, Elizabeth; Simpson, David (eds.) |
Bulletin 183, Autumn 2016 |
Christchurch Art Gallery, Christchurch |
2016 |
| Simpson, David (ed.) |
Bulletin 180, Winter 2015 |
Christchurch Art Gallery, Christchurch |
2015 |
| McAloon, William |
Simon Morris: Painting Projects 2000–2005 |
The Physics Room, Christchurch |
2005 |
| Simpson, David (ed.) |
Bulletin 179, Autumn 2015 |
Christchurch Art Gallery, Christchurch |
2015 |
| Lane, Chloe (ed.) |
Hue & Cry, Issue 1, The Garden Party |
Hue & Cry, Wellington |
2007 |
| Lane, Chloe; Patchett, Lawrence (eds.) |
Hue & Cry, Issue 2, Stakeout |
Hue & Cry, Wellington |
2008 |
| Bell, Andrea; Lane, Chloe; Patchett, Lawrence (eds.) |
Hue & Cry, Issue 3, Good Times, Bad Times |
Hue & Cry, Wellington |
2009 |
| Bell, Andrea; Lane, Chloe; Patchett, Lawrence (eds.) |
Hue & Cry, Issue 4, Champion This! The Biography Issue |
Hue & Cry, Wellington |
2010 |
| Bell, Andrea; Lane, Chloe; Patchett, Lawrence (eds.) |
Hue & Cry, Issue 5, with a bullet |
Hue & Cry, Wellington |
2011 |
| Bell, Andrea; Lane, Chloe; Young, Ashleigh (eds.) |
Hue & Cry, Issue 7, Deep |
Hue & Cry, Wellington |
2013 |
| Lane, Chloe (ed.) |
Hue & Cry, Issue 8, Holidays |
Hue & Cry, Wellington |
2014 |
| Harper, Jenny |
Picture No Galleries |
Chartwell Trust |
2020 |
| Shepherd, Stewart |
Self-taught & Visionary Art in New Zealand |
Massey University, School of Fine Arts, Wellington |
2006 |
| Strongman, Lara (ed.) |
Signs of the Times: Sampling New Directions in New Zealand Art |
City Gallery Wellington, Wellington |
1997 |
| Robertshaw, Meredith |
Reuben Patterson: The Golden Bearing |
Govett-Brewster Art Gallery, New Plymouth |
2014 |
| Huber, Sasha (ed.) |
Rentyhorn Agassizhorn |
Museum of Contemporary Art, Kiasma |
2010 |
| Oliver, Melanie |
Terry Urbahn: The Sacred Heart |
Govett-Brewster Art Gallery, New Plymouth |
2008 |
| Poe, Edgar Allen; Mallarmé, Stéphane (trans.) |
Le Corbeau (The Raven) |
RM, Auckland |
2007 |
| Whitwell, Matt |
Project Echo |
Self published, Wellington |
2010 |
| Louisson, Amalia (ed.) |
SADO, Volume 2, Plants and Desire in Aotearoa |
SADO, Wellington |
2018 |
| Barrie, Andrew |
Toyo Ito: Blurring Architecture |
Artspace, Auckland; City Gallery Wellington, Wellington |
2001 |
| Porter, Gwynneth (ed.) |
Sriwana Spong: Nijinsky |
Clouds, Auckland; Michael Lett, Auckland |
2010 |
| Strongman, Lara (ed.) |
Michael Stevenson: This is the Trekka |
Creative New Zealand, Wellington; City Gallery Wellington, Wellington |
2003 |
| Teststrip Board (eds.) |
Teststrip: A History of an Artist-Run Space (1992–1997) |
Clouds, Auckland |
2008 |
| Jacobson, Shelley |
Surface Expressions |
Self published, Auckland |
2015 |
| Wilson, Susan |
A Still Life is a Theatre |
Browse and Darby, London |
2009 |
| Burke, Gregory (ed.) |
SUMWHR |
Govett-Brewster Art Gallery, New Plymouth; Artspace, Auckland |
2002 |
| Left, Ron; Redmond, Monique |
Vacancy |
Te Tuhi, Auckland |
2004 |
| Rice, Rebecca |
Pippa Sanderson: Utopia or Oblivion |
High Street Project, Christchurch |
2007 |
| Howden Chapman, Amy |
they say ten thousand years |
Te Uru Waitakere Contemporary Gallery, Auckland |
2014 |
| Tessa Laird (ed.) |
LOG Illustrated, Issue #1 (Winter 1997) The Video Issue |
The Physics Room, Christchurch |
1997 |
| Becky Hemus (ed.) |
The Art Paper, issue 03 (July-September 2022) Apparatus |
The Art Paper Magazine, Auckland |
2022 |
| Lal, Rebecca |
Unstuck in Time |
Te Tuhi, Auckland |
2015 |
| Hay, Jennifer; Spill, Nicholas; French, Blair; Barber, Bruce; Green, Tony |
Intervention: Post Object and Performance Art in New Zealand in 1970 and beyond |
Christchurch Art Gallery, Christchurch |
2000 |
| Fjaerestad, Siv B. |
90 Years of Chinese Trading in Molesworth Street |
Enjoy Public Art Gallery, Wellington; Wellington Chinese Association, Wellington |
2008 |
| Matthews, Lucy; Baldwin, Audrey; Jenkin, Rosalee; Montejo, Gaby |
The Social: Projects November 2012–September 2013 |
The Social, Christchurch |
2014 |
| McMillan, Lucy; Munro, Victoria (eds.) |
Soap, Issue 6 |
RM, Auckland |
2007 |
| Tang, Henry Slash |
Toshi Endo: New Super Turbo Warriors |
The Physics Room, Christchurch |
2012 |
| Montgomery, Kate |
My Eyes Keep Me In Trouble |
The Physics Room, Christchurch |
2009 |
| Coxhead, Vanessa; Baxter, Alice (eds.) |
The Physics Room Annual 2010 |
The Physics Room, Christchurch |
2010 |
| Coxhead, Vanessa; Montgomery, Kate (eds.) |
The Physics Room Annual 2008 |
The Physics Room, Christchurch |
2008 |
| Coxhead, Vanessa; Montgomery, Kate (eds.) |
The Physics Room Annual 2007 |
The Physics Room, Christchurch |
2007 |
| Physics Room; Melanie Oliver: Rebecca Boswell (eds) |
The Physics Room Journal 2013 |
The Physics Room, Christchurch |
2014 |
| Su Baker (ed-in-chief); Edward Colless (ed.) |
Art + Australia, Issue Three, 54.2 (May 2018) Unnaturalism |
Victoria College of the Arts, Melbourne |
2018 |
| Su Baker (ed-in-chief); Edward Colless (ed.) |
Art + Australia, Issue Four, 55.1 (Oct. 2018) The Miracle |
Victoria College of the Arts, Melbourne |
2018 |
| Ashlin Raymond, Anya Henis (eds) |
Magasine, no 1 (January 2013) |
Magasine, Christchurch |
2013 |
| Ashlin Raymond, Anya Henis (eds) |
Magasine, no 3 (February 2014) Interview |
Magasine, Christchurch |
2014 |
| Johnston, Courtney; Mossman, Danae (eds.) |
The Physics Room Annual 2004 |
The Physics Room, Christchurch |
2004 |
| Forde, Rosemary (ed.) |
The Physics Room Annual 2003 |
The Physics Room, Christchurch |
2003 |
| Forde, Rosemary (ed.) |
The Physics Room Annual 2002 |
The Physics Room, Christchurch |
2002 |
| Laird, Tessa; Campbell, Joyce |
The Tomorrow People |
The Physics Room, Christchurch |
2001 |
| Tessa Laird (ed.) |
LOG Illustrated, Issue #7 (Winter 1999) the Science Fact & Fiction Issue |
The Physics Room, Christchurch |
1999 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 78 (2021) |
Self published, Te Whanganui-a-Tara/Wellington |
2021 |
| Rountree-Williams, Sam |
Matters, Issue 1 |
Newcall Gallery, Auckland |
2008 |
| Read, Christina |
1. Here's a Plan - (things to do) |
Illam Campus Gallery, Christchurch |
2017 |
| Hallam-Eames, Hannah |
305.3L |
Enjoy Public Art Gallery, Wellington |
2016 |
| McIntosh, Clare (ed.) |
A Hollow Action. A Room Held Together By Letters |
Artspace, Auckland |
2014 |
| Dekkers, Dieuwertje |
A search for fisherfolk motifs |
Te Papa Press, Wellington |
2013 |
| Paul, Paul |
A Short Residency and Two Attempts |
Self-published, Christchurch |
2013 |
| Reid, Jessica (ed.) |
Against Nature: Daniel and Nicholas du Bern |
Enjoy Public Art Gallery, Wellington |
2005 |
| Shelton, Ann; Tappenden, Alice (eds.) |
A Spoonful of Sugar |
Rim Books, Auckland |
2015 |
| Stocker, Mark |
After cubism, before pop |
Te Papa Press, Wellington |
2013 |
| Tessa Giblin |
Volume, Issue 2, Simon Denny: Arranging Sympathies |
The Physics Room, Christchurch |
2005 |
| Kate Griffin |
Volume, Issue 1, Kim Paton: All We Have is Now |
The Physics Room, Christchurch |
2005 |
| Melanie Hogg |
Volume, Issue 5, Bekah Carran: welcome home my beautiful optimist |
The Physics Room, Christchurch |
2006 |
| Charles Esche; Thomas Lawson; Mark Lewis (eds) |
Afterall, Issue 14 (Autumn–Winter 2006) |
Central Saint Martins College of Art and Design, London |
2006 |
| Laura Dunham; Dr. Emilie Sitzia (eds) |
Oculus: Postgraduate Journal for Visual Arts Research, Issue No. 4 (May 2012) |
University of Canterbury, Department of Art History and Theory; School of Fine Arts |
2014 |
| Charles Esche; Thomas Lawson; Mark Lewis (eds) |
Afterall, Issue 15 (Spring–Summer 2007) |
Central Saint Martins College of Art and Design, London |
2007 |
| Blue Oyster Art Project Space; The Physics Room;Rebecca Boswell; Chloe Geoghegan; Balomohan Shingade |
A Year of Conscious Practice |
Blue Oyster Art Project Space, Dunedin; The Physics Room, Christchurch |
2017 |
| Abraham, Māia; Elle Loui August; Simon Gennard; Amy Weng (curators) |
Several Degrees of Attentions: Thinking with the Collection |
Govett-Brewster Art Gallery, New Plymouth |
2022 |
| Pointon, Elisabeth |
all things considered |
Self published, Wellington |
2014 |
| Fjaerestad, Siv B. |
An Archeology of the Future: New Zealand's Great Strike 100 Years After |
The Wellington Collaboratorium, Wellington |
2010 |
| Wilson, Faith |
and when we wake up |
Enjoy Public Art Gallery, Wellington |
2014 |
| Sleigh, Thomasin |
Andrew Beck: 10/1 |
Self-published, Wellington |
2010 |
| Porter, Gwyneth |
Ani O'Neill: "Doodles" at the Lord Mori Gallery LA, "Comfort Zone" at the Sue Crockford Gallery Auck |
Lord Mori Gallery, Los Angeles; Sue Crockford Gallery, Auckland |
2001 |
| Burke, Gregory; Huddleston, Charlotte; Sanderson, Anna |
Ann Shelton: A Kind of Sleep |
Govett-Brewster Art Gallery, New Plymouth |
2005 |
| Robertshaw, Meredith |
Ann Shelton: Doublethink |
Govett-Brewster Art Gallery, New Plymouth |
2013 |
| Shelton, Ann |
Ann Shelton: Metadata |
Starkwhite, Auckland |
2011 |
| Poland, Natalie (ed.) |
Ann Shelton: once more with feeling |
Hocken Collections, University of Otago, Otago |
2008 |
| Patrick, Martin |
Ann Shelton: Room Room |
City Gallery Wellington, Wellington |
2008 |
| Scott, Hanna; Shelton, Ann |
Ann Shelton: Sightseeing |
Rim Books, Auckland |
2010 |
| Stanhope, Zara (ed.) |
Ann Shelton: Dark Matter |
Auckland Art Gallery, Auckland |
2016 |
| Möntmann, Nina |
Art and its Institutions: Current Conflicts, Critique and Collaboration |
Black Dog Publishing, London |
2006 |
| Rout, Sue |
Art Law: a guide to some of the legal issues facing artists |
The Physics Room, Christchurch |
1998 |
| Dart, William (ed.) |
Art New Zealand, no. 163 (Spring 2017) |
Art New Zealand, Auckland |
2017 |
| Dart, William (ed.) |
Art New Zealand, no. 160 (Summer 2016-17) |
Art New Zealand, Auckland |
2016 |
| Dart, William (ed.) |
Art New Zealand, no. 161 (Autumn 2017) |
Art New Zealand, Auckland |
2017 |
| Dart, William (ed.) |
Art New Zealand, no. 159 (Spring 2016) |
Art New Zealand, Auckland |
2016 |
| Dart, William (ed.) |
Art New Zealand, no. 158 (Winter 2016) |
Art New Zealand, Auckland |
2016 |
| Dart, William (ed.) |
Art New Zealand, no. 157 (Autumn 2016) |
Art New Zealand, Auckland |
2016 |
| Dart, William (ed.) |
Art New Zealand, no. 166 (Winter 2018) |
Art New Zealand, Auckland |
2018 |
| Dart, William (ed.) |
Art New Zealand, no. 154 (Winter 2015) |
Art New Zealand, Auckland |
2015 |
| Dart, William (ed.) |
Art New Zealand, no. 165 (Autumn 2018) |
Art New Zealand, Auckland |
2018 |
| Dart, William (ed.) |
Art New Zealand, no. 155 (Spring 2015) |
Art New Zealand, Auckland |
2015 |
| Were, Virginia (ed.) |
Art News New Zealand, Autumn 2011 |
Art News New Zealand, Auckland |
2011 |
| Were, Virginia (ed.) |
Art News New Zealand, Autumn 2012 |
Art News New Zealand, Auckland |
2012 |
| Were, Virginia (ed.) |
Art News New Zealand, Autumn 2014 |
Art News New Zealand, Auckland |
2014 |
| Were, Virginia (ed.) |
Art News New Zealand, Autumn 2015 |
Art News New Zealand, Auckland |
2015 |
| Chappell, Brenda (ed.) |
Art News New Zealand, Autumn 2018 |
Art News New Zealand, Auckland |
2018 |
| Were, Virginia (ed.) |
Art News New Zealand, Spring 2009 |
Art News New Zealand, Auckland |
2009 |
| Were, Virginia (ed.) |
Art News New Zealand, Spring 2010 |
Art News New Zealand, Auckland |
2010 |
| Were, Virginia (ed.) |
Art News New Zealand, Spring 2011 |
Art News New Zealand, Auckland |
2011 |
| Were, Virginia (ed.) |
Art News New Zealand, Spring 2012 |
Art News New Zealand, Auckland |
2012 |
| Were, Virginia (ed.) |
Art News New Zealand, Spring 2014 |
Art News New Zealand, Auckland |
2014 |
| Were, Virginia (ed.) |
Art News New Zealand, Summer 2007 |
Art News New Zealand, Auckland |
2007 |
| Were, Virginia (ed.) |
Art News New Zealand, Summer 2011 |
Art News New Zealand, Auckland |
2011 |
| Were, Virginia (ed.) |
Art News New Zealand, Summer 2013 |
Art News New Zealand, Auckland |
2013 |
| Were, Virginia (ed.) |
Art News New Zealand, Summer 2014 |
Art News New Zealand, Auckland |
2014 |
| Were, Virginia (ed.) |
Art News New Zealand, Summer 2016 |
Art News New Zealand, Auckland |
2016 |
| Chappell, Brenda (ed.) |
Art News New Zealand, Summer 2018 |
Art News New Zealand, Auckland |
2018 |
| Were, Virginia (ed.) |
Art News New Zealand, Winter 2010 |
Art News New Zealand, Auckland |
2010 |
| Were, Virginia (ed.) |
Art News New Zealand, Winter 2012 |
Art News New Zealand, Auckland |
2012 |
| Were, Virginia (ed.) |
Art News New Zealand, Winter 2013 |
Art News New Zealand, Auckland |
2013 |
| Were, Virginia (ed.) |
Art News New Zealand, Winter 2014 |
Art News New Zealand, Auckland |
2014 |
| Were, Virginia (ed.) |
Art News New Zealand, Winter 2015 |
Art News New Zealand, Auckland |
2015 |
| Chappell, Brenda (ed.) |
Art News New Zealand, Winter 2018 |
Art News New Zealand, Auckland |
2018 |
| Franks, Alison (ed.) |
Artzone, issue 51, 2013 |
Artzone, Auckland |
2013 |
| Bywater, Jon |
Ava Seymour: The White House Years |
Clouds, Auckland |
2007 |
| Unknown |
Blank Canvas, Issue 2, The Phony "Terror Raids" and the New World Order |
Blank Canvas, Wellington |
2007 |
| Gwynneth Porter (ed.) |
LOG Illustrated, #14 (Spring 2001) Life and Death |
The Physics Room |
2001 |
| Bywater, Jon |
Budget travel |
Te Papa Press, Wellington |
2013 |
| Davidson, Elizabeth; Simpson, David (eds.) |
Bulletin 181, Spring 2015 |
Christchurch Art Gallery, Christchurch |
2015 |
| Beck, Andrew (artist), Jeremy Booth |
Andrew Beck: Framework |
Enjoy Public Art Gallery, Wellington |
2010 |
| Crowe, Meredith |
Buy Enjoy 2013 |
Enjoy Public Art Gallery, Wellington |
2013 |
| Sweeney, Peyton |
Buy Enjoy 2014 |
Enjoy Public Art Gallery, Wellington |
2014 |
| Booker, Paula (ed.) |
Canary Annual '05, Conversation: Critique and Community |
Canary, Auckland |
2005 |
| Booker, Paula; O'Neill, Rachel (eds.) |
Canary Annual '07, A Momentum of Activity |
Canary, Auckland |
2007 |
| Newall, Amanda (ed.) |
Canvass |
Self published, Christchurch |
2001 |
| Slater, Marnie (ed.) |
Charming the Snake of Reason |
Enjoy Public Art Gallery, Wellington |
2010 |
| Huber, Sasha |
Circles of Light |
Labyrint Press, Tumba |
2015 |
| Wood, Andrew Paul |
Clare Noonan: Landscape Portrait |
The Physics Room, Christchurch |
2006 |
| Mane-Wheoki, Jonathan |
Class of '66 |
Te Papa Press, Wellington |
2013 |
| Cunnane, Abby; Huddleston, Charlotte; Sugawa, Sakiko; Taylor, Mary N. |
Co-revolutionary Praxis: Accompaniment as a strategy for working together |
ST Paul St Gallery, Auckland |
2015 |
| Porter, Gwynneth (ed.) |
LOG Illustrated, #15 (Summer 2002) The X Issue |
The Physics Room, Christchurch |
2002 |
| Pound, Francis |
Colour Swatches |
Te Papa Press, Wellington |
2013 |
| Laing, Melissa |
Commonly Occurring |
Laing Publishing, Auckland |
2012 |
| Western, Blaine; Parr, Micharl |
company |
The Physics Room, Christchurch |
2013 |
| Woodward, Robin |
Connells Bay Centre for Sculpture |
Connells Bay Sculpture Trust, Auckland |
2007 |
| Paper, Paul |
Contemporary Photography |
Vandret Publications, New York |
2013 |
| Armstrong, Eve; Lane, Chloe; O'Neill, Rachel; Pratt, Susie |
Crease, Issue 4 |
Crease, Auckland |
101 |
| Lane, Chloe; Murphy, Ceili; Pratt, Susie (eds.) |
Crease, Issue 5 |
Crease, Auckland |
101 |
| Regnault, Claire |
Cubist dreams and wings like fireflies |
Te Papa Press, Wellington |
2013 |
| Rands, Ahilapalapa; Fitzgerald, Chris; Tanoai, Linda T.; Urale, Vaimaila |
D.A.N.C.E. presents THE CASUAL ROMANCE CLUB |
Enjoy Public Art Gallery, Wellington |
2010 |
| Enjoy Public Art Gallery |
Damage Festival |
Enjoy Public Art Gallery, Wellington |
2001 |
| Vicente, Mercedes |
Darcy Lange: Study of an Artist at Work |
Govett-Brewster Art Gallery, New Plymouth |
2008 |
| Palmer, Andy |
Deracine |
Enjoy Public Art Gallery, Wellington |
2003 |
| Tweedie-Cullen, Layla; Smith, Allan (eds.) |
distracted-reader #2 |
split/fountain, Auckland |
2013 |
| Arps, Dan (artist); Gwynneth Porter (ed.); Mr Aitken; John Bywater; Matthew Hyland; Merlan; Narelle |
Dan Arps: Affirmation Dungeon |
Clouds, Auckland; Michael Lett, Auckland |
2011 |
| Paton, Justin (curator) |
De-Building |
Christchurch Art Gallery, Christchurch |
2011 |
| Johnston, Courtney |
Difficult signs our specialty |
Te Papa Press, Wellington |
2013 |
| Sweeney, Peyton |
Disrupting the Ordinary |
Enjoy Public Art Gallery, Wellington |
2014 |
| Middleton, Mya; Aoake, Hana |
Dreary Modern Life, Issue 4 |
Dreary Modern Life |
101 |
| Elam School of Fine Arts |
Elam 2012 |
Elam School of Fine Arts, University of Auckland |
2012 |
| Elam School of Fine Arts |
Elam Graduate Work 2010 |
Elam School of Fine Arts, University of Auckland |
2010 |
| Elam School of Fine Arts |
Elam Graduate Work 2011 |
Elam School of Fine Arts, University of Auckland |
2011 |
| McAvoy, Emil |
Emil McAvoy: PRISMISM |
Enjoy Public Art Gallery, Wellington |
2014 |
| Enjoy Public Art Gallery |
Enjoy Catalogue 4 July 2000–12 February 2003 |
Enjoy Public Art Gallery, Wellington |
2003 |
| Reid, Jessica (ed.) |
Enjoy Gallery PDF Catalogue 2005 |
Enjoy Public Art Gallery, Wellington |
2005 |
| Charan, Amit; Shelton, Ann; Holloway-Smith, Brownyn; Woods, Kate; Samsell, Molly |
Enjoy Recipes Illustrated |
Enjoy Public Art Gallery, Wellington |
2010 |
| Clover, Steven |
Enjoy TT 42.02 |
Enjoy Public Art Gallery, Wellington |
2003 |
| Menzies, Louise; Moonshine, Ella Bella |
Every now & then |
Enjoy Public Art Gallery, Wellington |
2006 |
| Olarescu, Dana; Jankovic, Bojana |
Expat/Immigrant |
GLORIA, Auckland |
2016 |
| Becky Richards (ed.) |
Ceramics New Zealand, vol. 5, issue 2 (Summer 2022) |
Ceramics Association of New Zealand |
2022 |
| Coward, Rosalind |
Female Desire: Women's Sexuality Today |
Paladin Books, London |
1984 |
| Gilberd, James (ed.) |
Fiat Lux: 51 Photographs by Andrew Ross |
Photospace, Wellington; Victoria University Press, Wellington |
2008 |
| Whitwell, Matt |
From a Tower, On a Hill |
Self-published, Wellington |
2011 |
| Various Authors |
From the Land of Morning Calm to the Land of the Long White Cloud: Korean Artists in Aotearoa |
Whangarei Art Museum, Whangarei |
2014 |
| Maskill, David (ed.) |
GBA: Print publishing in the Gazette des Beaux-Arts 1859–1933 |
Adam Art Gallery, Wellington |
2009 |
| Cudby, Chris; King, Dave |
Golden Axe |
Enjoy Public Art Gallery, Wellington |
2004 |
| Baker, Dr. Sarah Elsie |
Grounded by the Senses |
Enjoy Public Art Gallery, Wellington |
2014 |
| Gennard, Simon (ed.) |
No One is Sovereign in Love |
MEANWHILE, Wellington |
2017 |
| Upritchard, Francis (artist); Tobias Berger (ed.) |
Doomed, Doomed, All Doomed |
Artspace, Auckland |
2005 |
| Blink (Ian Jorgensen); Sarah Jane Parton (curator) |
Campus A Low Hum 2010 |
A Low Hum Publishing, Petone |
2010 |
| Deutsher, James |
Harvest Moon: friends of Mineral Town |
Self-published |
101 |
| Carter, Cathy; Batchelor, Denise; Porteous, Tracy |
Her Eye |
Self published |
2019 |
| Sleigh, Thomasin |
High Street Project Quarterly, Issue 1, April–May 2007 |
High Street Project, Christchurch |
2007 |
| Montgomery, Kate |
High Street Project Quarterly, Issue 4, 2006 |
High Street Project, Christchurch |
2006 |
| Huber, Sasha; Saarikko, Petri (eds.) |
Huskurer Remedies |
Labyrint Press, Tumba |
2011 |
| Williams, Marcus |
I Just Can't Keep Away: A photographic collection revealing the talents of the graduating Unitec Bac |
Unitec, Auckland |
2007 |
| William Dart (ed.) |
Art New Zealand, no. 185 (Autumn 2023) |
Art New Zealand, Ltd., Auckland |
2023 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 12 (Jan 2003) The End of an Error |
Self published, Wellington |
2003 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 03 (April 2002) Drummers |
Self published, Wellington |
2002 |
| Jamie Hanton, Hamish Peterson and Hope Wilson (eds) |
Hamster, Issue Three (September 2018) |
The Physics Room, Christchurch |
2018 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 30 (2008) |
Self published, Wellington |
2008 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 26 (Summer 2006-07) |
Self published, Wellington |
2006 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 24 (Spring 2006) The Winter Issue |
Self published, Wellington |
2006 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 22 (Spring 2005) |
Self published, Wellington |
2005 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 21 (Winter 2005) |
Self published, Wellington |
2005 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 20 (Autumn 2005) |
Self published, Wellington |
2005 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 15 (Spring 2003) The Fear of Fatherhood Issue |
Self published, Wellington |
2003 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 18, (Winter 2004) The Concept Album |
Self published, Wellington |
2004 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 16, The Sour Milk (Summer) Issue |
Self published, Wellington |
2003 |
| Physics Room; Tony Garifalakis; Shaun Gladwell; Matthew Griffin ...(artists) |
Family First |
The Physics Room, Christchurch |
2006 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 14 (2003) The (Balding) Winter Issue |
Self published, Wellington |
2003 |
| O'Doherty, Brian |
Inside the White Cube: The Ideology of the Gallery Space |
University of California Press, Berkley |
1999 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 09, The Existential Issue |
Self published, Wellington |
2002 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 43 (2011) |
Self published, Wellington |
2011 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 41 (2011) |
Self published, Wellington |
2011 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 37 (2010) |
Self published, Wellington |
2010 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 32 (2008) |
Self published, Wellington |
2008 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 31 (2008) |
Self published, Wellington |
2008 |
| Torrington, Sian |
Inhabitance |
Self-published, Wellington |
2011 |
| Wedde, Ian |
Inside view |
Te Papa Press, Wellington |
2013 |
| Strongman, Lara (ed.) |
Julian Dashper/John Nixon: The World is Your Studio |
Gus Fisher Gallery, Auckland |
2004 |
| McAvoy, Emil |
Issues & Returns: Borrowings from the National Publicity Studios Archive |
Archives New Zealand, Wellington |
2010 |
| Montgomery, Kate |
James Oram |
The Physics Room, Christchurch |
2008 |
| Grieves, Harold |
James Oram, Clare Noonan, Simon Lawrence, Susie Pratt, Chris Cottrell, Ceili Murphy, Kristen McKendr |
High Street Project, Christchurch |
2006 |
| Taki, Tomoaki |
Jewellery & Drawing |
Self-published |
2010 |
| Smith, Allan (ed.) |
John Nixon: EP + OW |
City Gallery Wellington, Wellington; Dunedin Public Art Gallery, Dunedin |
1997 |
| Arozqueta, Claudia; Riva, Caterina |
Jorge Satorre: Emic Etic? |
Artspace, Auckland |
2013 |
| Mey, Vera |
Knock on the Sky Listen to the Sound |
Enjoy Public Art Gallery, Wellington |
2011 |
| Porter, Gwynneth (ed.) |
Layla Rudneva-Mackay: Green With Envy |
Clouds, Auckland; Starkwhite, Auckland |
2012 |
| Forsyth, Stuart |
Leftovers: Re-presenting the Unwanted |
Self-published, Wellington |
2014 |
| Govett-Brewster Art Gallery/Len Lye Centre |
Len Lye: Cinema Pioneer |
Govett-Brewster Art Gallery, New Plymouth |
2014 |
| Davenport, Rhana (ed.) |
Lisa Reihana: Digital Marae |
Govett-Brewster Art Gallery, New Plymouth |
2009 |
| Jarrod Rawlins (ed.) |
un Magazine, Issue 7.2 (2013) |
un Projects Inc., Melbourne |
2013 |
| Pyle, D J |
An Historical Overview of Lambton Harbour |
5ever books; Rebel Press, Te Whanganui-A-Tara Wellington |
2021 |
| Baker, Erena; Hudson, Sara; Reweti, Bridget; Te Tau, Terri |
Mata Aho Collective: Te Whare Pora |
Enjoy Public Art Gallery, Wellington |
2013 |
| Daniel, Noel (ed.) |
Meg Cranston: Hot Plants in a Cold Cold World |
Artspace, Auckland; Clouds, Auckland |
2008 |
| Strongman, Lara (ed.) |
Memory Walking |
City Gallery Wellington, Wellington |
1998 |
| Sharkey, Patrice; Arozqueta, Claudia |
Ménage à Trois |
Enjoy Public Art Gallery, Wellington |
2012 |
| Strongman, Lara (ed.) |
Mikala Dwyer: an Australian artist's project |
City Gallery Wellington, Wellington |
2002 |
| Hanton, Jamie |
Mike Hewson Stud Flight, A Retrospective of New Work (2003–2007) |
Blue Oyster Art Project Space, Dunedin |
2013 |
| Mallon, Sean; Pandoro Fulimalo Pereira (eds) |
Speaking in Colour: Conversations with artists of Pacific Island heritage |
Te Papa Press, Wellington |
1997 |
| Burke, Gregory (ed.) |
Mike Stevenson and Steven Brower: Genealogy |
Govett-Brewster Art Gallery, New Plymouth |
2002 |
| Donson, Gred (ed.) |
Miranda Parkes: Shebang |
Sargeant Gallery, Whanganui |
2013 |
| Sam Rountree Williams (ed.) |
Matters, 2 (August 2009) |
Newcall Gallery, Auckland |
2009 |
| Watson, George and Hamish Win (eds.) |
Matters, Issue 7 (2017) |
Matters Journal, Wellington |
2017 |
| Hamish Win and George Watson (eds) |
Matters, 6 (Summer 2014/15) |
Matters Journal, Dunedin |
2014 |
| Booker, Paula |
Never Completely Still |
Enjoy Public Art Gallery, Wellington |
2008 |
| Cunnane, Abby (ed.) |
New Revised Edition |
City Gallery Wellington, Wellington |
2013 |
| Reid, Jessica (ed.) |
New Work Series: 21 July–10 December 2004 |
Enjoy Public Art Gallery, Wellington |
2004 |
| Lee, Kerry Ann |
New Zealand Parliamentary Debates (HANSARD), Volume 15, comprising the peiod from Ausut 28–October 3 |
Enjoy Public Art Gallery, Wellington |
2013 |
| Skinner, Damian |
No false foreign paradise |
Te Papa Press, Wellington |
2013 |
| Dan Arps and Gwynneth Porter (co-editors) |
Natural Selection: Australasian art reviews, Issue 3 (Summer 2005) |
Natural Selection, Auckland |
2005 |
| Dan Arps and Gwynneth Porter (co-editors) |
Natural Selection: Australasian art reviews, Issue 1 (Summer 2004) |
Natural Selection, Auckland |
2004 |
| Dan Arps and Gwynneth Porter (co-editors) |
Natural Selection Magazine, Issue 4 (2005) |
Natural Selection, Auckland |
2005 |
| Hamish Win and Georgina Watson (eds) |
Matters, 5 (Summer 2013/14) |
Wellington |
2013 |
| Bellamy, Max (artist); Su Ballard (text) |
Max Bellamy: Microcosms |
Self-published; Enjoy Public Art Gallery, Wellington (host institution) |
2009 |
| Adam Bryce, Yasmine Ganley (eds) |
ISLAND, issue 07 (Ngahuru Autumn 2023) |
Index Corp Ltd., Auckland |
2023 |
| Preston, Laura; Williams, Mark |
Object Lessons |
Adam Art Gallery, Wellington |
2010 |
| Whalley, Mary; Fleming, Joan |
Ornamental Thoughtfulness |
Self published, Wellington |
2012 |
| Amodeo, Gabrielle |
Oscar: with a sinister hoist, the semaphore flag |
North Projects, Christchurch |
2016 |
| Browne, Mary-Louise |
Out of Character |
City Gallery Wellington, Wellington |
2000 |
| Rice, Rebecca |
Paper bridges: an interview with artist Kerry Ann Lee |
Te Papa Press, Wellington |
2014 |
| Reid, Jessica (ed.) |
Paper Fountain, issue 01, May 2005 |
Enjoy Public Art Gallery, Wellington |
2005 |
| Slater, Marnie (ed.) |
Paper Fountain, issue 02, October 2005 |
Enjoy Public Art Gallery, Wellington |
2005 |
| Butler, Brian D. |
Paul Winstanley: Threshold, Paintings 1989–2007 |
Artspace, Auckland; Clouds, Auckland |
2008 |
| Lee, Kerry Ann (ed.) |
Permanent Vacation, issue 1, Anywhere but Here |
Permanent Vacation, Dunedin |
2011 |
| Lee, Kerry Ann (ed.) |
Permanent Vacation, issue 2, Simulacra |
Permanent Vacation, Dunedin |
2012 |
| Davenport, Rhana (ed.) |
Peter Robinson: Snow Ball Blind Time |
Govett-Brewster Art Gallery, New Plymouth |
2010 |
| Wells, Jared |
Pippa Sanderson: Spirited Away |
High Street Project, Christchurch |
2004 |
| Booker, Paula; Slater, Marnie |
Public Good: itinerant responses to collective space |
Enjoy Public Art Gallery, Wellington |
2008 |
| Lomas, Julia (ed.) |
Publications Catalogue 2015 |
Enjoy Public Art Gallery, Wellington |
2015 |
| Barton, Christina, Curnow, Wystan and Leonard, Robert (eds.) |
Reading Room : A Journal of Art and Culture, Issue 1: Autobiography in the wake of conceptualism |
E. H. McCormick Research Library, Auckland Art Gallery, Auckland |
2007 |
| Barton, Christina, Curnow, Wystan and Leonard, Robert (eds.) |
Reading Room: A Journal of Art and Culture, issue 8, Politics in Denial |
E. H. McCormick Research Library, Auckland Art Gallery, Auckland |
2018 |
| Galbraith, Heather; Baird, Kingsley; Morris, Charles E.; Febvre-Richards, Emma; Phillips, Kendall; P |
reflex, figment exhibition/Triggering Memory Symposium |
Massey University, Wellington; College of Visual and Performing Arts, Syracuse University, Syracuse; |
2015 |
| Harris, Claire; Kenealy, Robyn (eds.) |
Remember the Peacemakers |
Thistle Hall, Wellington |
2015 |
| Unknown |
Richard Stratton: Old Zealand New |
Te Uru Waitakere Contemporary Gallery, Auckland |
2016 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 77 (2021) |
Self published, Te Whanganui-a-Tara/Wellington |
2021 |
| O'Neill, Rachel |
Role. Play. |
Enjoy Public Art Gallery, Wellington |
2009 |
| Singh, Victoria (curator and ed.) |
Ritual in Contemporary Performance |
Western Front, Vancouver |
2004 |
| van Hout, Ronnie |
Ronnie van Hout: No Exit Parts 1 & 2 |
Hamish McKay Gallery, Wellington |
2003 |
| Teplitzky, David (ed.) |
roundabout |
ArtAsiaPacific, Hong Kong |
2010 |
| Smart, Jonathan; Wood, Andrew Paul |
Ruth Watson: Without Parachute |
The Physics Room, Christchurch |
2002 |
| Barton, Christina (ed.) |
Sam Morrison: Whiff Whaff |
Adam Art Gallery, Wellington |
2008 |
| Irish, Gina |
Sampler Series, Issue 3, Joanna Langford |
The Physics Room, Christchurch |
2004 |
| Clifford, Andrew (ed.) |
Seung Yul Oh: HaaPoom |
Te Uru Waitakere Contemporary Gallery, Auckland |
2015 |
| Eagleson, David |
Sheilah Wilson: If Becoming This |
Herndon Gallery, Yellow Springs |
2012 |
| Collinson, Olivia |
Sheliah Wilson: Build Your Altar to This Moment |
Enjoy Public Art Gallery, Wellington |
2013 |
| Fonoti, Dionne |
Siliga David Setoga: No Sense Making Cents |
Fresh Gallery, Otara |
2009 |
| Crowe, Meredith (ed.) |
Simon Morris and Brenda Sullivan: Living Space |
Enjoy Public Art Gallery, Wellington |
2013 |
| Hurrell, John |
Simon Morris: Coloured Water August 2007 |
64zero3, Christchurch |
2007 |
| Boxcopy |
2009 I 2010 |
Boxcopy, Brisbane |
2010 |
| Dunn, Megan |
Standing on the Shoulders of Giants: Megan Dunn interviews Andrew McLeod |
Te Papa Press, Wellington |
2013 |
| Remer, Ashley (ed.) |
Still Present: Exploring Psychiatric Institutions in Photography |
Adam Art Gallery, Wellington |
2005 |
| O'Hagan, Kelsey and Ralston, Cameron |
Strips Club, Issue 2 |
Ilam Press, Christchurch |
2014 |
| Dart, William (ed.) |
The Art New Zealand Reader 2013 |
Art New Zealand, Auckland |
2013 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 79 (2021) |
Self published, Te Whanganui-a-Tara/Wellington |
2021 |
| Denmead, Narelle; Ralson, Cameron; O'Hagan, Kelsey |
Strips Club, issue 1 |
Strips Club, Christchurch |
2014 |
| Superflex |
Superflex |
Self-pubished, Copenhagen |
2005 |
| Rice, Rebecca |
Taking root in New Zealand |
Te Papa Press, Wellington |
2013 |
| Wright, Felicity |
The Art & Craft Centre Story: Volume 3 |
Aboriginal & Torres Strait Islander Commission, Woden |
2000 |
| Asia Pacific Triennial |
The 2nd Asia Pacific Triennial of Contemporary Art |
Queensland Art Gallery, Brisbane |
1996 |
| Asia Pacific Triennial; Doug Hall (curatorial director) |
The 5th Asia Pacific Triennial of Contemporary Art |
Queensland Art Gallery, Brisbane |
2006 |
| Asia Pacific Triennial; Tony Ellwood (curatorial director) |
The 6th Asia Pacific Triennial of Contemporary Art |
Queensland Art Gallery, Brisbane |
2009 |
| Artspace; Tessa Giblin (curator) |
The Bed You Lie In |
Artspace, Auckland |
2006 |
| Dart, William (ed.) |
The Art New Zealand Reader 2016 |
Art New Zealand, Auckland |
2016 |
| Sanderson, Pippa (ed.) |
The Blue Room: 13 artists respond in a psychic way |
Utopia Press, Wellington; Te Manawa Museum Trust, Palmerston North; Hastings City Art Gallery, Hasti |
2009 |
| Giblin, Tessa (ed.) |
The Chained Lady, The Microscope & The Southern Fish |
University of Canterbury, BFA Design 301 |
2010 |
| Grieves, Harold |
The Daft Druf |
High Street Project, Christchurch |
2006 |
| Satele, Daniel Michael |
The Drowned World |
Tautai Contemporary Pacific Arts Trust, Auckland |
2014 |
| Scharder, Reuben |
The Future is Curatorial!: Reconceptualising curation through material culture (MA thesis) |
Victoria University of Wellington, Wellington |
2010 |
| Win, Hamish |
The John Dory Report |
Self published |
101 |
| Why, Loveday |
The Need to Nearly Disappear |
Blue Oyster Art Project Space, Dunedin |
2012 |
| O'Connor, Gabby |
The Package, 21–27 March 2002, Craftcamp |
Enjoy Public Art Gallery, Wellington |
2002 |
| Hughes, Robert |
The Shock of the New |
Alfred A. Knopf, New York |
1991 |
| Galloway, Matt (ed.) |
The Silver Annual 2011 |
o-s-x-x, Christchurch |
2011 |
| Galloway, Matt (ed.) |
The Silver Bulletin, Issue 6. April 2012 |
o-s-x-x, Christchurch |
2012 |
| Galloway, Matt (ed.) |
The Silver Bulletin, Issue 4, August 2011 |
o-s-x-x, Christchurch |
2011 |
| Galloway, Matt (ed.) |
The Silver Bulletin, Issue 5, November 2011 |
o-s-x-x, Christchurch |
2011 |
| Galloway, Matt (ed.) |
The Silver Bulletin, Issue 7.5, August 2012 |
o-s-x-x, Christchurch |
2012 |
| Galloway, Matt (ed.) |
The Silver Bulletin, Issue 8, December 2012 |
o-s-x-x, Christchurch |
2012 |
| Hacking, Lily (ed.) |
The Sparks Fly Upwards: Writers Respond to Ready to Roll |
City Gallery Wellington, Wellington |
2010 |
| Tulett, Louise |
The Third: The Story of Three Sentences |
Self-published |
101 |
| Jonty Valentine; Luke Wood (eds) |
The National Grid, #1 (March 2006) |
The National Grid, Auckland |
2006 |
| Davenport, Rhana (ed.) |
Uncanny: the unnaturally strange |
Artspace, Auckland |
2005 |
| McIntosh, Priscilla; Bayly, Karl (eds.) |
The Spring Issue |
Free Parking Space Project, Hamilton |
2014 |
| Jonty Valentine; Luke Wood (eds) |
The National Grid, #2 (December 2006) |
The National Grid, Auckland |
2006 |
| Jonty Valentine; Luke Wood (eds) |
The National Grid, #3 (July 2007) |
The National Grid, Auckland |
2007 |
| Ron Hanson (ed.) |
The Subconscious Restaurant |
White Fungus, Taichung City |
2012 |
| Jamie Hanton, Hamish Peterson and Hope Wilson (eds) |
Hamster, Issue Two (March 2018) |
The Physics Room, Christchurch |
2018 |
| whitefungus; Ron Hanson (eds) |
White Fungus, Issue 1 |
White Fungus, Wellington |
2004 |
| whitefungus; Ron Hanson (eds) |
White Fungus, Issue 2 |
White Fungus, Wellington |
2004 |
| Bowling, Jesse; Bragg, Jordana; Devlin, Callum |
What have we done? |
MEANWHILE, Wellington |
2016 |
| Mestrom, Sanné |
What keeps us this side of that dark lane? |
Counterpoint Project Space, Melbourne |
2007 |
| Galloway, Matt; Oliver, Melanie; Tweedie-Cullen, Layla; Wood, Luke (eds.) |
Work-Book |
The Physics Room, Christchurch; Split/Fountain, Auckland |
2013 |
| Blackley, Roger |
Working with Goldie |
Te Papa Press, Wellington |
2013 |
| Burzynska, Jo; Keys, Richard B. |
Writing Around Sound, Volume 3, The Contemporary Sound Object |
Cantabrian Society of Sonic Artists Inc., Lyttelton |
2016 |
| Spratt, Nicholas |
Yes, today could be your Lucky Day (or how I learned to stop worrying and love the web) |
RM, Auckland |
2002 |
| Leonard, Robert (ed.) |
Yuk King Tan |
Artspace, Auckland |
2002 |
| Leonard, Robert (ed.) |
Yvonne Todd: Dead Stars Assoc. |
Institute of Modern Art, Brisbane |
2007 |
| Swanson, Zina |
Zina Swanson |
The Physics Room, Christchurch |
2007 |
| Todd, Yvonne; Leonard, Robert (ed.) |
Creamy Psychology |
Victoria University Press, Wellington; City Gallery, Wellington |
2014 |
| whitefungus; Ron Hanson (eds) |
White Fungus, Issue 3 |
White Fungus, Wellington |
2004 |
| Artspace; Emma Bugden (curator and ed.) |
Volume 2 |
Artspace, Auckland; Clouds, Auckland |
2011 |
| whitefungus; Ron Hanson (eds) |
White Fungus, Issue 4 |
White Fungus, Wellington |
2005 |
| whitefungus; Ron Hanson (eds) |
White Fungus, Issue 6 |
White Fungus, Wellington |
2006 |
| whitefungus; Ron Hanson (eds) |
White Fungus, Issue 5 |
White Fungus, Wellington |
2005 |
| Ron Hanson (ed.in chief); Peter Freestone (manging ed.) |
White Fungus, Issue 16 |
White Fungus, Taichung City |
2018 |
| whitefungus; Ron Hanson (eds) |
White Fungus, Issue 9 |
White Fungus, Wellington |
2008 |
| Kate Montgomery |
Volume, Issue 4, Sam Eng: He Knew Something Was Up. He Could Smell It! |
The Physics Room, Christchurch |
2005 |
| Pip Wallis (ed.) |
un Magazine, Issue 9.1 (2015) |
un Projects Inc., Melbourne |
2015 |
| Pitts, Pricilla; Andrea Hotere |
Undreamed of...50 Years of the Frances Hodgkins Fellowship |
Otago University Press, Dunedin |
2017 |
| Benjamin Forster; Suzette Wearne; Robert Cook (eds) |
un Magazine, issue 8.2 (2014) |
un Projects Inc., Melbourne |
2014 |
| Taulapapa McMullin, Dan; Yuki Kihara |
Samoan Queer Lives |
little island press |
2018 |
| Macgregor, Elizabeth Ann; Savage, Paula (eds.) |
Bridget Riley: Paintings and Drawings 1961-2004 |
Ridinghouse, London |
2004 |
| Knox, John Ward |
Ashes: spam diaries |
Hocken Collections, University of Otago, Dunedin |
2016 |
| Knox, John Ward |
Ashes: 2015 |
Hocken Collections, University of Otago, Dunedin |
2016 |
| Blue Oyster Art Project Space |
POST— Envelope #2 |
Blue Oyster Art Project Space, Dunedin |
2021 |
| Budgen, Emma; Forde, Rosemary |
Hard Sell!! Because You Want It! |
The Physics Room, Christchurch |
2003 |
| McIntyre, Sally Ann (ed.); R A D I O Q U A L I A; Wendyhouse; Shearer, Rachel; McCallum, John; Franc |
Audible: New Frontiers |
The Physics Room, Christchurch |
2003 |
| Newby, Kate; Spong, Sriwhana |
TWONE |
The Physics Room, Christchurch |
2007 |
| Hanton, Jamie; Hamish Peterson and Michelle Wang (eds) |
Hamster, Issue Ono August 2020) |
The Physics Room, Ōtautahi |
2020 |
| Budgen, Emma (ed.) |
Land Wars: the Reader |
Te Tuhi Centre for the Arts, Auckland; PROGRAM, Berlin |
2008 |
| Monteith, Alex |
Coastal Flows / Coastal Incursions |
ST PAUL St Publishing, AUT University, Auckland |
2017 |
| Butt, Danny; Bywater, Jon; Monteith, Alex; Robertson, Natalie |
Local Time: Horotiu |
ST PAUL St Publishing, AUT University, Auckland |
2012 |
| Campbell, Jon |
yeah yeah yeah |
The Physics Room, Christchurch |
2007 |
| Budgen, Emma (ed.) |
A Physics Room Annual, 2001 |
The Physics Room Trust, Christchurch |
2002 |
| Knox, John Ward |
Ashes: a deep and tumbling kind of laughter |
Hocken Collections, University of Otago, Dunedin |
2016 |
| Menzies, Louise |
Sparkling Duets |
The Physics Room, Christchurch |
2008 |
| Forde, Rosemary (ed.) |
A Physics Room Annual, 2004 |
The Physics Room Trust, Christchurch |
2004 |
| Mossman, Danae; Coxhead, Vanessa (eds.) |
A Physics Room Annual, 2005 |
The Physics Room Trust, Christchurch |
2005 |
| Coxhead, Vanessa; Montgomery, Kate (eds.) |
A Physics Room Annual, 2006 |
The Physics Room Trust, Christchurch |
2007 |
| Baxter; Alice; Coxhead, Vanessa (eds.) |
A Physics Room Annual, 2009 |
The Physics Room Trust, Christchurch |
2010 |
| Rawlins, Jarrod; Trethowan, Blair (Gallerists) |
Uplands Gallery |
Uplands Gallery, Melbourne |
2003 |
| Huddleston, Charlotte; Booker Paula (eds) |
g. bridle . the Retreat |
ST PAUL St Publishing, AUT University, Auckland |
2014 |
| Arps, Dan (artist and text); Tahi Moore (text) |
The Downward Spiral |
DDMMYY, Auckland |
2012 |
| MOP Projects; Daniel Maudie Cunningham (curator) |
Dress Code |
MOP Projects, Sydney |
2005 |
| MOP Projects; Jess MacNeil (curator) |
Two for One, Two |
MOP Projects, Sydney |
2004 |
| Jamie Hanton, Hamish Peterson and Hope Wilson (eds) |
Hamster, Issue One (December 2017) |
The Physics Room, Christchurch |
2017 |
| Parton, Sarah Jane; Reid, Jessica; Feltham, Henry |
Guidance |
The Physics Room, Christchurch |
2007 |
| Arps, Dan; Porter, Gwynneth |
Gestapo Pussy Ranch |
The Physics Room, Christchurch; Neon Parc, Melbourne; Michael Lett, Auckland; Clouds Publishing, Auc |
2008 |
| de Latour, Tony; Williams, Mark |
B-Sides & Demos |
The Physics Room Trust, Christchurch |
2009 |
| Gailbraith, Heather; O'Brien, Gregory; Savage, Paula; Webb, Vivian (eds.) |
Fiona Hall: Force Field |
Museum of Contemporary Art, Sydney; City Gallery, Wellington |
2007 |
| O'Brein, Gregory (ed.) |
Rosalie Gascoigne: Plain Air |
Victoria University Press, Wellington; City Gallery, Wellington |
2004 |
| O'Brein, Gregory |
Hotere: Out the Black Window |
Godwit Publishing Ltd., Auckland; City Gallery, Wellington |
1997 |
| Butler, Brian (ed.) |
1. Daniel Malone, Francis Alÿs, Mark Adams, Eve Armstrong, Fiona Banner, Ann Veronica Janssens |
Artspace, Auckland; Clouds Publishing, Auckland |
2008 |
| Brown, Gordon H.; Barton, Christina (ed.) |
Art History Lecture Series 01: Elements of Modernism in Colin McCahon's Early Work |
Art History, School of Art History, Classics and Religious Studies, Victoria University of Wellingto |
2003 |
| Radford, Lisa |
Aesthetic nonsense makes commonsense, thanks X |
Surpllus, Melbourne; Westspace, Melbourne |
2016 |
| Blackley, Roger; Barton, Christina (ed.) |
A Nation's Portraits |
Art History, School of Art History, Classics and Religious Studies, Victoria University of Wellingto |
2005 |
| MOP Projects; Adams + Adams (curator) |
Anthology |
MOP Projects, Sydney |
2005 |
| Goldson, Annie; Barton, Christina (ed.) |
Gordon H. Brown Lecture 04: Memory, Landscape, Dad & Me |
Art History, School of Art History, Classics and Religious Studies, Victoria University of Wellingto |
2006 |
| Green, Tony; Barton, Christina (ed.) |
Gordon H. Brown Lecture 02: Toss Woollaston: Origins & Influence |
Art History, School of Art History, Classics and Religious Studies, Victoria University of Wellingto |
2004 |
| Butler, Rex; Barton, Christina (ed.) |
Gordon H. Brown Lecture 08: Colin McCahon in Australia |
Art History, School of Art History, Classics and Religious Studies, Victoria University of Wellingto |
2010 |
| Treadwell, Sarah; Barton, Christina (ed.) |
Gordon H. Brown Lecture 06: Rangiatea Revisited |
Art History, School of Art History, Classics and Religious Studies, Victoria University of Wellingto |
2008 |
| Artspace; Alterations; Amita Kirpalani; Tobias Berger; Brian D. Butler; Chris Kraus (texts); Caterin |
ARTSPACE 25: every cloud has a silver lining |
Artspace, Auckland |
2012 |
| Pendleton, Adam (compiler); Stephen Squibb (ed.) |
Black Dada Reader |
Koenig Books Ltd., London |
2017 |
| Piccinini, Patricia (artist); Heather Galbraith; Paula Savage (curators); Emma Budgen (ed.) |
Patricia Piccinini: In Another Life |
City Gallery Wellington, Wellington |
2006 |
| Smith, Anna; Lydia Wevers (eds) |
On Display: New Essays in Cultural Studies |
Victoria University Press, Wellington |
2004 |
| Dale, Richard (Curator); Leonard, Robert and Carmichael, Kelly (eds.) |
AUTONOMOUS ACTION |
Artspace, Auckland |
1999 |
| Brennan, Stella; Leonard, Robert and Carmichael, Kelly (eds.) |
Nostalgia for the Future |
Artspace, Auckland |
1999 |
| Cormack, Emily |
Archiving Fever |
Adam Art Gallery Te Pātaka Toi, Wellington |
2006 |
| Berger, Tobias (Curator) |
Remember New Zealand, New Zealand at the 26th Sao Paulo Bienal, 25 September - 19 December 2004, Sao |
Artspace, Auckland |
2005 |
| Neves, Caco |
Sleepwalking |
Re-Publica, Sao Paulo; Meli-Melo, Sao Paulo |
2017 |
| Brown, Deidre; Ellis, Ngarino; Mane-Wheoki, Jonathan; Batchen, Geoffrey (ed.) |
Gordon H. Brown Lecture 12: Does Māori Art History Matter? |
Art History, School of Art History, Classics and Religious Studies, Victoria University of Wellingto |
2014 |
| Gibson, Ross; Batchen, Geoffrey (ed.) |
Gordon H. Brown Lecture 11: Aqueous Aesthetics: An Art History of Change |
Art History, School of Art History, Classics and Religious Studies, Victoria University of Wellingto |
2013 |
| Tapsell, Paul; Barton, Christina (ed.) |
Gordon H. Brown Lecture 09: The Art of Taonga |
Art History, School of Art History, Classics and Religious Studies, Victoria University of Wellingto |
2011 |
| Rice, Rebecca; Blackley, Roger (ed.) |
Gordon H. Brown Lecture 14: Unsettling: Art and the New Zealand Wars |
Art History, School of Art History, Classics and Religious Studies, Victoria University of Wellingto |
2016 |
| Skinner, Damien; Batchen, Geoffrey (ed.) |
Gordon H. Brown Lecture 15: London Calling: Artistic Decolonisation and the New Commonwealth Interna |
Art History, School of Art History, Classics and Religious Studies, Victoria University of Wellingto |
2017 |
| Thomas, Nicholas; Batchen, Geoffrey (ed.) |
Gordon H. Brown Lecture 13: A Critique of the Natural Artefact: Anthropology, Art & Museology |
Art History, School of Art History, Classics and Religious Studies, Victoria University of Wellingto |
2015 |
| Upritchard, Francis (artist); Charlotte Day; Robert Leonard (eds) |
Jealous Saboteurs |
Monash University Museum of Art, Melbourne; City Gallery, Wellington |
2016 |
| Barton, Christina; Wynston Curnow; John Hurrell; Robert Leonard (curators) |
Action Replay: Post-script |
Artspace, Auckland; Govett-Brewster Art Gallery, New Plymouth |
2002 |
| Barikin, Amelia; Helen Hughes (eds) |
Making Worlds: Art and Science Fiction |
Surpllus, Melbourne |
2013 |
| Designers Speak (Up!), Directory of Women Designers Aotearoa New Zealand |
Present Tense: Wāhine Toi Aotearoa |
AUT University Press, Auckland; Laurel Projects, Dunedin |
2019 |
| García-Antón, Katya (ed.) |
Sovereign Words: Indigenous Art, Curation and Criticism |
Valiz, Amsterdam; Office for Contemporary Art, Norway |
2018 |
| Berger, Dr Daniel S.; John Neff (eds.) |
Militant Eroticism: the ART+Positive Archives |
Sternberg Press, Berlin |
2017 |
| McCulloch, Samantha; Christopher Williams-Wynn (eds) |
Concerted Efforts |
Surpllus, Melbourne |
2016 |
| Wedde, Ian |
Making Ends Meet: essays and talks 1992 - 2004 |
Victoria University Press, Wellington |
2005 |
| Miranda, Maria; Anabelle Lacroix (eds) |
An Act of Showing: Rethinking Artist-run Initiatives Through Place |
Unlikely Publishing, Melbourne |
2018 |
| Gillick, Liam |
Why Work? |
Artspace, Auckland |
2010 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 81 (2022) |
Self published, Te Whanganui-a-Tara/Wellington |
2022 |
| D'Souza, Aruna |
Whitewalling: Art, Race & Protest in 3 Acts |
Badlands Unlimited, New York |
2018 |
| Pérez Villoro, Federico; Christopher Hamamoto |
Printer Prosthetic: Futura |
Printed Matter, Inc., New York |
2017 |
| Leach, Maddie |
From Where She Was Standing |
St PAUL St Publishing, AUT University, Auckland |
2016 |
| Terk, Micaela (ed.) |
Techniques of Invisibility |
Goodbye, Tel Aviv |
2018 |
| Wilson, Alexa |
Theatre of Ocean: Stories of Performance Between Us |
5ever, Wellington |
2020 |
| Charles Esche; Mark Lewis (editorial directors) |
Afterall, Issue 39 (Summer 2015) |
Central Saint Martins College of Art and Design, London |
2015 |
| McCarthy, Conal; Stocker, Mark (eds) |
Colonial Gothic to Maori Renaissance: Essays in Memory of Jonathan Mane-Wheoki |
Victoria University Press, Wellington |
2017 |
| Cormack, Emily; Huddleston, Charlotte; Kirpalani, Amita (curators) |
Reason and Rhyme |
St PAUL St Publishing, AUT University, Auckland; Gertrude Contemporary, Melbourne |
2011 |
| McDowell, Tara (curator and author); Daro Sulakauri (photographer) |
124,908 |
Centre for Contemporary Art, Tbilisi; 3-Ply |
2016 |
| Nicholson, Tom and Jan Svenungsson; Richard Averill (ed.) |
Forms For a Public Address |
Surpllus, Melbourne |
2011 |
| Oeschger, Christoph (photographer); Leopold Lambert, Christoph Oeschger (texts) |
They've Made Us Ghosts |
cpress, Zurich |
2017 |
| Physics Room; Megan Adams; Tony de Lautour; Fiona Jack...(artists); Sophie Jerram (cur.) |
Bombs Away |
The Physics Room, Christchurch |
2002 |
| Gomez, Maya; Vreni Michelini Castillo (eds.) |
Color Theory |
Wolfman Books, Oakland |
2019 |
| Hao, Sophia Yadong; Edgar Schmitz (eds.) |
Hubs and Fictions: On Current Art and Imported Remoteness |
Sternberg Press, Berlin; Cooper Gallery DJCAD, University of Dundee |
2016 |
| Deutsher, James; Hill, Christopher L G |
Y3K |
Y3K, Melbourne |
2013 |
| Clemens, Eddie; Poland, Natalie |
Eddie Clemens: Delusional Architecture |
Hocken Collections, University of Otago, Dunedin |
2010 |
| Amundsen, Fiona |
Fiona Amundsen: The Imperial Body |
split/fountain, Auckland |
2015 |
| Chhary, Bopha; Kido, Masashi; Mizuo, Asumi; Tweedie-Cullen, Layla; Usuda, Momoko (eds.) |
Temporary housing + shelter |
split/fountain, Auckland; Whatever Press, Tokyo |
2012 |
| Cullen, Paul |
r/p/m |
split/fountain, Auckland |
2011 |
| Jamie Hanton, Hamish Peterson and Michelle Wang (eds) |
Hamster, Issue 5 (December 2019) |
The Physics Room, Ōtautahi |
2019 |
| Yang, Chi-Chuan |
A Working History: LU Chieh-Tu |
Te Tuhi Centre for the Arts, Manukau |
2016 |
| Phillips, Bruce E.; Lal, Rebecca (ed.) |
Gregor Kregar: Dream House Project |
Te Tuhi Centre for the Arts, Manukau |
2013 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 74 (2020) tickbox postcards |
Self published, Te Whanganui-a-Tara/Wellington |
2020 |
| Martinis Roe, Alex |
To Become Two: Propositions for Feminist Collective Practice |
Archive Books, Berlin; ar/ge, Bolzano; Casco - Office for Art, Design and Theory, Utrecht; If I Can' |
2018 |
| Schoon, Theo (artist); Damian Skinner and Aaron Lister (curators) |
Split Level View Finder: Theo Schoon and New Zealand Art |
City Gallery Wellington, Wellington |
2019 |
| Huddleston, Charlotte; Prakāsh, Dr Vikramāditya; Zepke, Stephen |
Gavin Hipkins: Leisure Valley |
ST Paul St Gallery, AUT University, Auckland; Ilam Press, University of Canterbury School of Fine Ar |
2014 |
| Huddleston, Charlotte; Kreisler, Aaron |
transmissionspace: David Clegg projects 2006-2012 |
ST Paul St Gallery, AUT University, Auckland; Dunedin Public Art Gallery |
2013 |
| Ramadan, Tariq |
On Super-Diversity (Reflections 02) |
Sternberg Press, Berlin; Witte de With Centre for Contemporary Art, Rotterdam |
2011 |
| Rosler, Martha (author); Aranda, Julieta; Kuan Wood, Brian; Vidokle, Anton (eds) |
Culture Class (e-flux journal) |
Sternberg Press, Berlin |
2013 |
| Reisinger, Barbara; Tanja Widmann (workshop concept); Laura Preston; Tanja Widmann (eds) |
Postapocalyptic Self-Reflection |
Westphalie Verlag, Vienna |
2019 |
| Barber, Bruce (artist); Stephen Cleland; Blair French (eds) |
Bruce Barber: Work 1970-2008 |
Artspace, Sydney; Te Tuhi Centre for the Arts, Manukau |
2010 |
| Gilbert, Annette (ed.) |
Publishing as Artistic Practice |
Sternberg Press, Berlin |
2016 |
| Dean, Andrew |
Ruth, Roger and Me: Debts and Legacies |
Bridget Williams Books Ltd., Wellington |
2015 |
| Salesa, Damon |
Island Time: New Zealand's Pacific Futures |
Bridget Williams Books Ltd., Wellington |
2017 |
| Oram, Rod |
Three Cities: Seeking Hope in the Anthropocene |
Bridget Williams Books Ltd., Wellington |
2016 |
| Hammonds, Lucy; Simmonds, Laurence; Waite, Julia (Curators); Stanhope, Zara (ed.) |
Gordon Walters: New Vision |
Auckland Art Gallery Toi O Tāmaki; Dunedin Public Art Gallery |
2017 |
| Chapman, Ralph |
Time of useful Consciousness: Actng Urgently on Climate Change |
Bridget Williams Books Ltd., Wellington |
2015 |
| Hamilton, Scott |
The Stolen Island: Searching for 'Ata |
Bridget Williams Books Ltd., Wellington |
2016 |
| Misa, Tapu; Wilson, Gary (eds.) |
The Best of e-Tangata |
Bridget Williams Books Ltd., Wellington |
2017 |
| Buchanan, Rachel |
Ko Taranaki Te Maunga |
Bridget Williams Books Ltd., Wellington |
2018 |
| Hayward, Bronwyn |
Sea Change: Climate Politics and New Zealand |
Bridget Williams Books Ltd., Wellington |
2017 |
| Lopesi, Lana |
False Divides |
Bridget Williams Books Ltd., Wellington |
2018 |
| Ng, K. Emma |
Old Asian, New Asian |
Bridget Williams Books Ltd., Wellington |
2017 |
| Godfrey, Morgan (ed.) |
The Interregnum: Rethinking New Zealand |
Bridget Williams Books Ltd., Wellington |
2016 |
| Godfrey, Morgan |
Māui Street |
Bridget Williams Books Ltd., Wellington |
2018 |
| Stanhope, Zara; Cleland, Stephen (Curators); McIntosh, Clare (ed.) |
A World Undone: Works from the Chartwell Collection |
Auckland Art Gallery Toi O Tāmaki |
2014 |
| Nixon, John |
John Nixon: Abstraction |
Auckland Art Gallery Toi O Tāmaki |
2018 |
| Coupland, Douglas |
Generation X: Tales For an Accelerated Culture |
Abacus, London |
1992 |
| Stanhope, Zara (Curator); McIntosh, Clare (ed.) |
Freedom & Structure: Cubism and New Zealand Art 1930-1960 |
Auckland Art Gallery Toi O Tāmaki |
2017 |
| Stanhope, Zara (Curator); Conland, Natasha (ed./curator); McIntosh, Clare (ed.) |
Necessary Distraction: A Painting Show |
Auckland Art Gallery Toi O Tāmaki |
2016 |
| Puiggròs, Daniel |
Fuego Ofiuco |
Martian Press, Los Angeles |
2018 |
| Montgomery, Kate; Eng, Sam |
path of the path |
The Physics Room, Christchurch |
2008 |
| Apple, Billy (artist); Wynston Curnow; Zara Stanhope (ed.) |
Sold On Apple: The Complete Wystan Curnow Writings |
Auckland Art Gallery Toi O Tāmaki |
2015 |
| Gilbert & George (artist); Michael Bracewell; Kirsten Lacey (texts) |
Gilbert & George: The Tāmaki Makaurau Auckland Exhibition |
Auckland Art Gallery Toi o Tāmaki, Auckland |
2022 |
| Abreu, Manuel Arturo |
Incalculable Loss |
Institute for New Connotative Action (INCA) Press |
2018 |
| Wark, McKenzie |
Capital is Dead |
Verso, London |
2021 |
| Madera, Gerardo |
Name, Thing, Thing: A Primer in Parallel Typographies |
Printed Matter, Inc., New York |
2018 |
| Meneghello, Davide |
Again He Holds Me by the Hand |
D. Meneghello, London |
2019 |
| Leonard, Robert (Curator); Campany, David; Stezaker, John; Batchen, Geoffrey |
John Stezaker: Lost World |
Ridinghouse, London; City Gallery, Wellington |
2017 |
| Cleland, Stephen (Curator) |
Passages: Luke Fowler, Florian Hecker, Susan Philipsz |
Adam Art Gallery Te Pātaka Toi, Wellington |
2019 |
| Mitch, Roman |
A Brief History of Structureless Practice Chess |
Artspace, Auckland |
2011 |
| Intra, Giovanni (Curator); Leonard, Robert; Carmichael, Kelly (eds.) |
Span |
Artspace, Auckland; Govett-Brewster Art Gallery, New Plymouth |
1998 |
| Lister, Aaron; Kreisler, Aaron (Curators) |
Seung Yul Oh: MOAMOA, a Decade |
City Gallery, Wellington; Dunedin Public Art Gallery |
2014 |
| Smith, Allan (Curator / Ed.); Pitts, Priscilla (ed.) |
The Nervous System: Twelve Artists Explore Images and Identities in Crisis |
City Gallery, Wellington; Govett-Brewster Art Gallery, New Plymouth |
1995 |
| Lister, Aaron (Curator) |
Occulture: the Dark Arts |
City Gallery, Wellington |
2017 |
| Leonard, Robert |
Julian Dashper & Friends |
City Gallery, Wellington |
2015 |
| Lister, Aaron (Curator) |
Petra Cortright: Running Neo-Geo Games Under Mame |
City Gallery, Wellington |
2017 |
| Anna Rankin, Owen Connors, Georgina Watson and Hamish Win |
Matters, Issue 8 |
Matters, Wellington |
2018 |
| Delany, Max; Sharkey, Patrice |
Simon Starling: In Speculum |
Monash University Museum of Art, Melbourne; City Gallery, Wellington; Institute of Modern Art, Brisb |
2013 |
| Stevenson, Michael |
This is the Trekka |
Creative New Zealand; Revolver, Frankfurt |
2003 |
| Soh, Kevin |
010913 Stella Corkery |
DDMMYY, Auckland |
2013 |
| Soh, Kevin |
060913 Andrew McLeod |
DDMMYY, Auckland |
2013 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 69 (2019) |
Self published, Wellington |
2019 |
| Langford, Joanna; Poland, Natalie |
Honey in the Rock |
Hocken Collections, University of Otago, Dunedin |
2011 |
| Muñoz Santini, León |
Lips (keepers of thought) whistle us off. Sound dies away. |
Gato Negro, Mexico City |
2016 |
| Barr, Jim; Barr, Mary; Leonard, Robert (curators) |
Who Do I Think I Am |
Artspace, Auckland |
2000 |
| Kelvin Soh (ed.) |
LE ROY, Issue 4: The Lifestyle Issue |
DDMMYY, Auckland |
2016 |
| Kelvin Soh (ed.) |
LR: Stories We Tell Ourselves, 01 |
DDMMYY, Auckland; LE ROY, Auckland |
2015 |
| Menzies, Louise; Smith, Allan and Tweedie-Cullen, Layla (eds.) |
distracted-reader, Issue 3: Time to Think Like a Mountain |
split/fountain, Auckland |
2018 |
| Bywater, John; Conland, Natasha; Curnow, Wystan (eds.) |
Reading Room: A Journal of Art and Culture, Issue 07.15: Risk |
E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki |
2015 |
| Swanson, Zina; Poland, Natalie (ed.) |
No Need For Water |
Hocken Collections, University of Otago, Dunedin |
2014 |
| Fisher, Mark |
Capitalist Realism: Is There No Alternative? |
Zero Books, Winchester |
2009 |
| Barton, Christina; Conland, Natasha; Curnow, Wystan (eds.) |
Reading Room: A Journal of Art and Culture, Issue 05.12: The Space of Reading |
E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki |
2012 |
| Cauchi, Ben |
Dead Time |
Hocken Collections, University of Otago, Dunedin |
2008 |
| Lundberg, Patrick; Poland, Natalie (ed.) |
Draft Copy |
Hocken Collections, University of Otago, Dunedin |
2015 |
| Gross, Jennifer; Emmerling, Leonhard (ed.) |
Judy Millar: Giraffe-Bottle-Gun |
Kerber Verlag, Bielefeld |
2009 |
| Barton, Christina; Cleland, Stephen; Gennard, Simon (Curators) |
The Tomorrow People |
Adam Art Gallery Te Pātaka Toi, Wellington |
2017 |
| Olsen-Reeder, Vincent; Hutchings, Jessica; Higgins, Rawinia (eds.) |
Te Ahu o Te Reo Māori: Reflecting on Research to Understand the Well-being of te reo Māori |
Victoria University Press, Wellington |
2017 |
| Barton, Christina; Leonard, Robert; Curnow, Wystan (eds.) |
Reading Room: A Journal of Art and Culture, Issue 01.07: Autobiography in the Wake of Conceptualism |
E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki |
2007 |
| Whangarei Art Museum Te Manawa Toi |
From the Land of the Morning Calm to the Land of the Long White Cloud: Korean Artists in Aotearoa |
Whangarei Art Museum Te Manawa Toi |
2014 |
| Harris, Brent; O'Connor, Maria |
Posteering |
The Physics Room, Christchurch; School of Art + Design, AUT, Auckland; M / K Press, Christchurch |
2015 |
| Bannan, Sophie; Bell, Andrea; Dell, Sharon; Notman, Robyn; Parkes, Miranda |
Miranda Parkes: the merrier |
Hocken Collections, University of Otago, Dunedin |
2017 |
| Emmerling, Leonhard (ed.); Byrt, Anthony |
Judy Millar: You You, Me Me |
Kerber Verlag, Bielefeld |
2009 |
| Derby, Mark; Rouse, Jennifer; Wedde, Ian (eds.) |
We Will Work With You: Wellington Media Collective 1978-1998 |
Victoria University Press, Wellington |
2013 |
| Reid, John |
Whatever it Takes: Pacific Films and John O'Shea 1948-2000 |
Victoria University Press, Wellington |
2018 |
| Barry, Kathy; Thom, Isobel |
Homeworld |
Te Uru Waitakere Contemporary Gallery, Auckland |
2014 |
| Patterson, Campbell |
toot floor |
Hocken Collections, University of Otago, Dunedin |
2018 |
| Barton, Christina |
Simon Denny: The Personal Effects of Kim Dotcom (List of Works) |
Adam Art Gallery Te Pātaka Toi, Wellington |
2014 |
| Tessa Laird (ed.) |
LOG Illustrated, Eight (Spring 1999) The Totem & Taboo Issue |
The Physics Room, Christchurch |
1999 |
| Barrowman, Rachel |
A Popular Vision: the Arts and the Left in New Zealand 1930-1950 |
Victoria University Press, Wellington |
1991 |
| Artspace; Jon Bywater (author) |
In response to the exhibition: Jorge Satorre Emic Etic? at Artspace, October-November 2013 |
Artspace, Auckland |
2014 |
| Salgado, Gabriela (Curator); PĀNiA! |
The True Artist Helps the World by Asking for Trust |
Te Tuhi Contemporary Art, Auckland; Mokopōpaki, Auckland |
2019 |
| Plumb, Vivienne; Otto, Glen |
As Much Gold as an Ass Could Carry |
split/fountain, Auckland |
2017 |
| Stanhope, Zara (ed.) |
Art Matter 01: Engaging Publics, Public Engagement |
Auckland Art Gallery Toi o Tāmaki; AUT University, Auckland |
2015 |
| Tessa Laird (ed.) |
LOG Illustrated, Nine (Summer 2000) The Lists Bulging Issue |
The Physics Room, Christchurch |
2000 |
| Seko, Ryoga; Tamura, Yuichiro |
Kaizo |
Nagoya University of the Arts, Nagoya; Yuka Tsuruno Gallery, Tokyo |
2019 |
| Gennard, Simon |
Hatefucking |
RM Gallery, Auckland |
2019 |
| Barton, Chris (ed.) |
Won / Now: Vol 1, Issue 1 |
Unknown |
2007 |
| Austin, Nick |
The Liquid Dossier |
Hocken Collections, University of Otago |
2013 |
| Amundsen, Fiona; Corballis, Tim |
Si c'est (If it is) |
The Physics Room, Christchurch |
2008 |
| Howden-Chapman, Amy; du Bern, Daniel |
Dirt Work |
The Physics Room, Christchurch |
2006 |
| Stanhope, Zara; Shelton, Ann (eds) |
Art Matter 02: Agency & Aesthetics |
Auckland Art Gallery Toi o Tāmaki |
2018 |
| Horrocks, Ingrid; Lacey, Cherie (eds) |
Extraordinary Anywhere: Essays on Place from Aotearoa New Zealand |
Victoria University Press, Wellington |
2016 |
| Jucan, Ioana B.; Jussi Parikka; Rebecca Schneider |
Remain (Series title - In Search of Media) |
University of Minnesota, Minneapolis; meson press, Luneburg |
2019 |
| Gwynneth Porter (ed.) |
LOG Illustrated, #13 (Winter 2001) The Revolution Issue |
The Physics Room, Christchurch |
2001 |
| Gwynneth Porter (ed.) |
LOG Illustrated, #12 (Summer 2001) |
The Physics Room, Christchurch |
2001 |
| Holly Hunter and Ollie Hutton (eds.) |
Mimicry, Issue 5 (Autumn 2019) |
Mimicry Journal & Mouthful Productions, Wellington |
2019 |
| Smart, Jonathan |
Celebrating 25 Years |
Jonathan Smart Galleries, Christchurch |
2013 |
| Cuming, Simon; Porter, Gwynneth (eds.) |
Grunt Machine: New New Zealand video art |
The Physics Room, Christchurch |
1999 |
| Tessa Laird (ed.) |
LOG Illustrated, Issue #4 (Winter 1998) Artist-Run Spaces |
The Physics Room, Christchurch |
1998 |
| Carlson, Marvin |
Performance: a Critical Introduction |
Routledge, London / New York |
1996 |
| Tomkins, Calvin |
Ahead of the Game: Four Versions of Avant-garde |
Penguin Books, Middlesex |
1968 |
| Jarman, Derek; Christie, Michael (ed.) |
At Your Own Risk: a Saint's Testament |
Vintage, London |
1992 |
| McIntosh, Clare; Watson, Ruth (eds.) |
Geophagy -- Ruth Watson |
Centre of Contemporary Art Toi Moroki (CoCA), Christchurch |
2018 |
| Aranda, Julieta; Brian Kuan Wood; Anton Vidokle; Steven Sqibb (eds) |
What's Love (or Care, Intimacy, Warmth, Affection) Got to Do with It? |
Sternberg Press, Berlin |
2017 |
| Parr, Adrian |
The Wrath of Capital: Neoliberaism and Climate Change Politics |
Columbia University Press, New York |
2013 |
| Gracewood, Jolisa; Andrew, Susanna (eds.) |
Tell You What: 2015 |
Auckland University Press, Auckland |
2014 |
| Massumi, Brian |
Parables for the Virtual: Movement, Affect, Sensation |
Duke University Press, Durham / London |
2002 |
| Tessa Laird (ed.) |
LOG Illustrated, Issue #5 (Spring 1998) the Trans-Tasman Issue |
The Physics Room, Christchurch |
1998 |
| Tessa Laird (ed.) |
LOG Illustrated, Issue #6 (Summer 1999) the Abuse of Substance & Fiction Issue |
The Physics Room, Christchurch |
1999 |
| May, Derwent |
Hannah Arendt |
Penguin Books, Middlesex |
1986 |
| ElDahab, Mai Abu; Binna Choi; Emily Pethick (eds) |
Circular Facts |
Sternberg Press, Berlin |
2011 |
| Hiller, Susan; Sarah Martin (eds) |
The Producers: Contemporary Curators in Conversation (4) |
BALTIC, Gateshead; Department of Fine Art, University of Newcastle |
2002 |
| Hiller, Susan; Sarah Martin (eds) |
The Producers: Contemporary Curators in Conversation (3) |
BALTIC, Gateshead; Department of Fine Art, University of Newcastle |
2001 |
| Hiller, Susan; Sarah Martin (eds) |
The Producers: Contemporary Curators in Conversation |
BALTIC, Gateshead; Department of Fine Art, University of Newcastle |
2000 |
| whitefungus (Ron Hanson and Mark Hanson) (eds) |
White Fungus, Issue 11 |
White Fungus, Taichung City |
2010 |
| Matthiesson, Sophie; Emma Jameson |
Manpower: Myths of Masculinity |
Auckland Art Gallery Toi o Tāmaki, Auckland |
2022 |
| Saïd, Edward W. |
Representations of the Intellectual: the 1993 Reith Lectures |
Vintage, London |
1994 |
| Berger, John |
Ways of Seeing |
British Broadcasting Association, London; Penguin Books, London |
1972 |
| Harold Grieves |
Volume, Issue 3, Alicia Frankovich: We are Housed (in and around all of this stuff) |
The Physics Room, Christchurch |
2005 |
| Kamuf, Peggy (ed.) |
A Derrida Reader: Between the Blinds |
Columbia University Press, New York |
1991 |
| Bachelard, Gaston |
The Poetics of Space |
Beacon Press, Boston |
1994 |
| Wild, Alex (ed.) |
brief 47: MID CITY |
The Writer’s Group |
2012 |
| Direen, Bill |
brief 48: the Ballad of Rue Belliard |
The Writer’s Group |
2013 |
| Lauren Strain and Chris Holdaway (eds.) |
Minarets, Issue 1 (Winter 2012) |
Bell Tower Press, Auckland |
2012 |
| Nieuwland, Jackson (ed.) |
LEFT: a Book of Words and Pictures |
We Are Babies, Wellington |
2015 |
| Hamish Petersen (ed.) |
Correspondence, Volume One, Issue Two (June 2022) |
The Physics Room, Ōtautahi |
2022 |
| Howden-Chapman, Amy; Cunnane, Abby (eds.) |
The Distance Plan |
The Distance Plan Press |
2013 |
| Howden-Chapman, Amy; Cunnane, Abby (eds.) |
The Distance Plan #4 |
The Distance Plan Press |
2016 |
| Howden-Chapman, Amy; Cunnane, Abby (eds.) |
The Distance Plan #2 |
The Distance Plan Press; ST PAUL St Publishing, AUT University, Auckland |
2014 |
| Hoi, Alfred; Hoban, Luke |
Fearful Harmony |
Hoi, Alfred and Luke Hoban |
2017 |
| Howden-Chapman, Amy; Cunnane, Abby (eds.) |
The Distance Plan #5 |
The Distance Plan Press |
2019 |
| Darragh, Judy; Taylor, Imogen (eds.) |
Femisphere |
Darragh, Judy and Imogen Taylor |
2019 |
| Collins, Teresa; Jackson, Bena |
Stormwater Solutions |
Toi Poneke, Wellington |
2019 |
| Heta, Elisapeta and Martin Awa Clark Langdon |
Unfolding Kaitiakitanga: Shifting the Institutional Space with Biculturalism |
ST PAUL St Publishing, AUT University, Auckland |
2016 |
| Chappell, Brenda (ed.) |
Art News New Zealand, Spring 2019 |
Art News New Zealand, Auckland |
2019 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 42 (2011) Courtenay Place Light Box |
Self published, Wellington |
2011 |
| Te Kani, Samuel; Connors, Owen |
Sissymancy |
Owen Connors; play_station |
2019 |
| Chappell, Brenda (ed.) |
Art News New Zealand, Summer 2019 |
Art News New Zealand, Auckland |
2019 |
| Buchanan, Ian |
Deleuze and Guattari's Anti-Oedipus |
Continuum, London / New York |
2008 |
| Massumi, Brian |
A User's Guide to Capitalism and Schizophrenia: Deviations from Deleuze and Guattari |
MIT Press, Cambridge, Mas. |
1992 |
| Oliver, Melanie (ed.) |
Embodied Knowledge/Can Tame Anything |
The Dowse Art Museum, Te Awakairangi Lower Hutt |
2019 |
| Stevenson, Michael; Holder, Will (eds.) |
Cultural Dope: Profiles in Serene Velocity |
Monash University Museum of Art, Melbourne |
2019 |
| Taylor, Lachlan; Alexander, Raewyn (eds.) |
There are no failures, everything is working |
Artspace Aotearoa, Auckland |
2019 |
| Forsyth, Stuart |
Wake Me When I'm Present |
Stuart Forsyth |
2019 |
| Bowmast, Jen |
Making Artefacts of the Future |
Self published |
2018 |
| Graduating Class of 2017, Bachelor of Fine Arts |
Exposure: BFA Graduate Catalogue |
Massey University, Wellington |
2017 |
| Loudon, Isabella |
I do not want to be a fool |
Massey University, Wellington |
2017 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 50 (2013) |
Self-published, Wellington |
2013 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 63 (2017) |
Self published, Wellington |
2017 |
| Morrissey, Simon; Steeds, Lucy (eds.) |
Recognition |
Arnolfini, Bristol |
2003 |
| Dunn, Megan; Riddiford Graham, Evangeline; Austin, Nick; Read, Christina |
The Thought That Counts/Things I Did Not Tell You |
McLeavey Gallery, Wellington |
2018 |
| Burn, Sean; Duffy, Laura; Gennard, Simon; Handcock, Robbie; Iti, Ana; O'Neill, Rachel; Sutherland, E |
Margins and Satellites |
Enjoy Pubic Art Gallery, Wellington |
2018 |
| Chan, Wai Ching; Taulangau, Matavai |
Wishing Well // Ma'u Pe Kai |
Enjoy Pubic Art Gallery |
2019 |
| Hutchins, Mark (curator) |
Uku Rere: Nga Kaihanga Uku & Beyond |
Pataka Art + Museum, Porirua |
2013 |
| Wells, Daegan; Bannan, Sophie |
Daegan Wells: A Gathering Distrust |
Ilam School of Fine Arts, University of Canterbury, Christchurch |
2018 |
| Kay, Jonathan |
Alyse Cooper: Another Place |
Massey University, Wellington |
2017 |
| Ioana Gordon-Smith, Lana Lopesi (eds); Raymond Sagapolutele |
Unofficial: A Journal on Moana Art, Issue 1, Conversations with Johnny Peninsula |
Funded by Creative New Zealand |
2019 |
| Ioana Gordon-Smith, Lana Lopesi (eds); Natasha Matila-Smith |
Unofficial: A Journal on Moana Art, Issue 1, (re-a) Wakening Sleeping Giants |
Funded by Creative New Zealand |
2019 |
| Gordon-Smith, Ioana; Lopesi, Lana (eds); Sean Mallon and Fulimalo Pereira |
Unofficial: A Journal on Moana Art, Issue 1, "Who would take it on, and what would it look like?" |
Funded by Creative New Zealand |
2019 |
| Mathews, Hannah (curator and ed.); Shelley McSpedden (ed.) |
Shapes of Knowledge |
Monash University Museum of Art, Melbourne; Perimeter Editions, Melbourne |
2019 |
| Hodge, Anna; Hwang, Beth; Lal, Rebecca (eds.) |
Yona Lee: In Transit (Arrival) |
Te Tuhi, Auckland |
2017 |
| Ioana Gordon-Smith, Lana Lopesi (eds) |
Unofficial: A Journal on Moana Art, Issue 1, What do we want to remember? |
Funded by Creative New Zealand |
2019 |
| Elena Filipovic (ed.) |
Mousse The Artist as Curator #7, Andy Warhol, Goshka Macuga |
Mousse Publishing, Milan; Fondazione Prada, Milan |
2015 |
| Orissa Keane (ed.) |
Correspondence, Volume Two, Issue One (November 2022) |
The Physics Room, Ōtautahi |
2022 |
| Robertshawe, Meredith (curator) |
Reuben Paterson: The Golden Bearing |
Govett-Brewster Art Gallery, New Plymouth |
2014 |
| Walker, Charles; Waghorn, Kathy (creative directors) |
Future Islands |
New Zealand Institute of Architects Incorporated, Auckland |
2016 |
| Greenbank, Jacquelyn; Wood, Andrew Paul |
Jacquelyn Greenbank: Squatch |
Ilam School of Fine Arts, University of Canterbury, Christchurch |
2016 |
| Reid, Jessica (curator) |
An Introduction to the Theory of Everything |
City Gallery, Wellington |
2006 |
| Olbrich, Jürgen O. (curator); Schnyder, Achim (ed.) |
Werk/Kunst/Werk |
Verband der Metall- und Elektro-Unternehmen Hessen, Kassel |
2015 |
| Sameshima, Haruhiko (ed.) |
Selective Exposure |
Rim Books, Auckland |
2015 |
| Blak Wave; Tahjee Moar; Emily Sexton (curators); Meg Hale (ed.) |
Blak Wave |
Next Wave Festival Inc., Melbourne |
2014 |
| Asthoff, Jens; Tannert, Christoph (eds.) |
Be Magazine #26 |
Künstlerhaus Bethanien, Berlin |
2019 |
| Korohina, Sonya (ed.) |
Elam Graduate Work 2009 |
Elam School of Fine Arts, Auckland |
2009 |
| Kazma, Ali (artist); İlkay Baliç (ed.) |
zamanci / timemaker |
ARTER, Istanbul |
2015 |
| Unlisted editor/s |
Mousse Magazine #48 (April - May 2015) |
Mousse Publishing, Milan |
2015 |
| Korohina, Sonya (ed.) |
Elam Graduate Work 2009 |
Elam School of Fine Arts, Auckland |
2009 |
| Semu, Greg; Schulte-Fischedick, Valeria (eds.) |
Greg Semu: Twelve/Monate |
Künstlerhaus Bethanien, Berlin |
2016 |
| Mitchell, Dane; Stanhope, Zara (curator) |
Dane Mitchell: Post Hoc |
Mousse Publishing, Milan |
2019 |
| Griffiths, Catherine |
typ gr ph c #1, A Type of Improvisation |
Studio Catherine Griffiths |
2014 |
| Griffiths, Catherine; Olds, Warren |
typ gr ph c #3, Friday the 13th |
Studio Catherine Griffiths |
2014 |
| Wu, Dar-Kuen (curator and ed.) |
Asia Anarchy Alliance |
Project Fulfill Art International Co., Ltd, Taipei |
2014 |
| Baird, Kingsley; Campbell, Dr Caroline (eds) |
Contained Memory Conference 2010 Proceedings: Programme and Abstracts |
Massey University, Wellington |
2010 |
| SCAPE; Holly Best |
Garden City |
SCAPE Public Art, Christchurch |
2016 |
| Pinker, James; Bradley, Annie (curators) |
Uliuli ma le Pa'epa'e: Francis Pesamino, Zeinab Tabar, Daniel Tautua |
Mangere Arts Centre - Ngā Tohu o Uenuku |
2012 |
| Macel, Christine (curator) |
Anri Sala: Ravel, Ravel, Unravel |
Institut Francais |
2013 |
| Gifford-Mead, Emma (curator) |
Jeremy Deller: English Magic |
British Council, London |
2013 |
| Gifford-Mead, Emma (curator) |
Jeremy Deller: English Magic |
British Council, London |
2013 |
| Wodiczko, Krzysztof; Rakowitz, Michael |
Users' Manual for the Creative Disruption of Everyday Life |
Unknown |
101 |
| Kuraya, Mika (curator) |
Koki Tanaka: abstract speaking -- sharing uncertainty and collective acts |
The Japan Foundation, Tokyo; NERO, Rome |
2013 |
| Forde, Rosemary (ed.) |
Robin Neate: Sampler |
The Physics Room, Christchurch |
2004 |
| Roach, Damien |
The Deepness of Puddles |
Gasworks, London |
2006 |
| Atkinson, Raewyn; Miburn, Felicity (curator) |
Designs on Antarctica |
Objectspace, Auckland |
2005 |
| Rosemary Forde (ed.) |
un Magazine, Issue 2.1 (March 2008) |
un Projects Inc., Melbourne |
2008 |
| Various Artists |
Shelf Life: Contemporary Jewellery & Objects on shelving by Warwick Freeman |
Bowen Galleries, Wellington |
2018 |
| Leslie, Keir |
Slick |
Dog Park Art Project Space, Christchurch |
2013 |
| Smith, Allan (curator) |
Running on Pebbles: through-lines with incidencts and increments |
Snakepit, Auckland |
2012 |
| Hello Lamb; Armistead, Michelle (curator) |
Guide to the Do It Yourself Shelf Museum of Possibilities |
Blue Oyster Art Project Space |
2009 |
| City Gallery Wellington |
Programme: 23 February - 15 June 2008 |
City Gallery Wellington |
2008 |
| Cunnane, Abby |
AES+F's Last Riot: Massacre by the Innocents |
City Gallery Wellington |
2008 |
| Bell, Andrea (curator) |
By the Laws of Change |
Dunedin Public Art Gallery |
2017 |
| Keys, Melissa (curator) |
a way of calling |
Linden Centre for Contemporary Arts, Melbourne |
2011 |
| Mudie Cunningham, Daniel |
Multiple Personality |
MOP Gallery, Sydney |
2007 |
| Titmarsh, Mark; Trendall, Justin |
Nothing Changes Changes Everything |
UTS: Gallery, Sydney |
2008 |
| Din Heagney (ed.) |
un Magazine, Issue 4.1 (June 2010) |
un Projects Inc., Melbourne |
2010 |
| Jarrod Rawlins (ed.) |
un Magazine, Issue 7.1 (2013) |
un Projects Inc., Melbourne |
2013 |
| Bourgeois, Caroline; Michael Govan (curators); Nataša Petrešin-Bachelez, (text) |
Prima Materia |
Punta Della Dogana, Venice |
2013 |
| Ashlin Raymond, Anya Henis (eds) |
Magasine, no 2 (September 2013) Review |
Magasine, Christchurch |
2013 |
| Hayward, Glen; Lister, Aaron (curator) |
I don't want you to worry about me, I have met some Beautiful People |
City Gallery Wellington; Christchurch Art Gallery Te Puna O Waiwhetu |
2013 |
| Clark, Fiona (artist); David Herkt; Ron Brownson |
Living With AIDS, 1988 |
Michael Lett, Auckland |
2018 |
| Kreisler, Aaron |
Nina Katchadourian: Seat Assignment |
Dunedin Public Art Gallery |
2011 |
| Cunnane, Abby (curator) |
POKAZUKHA, the Retreat g. bridle |
City Gallery Wellington |
2013 |
| Friend, Reuben (curator); Lei'ataua, Susana; Matchitt, Gina |
Te Āhua Nei: Form and Content |
City Gallery Wellington |
2012 |
| Hacking, Lily (curator); Noble, Anne; Jones, Lloyd; Maxey, Sarah |
Bitch in Slippers |
City Gallery Wellington |
2012 |
| Groom, Amelia (curator) |
Kohei Yoshiyuki: The Park |
Institute of Modern Art, Brisbane |
2011 |
| Redmond, Monique; McIntyre, Simon |
Traffic |
MOP Projects, Sydney |
2007 |
| Robin Murphy (curator) |
Hapori, Volume 2 (November 2015) little metonym |
Hapori, Auckland |
2015 |
| Brennan, Stella, Tim Ryan, Sara Hughes, Joyce Campbell, John Simon Jr., Martin Thompson |
Dirty Pixels |
Artspace, Auckland |
2002 |
| Adolph, Kate; Titheridge, Johnathon (curators); Leach, Maddie |
_An Exhibition of Graduate Fine Arts Students from SOFA's First Ten Years |
Massey University, Wellington |
2011 |
| Drumheller, Doc; Fox, Ciaraá (eds.) |
Catalyst, vol. 8 |
Neoismist Press, Christchurch |
2009 |
| Newby, Kate; Porter, Gwenneth (ed.) |
Incredible Feeling |
Clouds Publishing, Auckland; Hopkinson Mossman, Auckland |
2014 |
| Stuart Shepherd; Bobbie Gray (eds) |
Off the Press: the Art Book Directory, Issue #2 |
Soar Print, Auckland |
2019 |
| Rekade, Christiane (curator) |
Kurator 2007/8 |
Gebert Stiftung für Kultur, edition fink, Zürich |
2008 |
| Franzidis, Evie (ed.) |
Peter Madden |
Institute of Modern Art, Brisbane |
2011 |
| Porter, Gwynneth (ed.); Dadson, Phil; Green, Tony |
Jim Allen: The Skin of Years |
Clouds Publishing, Auckland; Michael Lett, Auckland |
2014 |
| Brown, Sarah (ed.) |
Ilam 2018 |
Ilam School of Fine Arts, Christchurch |
2018 |
| Fitzgerald, Michael (ed.) |
Art Monthly Australasia, Issue 299 |
Art Monthly Australia Ltd., ACT |
2017 |
| Heinrich, Barbara (curator); Ilkay Baliç (ed.) |
Spaceliner |
ARTER, Istanbul |
2015 |
| Unlisted editor/s |
Mousse Magazine #58 (April - May 2017) |
Mousse Publishing, Milan |
2017 |
| Onur, Füsun (artist); Ilkay Baliç (ed.) |
Aynadan Içeri: Through the Looking Glass |
ARTER, Istanbul |
2014 |
| SCAPE; Rob Garrett (curator); Rosa Shiels (ed.) |
SCAPE 8: New Intimacies: Artist Projects |
SCAPE Public Art, Christchurch |
2015 |
| SCAPE |
6th SCAPE Christchurch Biennial: Art map |
Art & Industry Biennial Trust, Christchurch |
2011 |
| Caffoni, Paolo and Clemens von Wedemeyer (eds.) |
Film Material no.4: Information on 'The Fourth Wall' |
ST PAUL St Gallery, AUT University, Auckland; Dunedin Public Art Gallery; Spectre Books, Leipzig; Ar |
2012 |
| Elam School of Fine Arts |
Elam School of Fine Arts MFA Exhibition 2007 (poster) |
Elam School of Fine Arts, Auckland |
2007 |
| Menzies, Louise |
Interviews with Students of the National Autonomous University of Mexico (UNAM) |
Self published |
2010 |
| Adam Art Gallery |
Wall Works (poster) |
Adam Art Gallery Te Pātaka Toi, Wellington |
2009 |
| Shelton, Ann |
a new skin |
Govett-Brewster Art Gallery, New Plymouth |
2007 |
| McCaw, Caroline; Butt, Danny; Kean, Martin; Merritt, David |
@punnet vol 1.2 |
@Punnet Digital Media Group, Wellington |
1995 |
| Page, Maud |
Michael Parekowhai: The Promised Land |
Queensland Art Gallery, Brisbane |
2015 |
| Tozer, Stephen; Cairns, Nicky (curator) |
Headland: Sculpture on the Gulf 2013 |
Sculpture on the Gulf Ltd., Waiheke Island |
2013 |
| Jamie Hanton, Hamish Peterson and Hope Wilson (eds) |
Hamster, Issue Four (May 2019) an Aotearoa Review Anthology |
The Physics Room, Christchurch |
2019 |
| Erdemci, Fulya (curator) |
Mom, Am I Barbarian? / Anne, ben barbar miyim?: 13th Istanbul Biennal |
Istanbul Foundation for Culture and Arts, Istanbul |
2013 |
| Crowley, Lisa (ed.) |
The Incandescents |
Untitled Publishing; Te Tuhi Gallery, Auckland |
2017 |
| Tom Tuke, Ronan Perry Lee, Anna Sisson, Rachael Duval, Joanna Neumegan |
Hapori, Volume 4 (December 2016) Waltzing Macabre |
Hapori, Auckland |
2016 |
| Edwards, Victoria and Ina Johann |
From the Edge of Spaces: Edwards + Johann |
EDWARDS + JOHANN |
2018 |
| Hunt, Janet (ed.) |
Headland: Sculpture on the Gulf 2011 |
Sculpture on the Gulf Ltd., Waiheke Island |
2011 |
| Megan Carter (ed.) |
Off the Press: the Art Book Directory, Issue #1 |
Soar Print, Auckland |
2018 |
| RAMP; Cassandra Barnett (ed.) |
A Ramp Magazine, no.3 (August 2005) |
RAMP Press, Hamilton |
2005 |
| Clarke, Conor (artist); Kidd, Jessica; Taylor, Lachlan |
The End of Wordsworth Street |
Sarjeant Gallery, Whanganui |
2018 |
| Hammonds, Lucy (curator) |
Through the Trees: Kirstin Carlin and Frances Hodgkins |
Dunedin Public Art Gallery |
2016 |
| Hutchison, Alice L. (curator) |
Milan Mrkusich: Chromatic Investigations and Paintings From the 90s |
Aratoi Wairarapa Museum of Art and History |
2014 |
| SCAPE; Heather Galbraith (curator) |
SCAPE Public Art: Season 2018: Our Braided Future |
SCAPE Public Art, Christchurch |
2018 |
| Sydney, The Biennale of; Juliana Engberg (artistic director, ed.) |
19th Biennale of Sydney: You Imagine What You Desire |
Biennale of Sydney Ltd, Sydney |
2014 |
| Palais de Tokyo; Vincent Simon (ed.) |
The Palais de Tokyo Guidebook: Nouvelles Vagues |
Palais de Tokyo, Paris |
2013 |
| Barton, Dr Margo, Anthony Deaker and Dr Jane Malthus (curators) |
Anything Could Happen: An exhibition of contemporary art and fashion from Dunedin, New Zealand |
Dunedin City Council |
2017 |
| Harrison, Sam; Jenson, Andrew |
Sam Harrison |
Jawpress |
2012 |
| Friend, Reuben; Smith, Dr Huhana; Jahnke, Bob; Masters, Alice (ed.) |
Bob Jahnke: Ata, A Third Reflection |
Pātaka Art + Museum, Porirua |
2016 |
| Denny, Simon |
Simon Denny: Video Aquarium Broadcast |
Galerie Daniel Buchholz, Köln; Michael Lett Publishing, Auckland |
2010 |
| Parekowhai, Michael; Lett, Michael and Ryan Moore (eds.) |
Michael Parekowhai |
Michael Lett Publishing, Auckland |
2007 |
| Margaux Warne; Dr. Emilie Sitzia (eds) |
Oculus: Postgraduate Journal for Visual Arts Research, Issue No. 3 (March 2011) |
University of Canterbury, Department of Art History and Theory; School of Fine Arts |
2011 |
| Denny, Simon |
Simon Denny: Secret Power |
Mousse Publishing, Milan; Koenig Books, London |
2015 |
| Bennett, Barnaby, James Dann, Emma Johnson and Ryan Reynolds (eds.) |
Once in a Lifetime: City-building after Disaster in Christchurch |
Freerange Press, Christchurch |
2014 |
| Kamerić, Šejla (artist); İlkay Baliç (ed.) |
Bim Bam Bom Çarpinca Kalp / When the Heart Goes Bing Bam Boom |
ARTER, Istanbul |
2015 |
| Campbell, Jon |
Classic |
Darren Knight Gallery, Sydney |
2005 |
| Rosetzky, David; Naomi Cass (curator) |
True Self: David Rosetzky Selected Works |
Centre for Contemporary Photography, Melbourne |
2013 |
| Blue Oyster Art Project Space; Jo Campbell; Erika Wolf (eds) |
Old, New, Borrowed, Blue: 10 Years at the Blue Oyster |
Blue Oyster Art Project Space, Dunedin |
2009 |
| Mortimer, Solomon |
A Recent Encounter |
Self published |
2012 |
| Dog Park Art Project Space |
Dog Park Exhibition posters |
Dog Park Art Project Space, Christchurch |
2012 |
| Barton, Christina, Johnathon Bywater and Wystan Curnow (eds.) |
NOW SHOWING: A History of the Govett-Brewster Art Gallery |
Govett-Brewster Art Gallery, New Plymouth |
2016 |
| Elam School of Fine Arts |
Elam MFA Show 2006 |
Elam School of Fine Arts, Auckland |
2006 |
| Grace Shelley (ed.) |
Overcommunicate Magazine Te Maha o Ngā Kōrero, Issue 8 (August 2022) |
Overcommunicate, Tāmaki Makauau |
2022 |
| Adam Art Gallery |
Cinema & Painting: Exhibition text |
Adam Art Gallery Te Pātaka Toi, Wellington |
2014 |
| Goldin+Senneby; Randerson, Jo; Riva, Caterina (curator) |
M&A |
Artspace, Auckland |
2013 |
| Wyngaarden, Cornelia |
Artist file |
Artspeak, Vancouver |
2016 |
| Creed, Martin |
Martin Creed: Works |
Thames & Hudson, London |
2010 |
| SCAPE; Blair French (curator and ed.) |
SCAPE 7 Volume Two: Artist Projects |
SCAPE Public Art, Christchurch |
2014 |
| MOP Projects; Adam Norton |
Generic Escape Capsule: Model #1 |
MOP Projects, Sydney |
2005 |
| Lopesi, Lana and Vinesh Kumaran |
The Plaza |
Fresh Concept; Panuku Development;Te Uru Waitakere Contemporary Gallery, Auckland |
2016 |
| Artspace; Arron Santry (author) |
In response to the exhibition: Andrew Kennedy, Blaine Western a hollow action, a room held together |
Artspace, Auckland |
2014 |
| Campbell, Joyce (artist); John C. Welchman (ed.) |
On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell |
Adam Art Gallery Te Pātaka Toi, Wellington; Sternberg Press, Berlin |
2019 |
| Castillo Deball, Mariana (artist); Hannah Mathews; Melissa Ratliff (eds.) |
Mariana Castillo Deball: Replaying Life's Tape |
BOM DIA BOA TARDE BOA NOITE, Berlin; Monash University Musuem of Art, Melbourne |
2019 |
| Goethe-Institut; Rudolf Frieling (curator) |
Current Media Art: Video Art, CD-Rom and Internet Projects from Germany |
Zentrum fur Kunst and Medientechnologie Karlsruhe |
1997 |
| Nine Dragon Heads; Park Byong Uk (artistic director) |
Jump Into the Unknown: Nine Dragon Heads: Collateral Event of the 56th International Art Exhibition, |
The Eugeniusz Geppert Academy of Art and Design, Wroclaw |
2015 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 64 (2018) 'four songs' |
Self published, Wellington |
2018 |
| Sievers, Wolfgang; Jane Brown; Cameron Clarke et al. (artists) Naomi Cass; Kyla McFarlane (curators) |
The Sievers Project |
Centre for Contemporary Photography, Melbourne |
2014 |
| Nicolson, Marianne; Ian Skedd (artists); Melanie O'Brian (cur.); Wayde Compton; Lindsay Brown (text) |
Scene of Translations |
Artspeak, Vancouver |
2006 |
| Blue Oyster Art Project Space; Divyaa Kumar, Madison Kelly, Taarn Scott, Matthew Galloway, AHHA (art |
POST— Envelope #3 |
Blue Oyster Art Project Space, Dunedin |
2021 |
| Blue Oyster; Susan Ballard; Bridie Lonie |
Space Invaders |
Blue Oyster, Dunedin |
2002 |
| McAvoy, Emil (artist); Chelsea Nichols (essay) |
Soft Launch: An Exopoetics of the Crop Circle Phenomenon |
PUFF PIECE, Tāmaki Makaurau Auckland; Bad News Books, Te Whanganui-a-Tara Wellington |
2022 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 56 (2014/5) NZ Zine History 1 |
Self published, Wellington |
2015 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 51 (2014) Loved-up Diary Issue |
Self published, Wellington |
2014 |
| Elena Filipovic (ed.) |
Mousse The Artist as Curator #10, Judy Chicago, Miriam Schapiro, Womanhouse, Avdey Tar-Oganyan |
Mousse Publishing, Milan; Centre d'art contemporain, Geneva |
2015 |
| John Mutambu; Bridget Riggir (eds-in-chief) |
Perspective: Journal of the University of Auckland Art History Society, Issue No. 3 (July 2015) Para |
The University of Auckland Art History Society, Auckland |
2015 |
| Artspace; Victoria Wynne-Jones, (author) |
In response to the exhibition: to and fro organised by Amelia Hitchcock at Artspace July-August 2014 |
Artspace, Auckland |
2014 |
| Armanious, Hany (artist); Anna Davis (curator) |
MCA Sculpture Series: Hany Armanious |
Museum of Contemporary Art Ltd., Sydney |
2012 |
| Castro, Brian (poet); John Young (artist) |
Macau Days |
Art + Australia, Melbourne |
2017 |
| Kim, Jihye (curator and ed.); Kim, Jihye (curator and ed.); Yeran Jang (ed.) |
Moving on Asia: 2004-2013 |
Alt.Space LOOP, Seoul |
2012 |
| Salut, Felix |
Shut Up I'm Counting! |
Spector Books, Leipzig |
2014 |
| Bull, Hank; Shi Yong; Ding Yi; Shen Fan; Zhou Tiehai (organisers) |
Re-Print #2: Shanghai Fax (1996): "Let's Talk About Money" |
3-ply, Melbourne |
2015 |
| Sullivan + Strumpf; Alasdair Macintyre; Sydney Ball; Darren Sylvester; Sherrie Knipe et al. |
Sullivan + Strumpf: Fine Art 8-26 March 05 |
Sullivan + Strumpf: Fine Art, Sydney |
2005 |
| Blue Oyster Art Project Space; Chloe Geoghegan; Grace Ryder (eds) |
Blue Oyster 2016 Annual |
Blue Oyster Art Project Space, Dunedin |
2017 |
| Blue Oyster: High Street Project; Hamish Win & Julia Holderness (co-ordinators); Kate Montgomery |
Mr and Mrs Pink's Fabulous Collection |
Blue Oyster, Dunedin |
2004 |
| Mitchell-Anyon, Milly (curator), Thomas Carroll, Olivia Edginton, Areez Katki, Maia McDonald... |
Testing Ground: Eight Contemporary Craft Practitioners |
Sarjeant Gallery Te Whare o Rehua Whanganui, Whanganui |
2022 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 57 (2015) |
Self published, Wellington |
2015 |
| Pip Wallis (ed.) |
un Magazine, Issue 9.2 (2015) |
un Projects Inc., Melbourne |
2015 |
| Adam Bryce, Yasmine Ganley (eds) |
ISLAND, issue 04 (Hōtoke Winter 2022) Matariki |
Index Corp Ltd., Auckland |
2022 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 54 (2014) Teen Diary Episode 4 |
Self published, Wellington |
2014 |
| Phillips, Patricia C. (ed.) |
Art Journal, Vol.62, No.4, Winter 2003 |
College Art Association, New York |
2003 |
| Foss, Paul (ed.) |
Art + Text, No.38, January 1991 |
Art & Text Pty Ltd., Melbourne |
1991 |
| Foss, Paul (ed.) |
Art + Text, No.45, May 1993 |
Art & Text Pty Ltd., Melbourne |
1993 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 73 (2020) Grief |
Self-published, Wellington |
2020 |
| Foss, Paul (ed.) |
Art + Text, No.48, May 1994 |
Art & Text Pty Ltd., Melbourne |
1994 |
| Foss, Paul (ed.) |
Art + Text, No.55, October 1996 |
Art & Text Pty Ltd., Melbourne |
1996 |
| Foss, Paul (ed.) |
Art + Text, No.58, August-October 1997 |
Art & Text Pty Ltd., Melbourne |
1997 |
| Mason, Ngahiraka and Ewan Mcdonald (curators) |
Public-Private / Tumatanui-Tumataiti |
Auckland Art Gallery Toi o Tāmaki |
2004 |
| Gillam, Jenny (ed.) |
Show |
Enzyme Publishing, Auckland |
2009 |
| Bieringa, Luit (curator); Barr, Mary (ed.) |
Content/Context: A Survey of Recent New Zealand Art |
National Art Gallery, Wellington |
1986 |
| Moore, Ryan (ed.) |
Burger Burger: Tahi Moore, Simon Denny & Nick Austin |
Michael Lett Publishing, Auckland |
2007 |
| Waters, John; Bruce Hainly |
Art - A Sex Book |
Thames & Hudson, London |
2003 |
| Burke, Gregory (curator/ed.) |
Bi-Polar: Jacqueline Fraser and Peter Robinson |
Creative New Zealand Toi Aotearoa |
2001 |
| Clark, Trish; Wystan Curnow (eds) |
Pleasures and Dangers: Artists of the '90s |
Longman Paul, Auckland |
1991 |
| Wagner: Nadia; Kong, Gideon; Yeo, Jamie (eds.) |
The Ways We Live Singapore 2 |
The Glasgow School of Art Singapore, Singapore |
2019 |
| Mokopōpaki |
This Joyous, Chaotic Place: He Waiata Tangi-ā-Tahu |
Mokopōpaki and Spiral, Auckland |
2019 |
| DAVID |
DAVID |
DAVID, Melbourne |
2018 |
| Gothe-Snape, Agatha |
The Outcome is Certain |
Perimiter Editions and Monash University Museum of Art, Melbourne |
2020 |
| Artspace; Abby Cunnane (author) |
The uses of silence; Amy Howden-Chapman's Advice for our Aerial Ocean |
Artspace, Auckland |
2015 |
| Bus Projects/Asialink Arts/Ruang MES 56 |
Put Up A Signal |
Bus Projects and Asialink Arts, Melbourne |
2013 |
| Randolf, Jeanne |
Out of Psychoanalysis: Ficto-criticism 2005 to 2015 |
Artspeak, Vancouver |
2015 |
| Fung, Amy |
Before I Was a Critic I Was a Human Being |
Artspeak, Vancouver |
2019 |
| Roy, Marina |
Sign after the x |
Artspeak, Vancouver |
2001 |
| Coulter, Ross |
Audience 2013-2016 Volume I and II |
City of Melbourne, Melbourne |
2017 |
| Artspeak |
30 Years of Laughs: Middle Aged Magic |
Artspeak, Vancouver |
2017 |
| Felt Space; Matt Huppatz (ed.) |
Felt Space: Gold |
Felt Space, Adelaide |
2011 |
| Stilinovic, Mladen |
Re-Print #3: I Have No Time (1983[1979]): Mladen Stilinovic |
3-ply, Melbourne |
2015 |
| Blue Oyster Art Project Space; Chloe Geoghegan (ed.) |
Blue Oyster 2014 |
Blue Oyster Art Project Space, Dunedin |
2015 |
| Byrt, Anthony |
This Model World: Travels to the Edge of Contemporary Art |
c |
2016 |
| Taylor, Imogen |
Sapphic Fragments |
Hocken Collection Uare Taoka o Hākena, Dunedin |
2020 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 19 (Spring 2004) The Masters of the Universe Issue |
Self published, Wellington |
2004 |
| Hugh Childers; Bobuq Sayed (eds) |
un Magazine, Issue 13.2 (2019) |
un Projects Inc., Melbourne |
2019 |
| Lardies, Gabi; Puatama Johnson, Cait |
In Common |
Pipi Press, Auckland |
2019 |
| Cleland, Stephen (curator) |
Fraser Crichton, Mariachiara Ficarelli, Lachlan Kermode, Bhaveeka Madagammana, Davide Mangano, Karam |
Adam Art Gallery Te Pātaka Toi, Wellington |
2020 |
| Adam Art Gallery |
Julia Morison: Head[case] |
Adam Art Gallery Te Pātaka Toi, Wellington |
2020 |
| Cleland, Stephen (curator) |
Ken Friedman: 92 Events |
Adam Art Gallery Te Pātaka Toi, Wellington |
2020 |
| Barton, Christina (curator) |
Dane Mitchell: Letters and Documents |
Adam Art Gallery Te Pātaka Toi, Wellington |
2020 |
| Mikaere, Ani |
He Rukuruku Whakaaro / Colonising Myths: Māori Realities |
Huia Press, Auckland |
2011 |
| Cairns, Puawai; Gibson, Stephanie; Williams, Matariki |
Protest Tautohetohe: Objects of Resistance, Persistence and Defiance |
Te Papa Press, Wellington |
2019 |
| Matthew Galloway (ed. and design) |
PAN, Issue 2 (May/June 2020) |
Self-published, Ōtepoti |
2020 |
| Davis, Angela Y. (ed.) |
If They Come in the Morning... Voices of Resistance |
Verso, London |
2016 |
| Fielakepa, Tunakaimanu, Cosmin Costinas and Vivian Ziher (curators) |
Koloa: Woman, Art, and Technology |
Para Site Art Space, Hong Kong |
2019 |
| Haider, Asad |
Mistaken Identity: Race and Class in the Age of Trump |
Verso, London |
2018 |
| Yee Chu, Ingrid Pui (curator) |
Booked: Hong Kong Art Book Fair |
Tai Kwun Contemporary |
2020 |
| Gopal, Priyamvada |
Insurgent Empire: Anticolonial Resistance and British Dissent |
Verso, London |
2019 |
| RAMP; Kim Paton and Mark Harvey (curators) |
What's the hurry? |
RAMP Press, Hamilton |
2014 |
| Sydney, The Biennale of; Andrew Brook (artistic director, ed.); Jessyca Hutchens, Stuart Geddes and |
Nirin Ngaay |
Biennale of Sydney Ltd., Sydney |
2020 |
| Chu, Andrea Long |
Females |
Verso, London |
2019 |
| Dart, William (ed.) |
Art New Zealand, no. 173 (Autumn 2020) |
Art New Zealand, Ltd., Auckland |
2020 |
| Sokołowska, Joanna (curator and ed.) |
All Men Become Sisters |
Sternberg Press, Berlin; Muzeum Sztuki, Łódź |
2018 |
| John McCormack (ed.) |
Art News New Zealand, vol. 42, no. 4 (Summer 2022) |
Art News New Zealand, Auckland |
2022 |
| Butler, Judith |
The Force of Non-Violence |
Verso, London |
2020 |
| Camus, Albert |
The Myth of Sisyphus |
Penguin, London |
2005 |
| Elsbury, Layla; Hogg, Morgan; Loudon, Isabella; McCarthy, Willow |
eat your heart out |
Self-published, Wellington |
101 |
| Davis, Angela Y. |
Women, Race & Class |
Random House, New York |
1981 |
| Fisher, Mark (ed.) |
The Resistable Demise of Michael Jackson |
Zero Books, Winchester |
2009 |
| Tonga, Ane (curator) |
Influx |
ST PAUL St Gallery, AUT, Auckland |
2016 |
| Zhigang Zheng, Yuri |
Shy Monster |
Self-published, Wellington |
101 |
| Lee, Kerry Ann |
The Bay Hill Times Gazette |
Self-published, Wellington |
2018 |
| Kruk, Vinca; Van der Velden, David |
Metahaven: Field Report |
RMIT Design Hub Gallery |
2020 |
| Culy, Harry; Varga, Justine; Waugh, Sean; Lister, Aaron (curator) |
News from the Sun |
City Gallery Wellington, Wellington; Bad News Books, Wellington |
2019 |
| Unknown |
T-22 |
Self-published |
101 |
| Connor, Fiona |
1 310 951 9459 |
June 20th, Glendale & Auckland |
2020 |
| Thomas, Alan |
In Denial |
Self-published, Auckland |
2020 |
| Rhodes, Pauline |
Time Ongoing |
Centre of Contemporary Art Toi Moroki, Christchurch |
2018 |
| Johnson, Gaye Theresa; Alex Lubin (eds) |
Futures of Black Radicalism |
Verso, London |
2017 |
| Grace Shelley (ed.) |
Overcommunicate Magazine Te Maha o Ngā Kōrero, The Collected Issues 1,2 and 3 |
Overcommunicate, Tāmaki Makauau |
2020 |
| Duffy, Laura |
Warm Illumination of a Horizon |
Self-published, Wellington |
2020 |
| Rose, Hanahiva (curator) |
This is a library |
Enjoy Public Art Gallery, Wellington |
2020 |
| Bowmast, Jen (artist); Wendy Richdale (curator) |
Sacred Sites |
RAMP Gallery, Hamilton |
2020 |
| Hudson, Sarah |
Mana / Whenua |
Self-published, Whakatāne |
2020 |
| Respini, Eva (ed.) |
Art in the Age of the Internet: 1989 to Today |
Institute of Contemporary Art, Boston; Yale University Press, New Haven and London |
2018 |
| Wright, Erik Olin |
How to Be an Anti-Capitalist in the 21st Century |
Verso, London |
2019 |
| Dart, William (ed.) |
Art New Zealand, no. 174 (Winter 2020) |
Art New Zealand, Ltd., Auckland |
2020 |
| Blue Oyster Art Project Space; Eleanor Cooper, F. van Hout, Isabella Dampney & Theo Macdonald; Luc |
POST— Envelope #1 |
Blue Oyster Art Project Space, Dunedin |
2020 |
| Gennard, Simon (curator) |
Optimism & its Afterlives |
Enjoy Contemporary Art Space, Wellington |
2020 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 71 (2020) |
Self-published, Wellington |
2020 |
| Dart, William (ed.) |
Art New Zealand, no. 167 (Spring 2018) |
Art New Zealand, Auckland |
2018 |
| Burns, Ali and Aoake, Hana Pera (eds.) |
Shared Vulnerabilities |
Pivot Print, Wellington |
2018 |
| Aoake, Hana Pera |
A bathful of kawakawa and hot water |
Compound Press, Auckland |
2020 |
| Matthew Galloway (ed. and design) |
PAN, Issue 1 (April/May 2020) |
Self-published, Ōtepoti |
2020 |
| Grace Shelley (ed.) |
Overcommunicate Magazine Te Maha o Ngā Kōrero, Issue 4 (April 2020) |
Overcommunicate, Tāmaki Makauau |
2020 |
| Parihaka Pā Trustees (author); Te Miringa Hohaia; Gregory O'Brien; Lara Strongman (eds) |
Parihaka: the Art of Passive Resistance |
Victoria University Press, Wellington; City Gallery, Wellington |
2005 |
| Hodge, Anna (ed.) |
Art News New Zealand vol. 40, no. 3 (Summer 2020) |
Art News New Zealand, Auckland |
2020 |
| Su Baker (ed.-in-chief); Tessa Laird (guest editor) |
Art + Australia, Issue 8, 57.1 (March 2021) Multinaturalism |
Victoria College of the Arts, Melbourne |
2021 |
| Su Baker (ed-in-chief); Edward Colless (ed.) |
Art + Australia, Issue Six, 56.1 (Dec. 2019) Outside |
Victoria College of the Arts, Melbourne |
2019 |
| Su Baker (ed-in-chief); Edward Colless (ed.) |
Art + Australia, Issue Five, 55.2 (May 2019) Brutalism |
Victoria College of the Arts, Melbourne |
2019 |
| Galloway, Matthew |
The Ground Swallows You |
Blue Oyster Art Project Space |
2016 |
| Katki, Areez; King, Ophelia |
come, remember |
Self-published, Tāmaki Makaurau |
2019 |
| Lingard, Grant; Reddaway, Richard |
TRUE LOVE: A Tribute To Grant Lingard |
Ilam Campus Gallery, University of Canterbury, Christchurch |
2021 |
| Kerr, Katie (ed.) |
Dwelling in the Margins: Art Publishing in Aotearoa |
GLORIA, Auckland |
2020 |
| Dart, William (ed.) |
Art New Zealand, no. 178 (Winter 2021) |
Art New Zealand, Ltd., Auckland |
2021 |
| Dart, William (ed.) |
Art New Zealand, no. 177 (Autumn 2021) |
Art New Zealand, Ltd., Auckland |
2021 |
| Dart, William (ed.) |
Art New Zealand, no. 175 (Spring 2020) |
Art New Zealand, Ltd., Auckland |
2020 |
| Dart, William (ed.) |
Art New Zealand, no. 176 (Summer 2020-21) |
Art New Zealand, Ltd., Auckland |
2020 |
| Dart, William (ed.) |
Art New Zealand, no. 172 (Summer 2019-20) |
Art New Zealand Ltd, Auckland |
2019 |
| Paik, Nam June |
Wrap Around the Time |
Nam June Paik Art Center, Yongin |
2016 |
| Hansen, Will (ed.) |
The Archive is Alive: "The Gender Woo Woo", vol. 2 (March 2021) |
Self-pub. collab btwn Wellington Zinefest and Te Pūranga Takatāpui o Aotearoa (LAGANZ), Wellington |
2021 |
| Belzer, Heike; Daniel Birnbaum (eds) |
kunst lehren / teaching art: Städelschule Frankfurt/Main |
Verlag der Buchhandlung Walther König, Köln |
2007 |
| Ellis, Ngarino |
A Whakapapa of Tradition: 100 Years of Ngāti Porou Carving, 1830-1930 |
Auckland University Press, Auckland |
2016 |
| Foley, Gary |
Goori Reader No.1: History, Memory and the Role of Cultural Organisations in Entrenching... |
Common Room, Naarm/Melbourne |
2020 |
| Goodwin, Channon (ed.) |
Permanent Recession: a Handbook on Art, Labour and Circumstance |
Ontomatopee, Eindhoven |
2019 |
| Bismarck, Beatrice von; Benjamin Meyer-Krahmer (eds) |
Cultures of the Curatorial. Hospitality: Hosting Relations in Exhibitions |
Sternberg Press, Berlin |
2016 |
| Muru-Lanning, Marama |
Tupuna Awa: People and Politics of the Waikato River |
Auckland University Press, Auckland |
2016 |
| Smith, Jo |
Māori Television: The First Ten Years |
Auckland University Press, Auckland |
2016 |
| Blair, Ulanda; Rosemary Forde; Phip Murray (eds)Blair, Ulanda; Forde, Rosemary; Murray, Phip (eds) |
un Anthology 2004–2014: a decade of art and ideas |
un Projects, Melbourne |
2016 |
| Byrt, Anthony |
The Mirror Steamed Over: Love and Pop in London, 1962 |
Auckland University Press, Auckland |
2020 |
| Büscher, Bram; Robert Fletcher |
The Conservation Revolution: Radical Ideas for Saving Nature Beyond the Anthropocene |
Verso, London |
2020 |
| Cook, Sarah; Beryl Graham; Sarah Martin (eds) |
Curating New Media: Third BALTIC International Seminar 10-12 May 2001 |
BALTIC, Gateshead |
2002 |
| Herscher, Andrew (author); Nikolaus Hirsch; Markus Miessen (eds.) |
Displacements: Architecture and Refuge (Critical Spatial Practice 9) |
Sternberg Press, Berlin |
2017 |
| Macpherson, Cluny; Macpherson, La'avasa |
The Warm Winds of Change: Globalisation in Contemporary Sāmoa |
Auckland University Press, Auckland |
2009 |
| Ip, Manying (ed.) |
The Dragon and the Taniwha: Māori and Chinese in New Zealand |
Auckland University Press, Auckland |
2009 |
| Miessen, Markus; Zoe Ritts (eds) |
Para-Platforms: On the Spatial Politics of Right-Wing Populism |
Sternberg Press, Berlin |
2018 |
| Lenzi, Iola; Ilkay Baliç (eds) |
The Roving Eye: Contemporary Art from Southeast Asia |
ARTER, Istanbul |
2014 |
| Grace Shelley (ed.) |
Overcommunicate Magazine Te Maha o Ngā Kōrero, Issue 5 (February 2021) |
Overcommunicate, Tāmaki Makauau |
2021 |
| Nicholson, Tom |
After action for another library. 1999-2001/2010 |
Surpllus, Melbourne |
2010 |
| Turner, Caroline (ed.) |
Art and Social Change: Contemporary Art in Asia and the Pacific |
Pandanus Books / Research School of Pacific and Asian Studies / The Australian National University |
2005 |
| Schwartz, Eugene M. |
Confessions of a Poor Collector: How to build a worthwhile art collection with the least possible mo |
Edition Taube |
2011 |
| Tavola, Ema |
VV:Dua : the Story of Vunilagi Vou's First Year |
Vunilagi Vou Ltd, Auckland |
2021 |
| ArtBeat |
ArtBeat, issue 30 (July 2021) |
ArtBeat, Ōtautahi |
2021 |
| Fernández-Armesto, Felipe |
Food: A History |
Macmillian, London |
2001 |
| Tufte, Edward |
Beautiful Evidence |
Graphics Press, Cheshire, Connecticut |
2006 |
| Tufte, Edward R. |
Visual Explantions: Images and Quantities, Evidence and Narrative |
Graphics Press, Cheshire, Connecticut |
1997 |
| Tsing, Anna Lowenhaupt |
The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins |
Princeton University Press, Princeton/Oxford |
2015 |
| Butler, Judith |
Gender Trouble: Feminism and the Subversion of Identity |
Routledge, New York/London |
1990 |
| Morris, Paula; Wong, Alison (eds) |
A Clear Dawn: New Asian Voices from Aotearoa New Zealand |
Auckland University Press, Auckland |
2021 |
| Dart, William (ed.) |
Art New Zealand, no. 179 (Spring 2021) |
Art New Zealand, Ltd., Auckland |
2021 |
| Aranda, Julieta; Brian Kuan Wood; Anton Vidokle (eds) |
Are You Working Too Much? Post-Fordism, Precarity, and the Labor of Art (e-flux journal) |
Sternberg Press, Berlin |
2011 |
| Jong, Willemijn de; Eriko Aoki; John Clammer |
Arts in the Margins of World Encounters |
Vernon Press, Malaga |
2021 |
| Stimson, Blake; Gregory Sholette (eds) |
Collectivism after Modernism: The Art of Social Imagination after 1945 |
University of Minnesota Press, Minneapolis |
2007 |
| Waghorn, Aaron |
Aaron Waghorn |
Aaron Waghorn; Bowen Galleries, Wellington |
2021 |
| Clare McIntosh (ed.) |
Art Toi, no. 2 (November 2020) |
Auckland Art Gallery Toi o Tāmaki, Auckland |
2020 |
| Grace Shelley (ed.) |
Overcommunicate Magazine Te Maha o Ngā Kōrero, Issue 6 (August 2021) |
Overcommunicate, Tāmaki Makauau |
2021 |
| Clare McIntosh (ed.) |
Art Toi, no. 3 (March 2021) |
Auckland Art Gallery Toi o Tāmaki, Auckland |
2021 |
| Clare McIntosh (ed.) |
Art Toi, no. 1 (June 2020) |
Auckland Art Gallery Toi o Tāmaki, Auckland |
2020 |
| Tamura, Yuichiro (artist); Hiroyuki Hattori (curator) |
Week End / End Game |
Kurumaya Museum of Art, Oyama |
2018 |
| John McCormack (ed.) |
Art News New Zealand, vol. 42, no. 3 (Spring 2022) |
Art News New Zealand, Auckland |
2022 |
| Blue Oyster Art Project Space; Chloe Geoghegan (ed.) |
Blue Oyster 2013 |
Blue Oyster Art Project Space, Dunedin |
2014 |
| Grace Shelley (ed.) |
Overcommunicate Magazine Te Maha o Ngā Kōrero, Issue 7 (February 2022) |
Overcommunicate, Tāmaki Makauau |
2022 |
| Darragh, Judy |
Competitive Plastics |
Objectspace, Auckland |
2021 |
| Mitchell, Dane |
Radiant Matter I/II/III |
Berliner Künstlerprogramm/DAAD; Artspace; Dunedin Public A G; Govett-Brewster A G, Berlin |
2011 |
| Dart, William (ed.) |
Art New Zealand, no. 180 (Summer 2021-22) |
Art New Zealand, Ltd., Auckland |
2021 |
| Art New Zealand |
Various Issues 2015-present |
Auckland, New Zealand |
2013 |
| Amodeo, Gabrielle; Jill Sorensen |
Put Up Your Dukes! |
Blue Oyster Art Project Space |
2013 |
| Frankovich, Alicia; Boenzi, Francesca; Eichler, Dominic |
Film/Body/Gesture. Alicia Frankovich: Book of Works |
Künstlerhaus Bethanien, Berlin |
2011 |
| Mendieta, Ana |
Covered in Time and History: The Films of Ana Mendieta |
Gropius Bau, Berlin |
2018 |
| Paik, Nam June |
Nam June Paik on Stage |
Nam June Paik Art Center, Yongin |
2014 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 70 (2019) Miley Cyrus |
Self-published, Wellington |
2019 |
| Tse, Chris; Barnes, Emma (eds) |
Out Here: An anthology of Takatāpui and LGBTQIA+ writers from Aotearoa |
Auckland University Press, Auckland |
2021 |
| Lopesi, Lana |
Bloody Woman |
Bridget Williams Books, Wellington |
2021 |
| Brennan, Stella (artist), Sophie O'Brien (ed.) |
Stella Brennan: another green world |
Artspace Visual Arts Centre, Sydney |
2002 |
| Deckers, Peter; Shepheard, Carol (curators) |
Jewellery Out of Context: An exhibtion of New Zealand arttists |
First Edition Ltd, Wellington |
2006 |
| Matchitt, Gina (curator) |
Autonomous Bodies: Figurative portraits by New Zealand women, wāhine, transgender and non-binary art |
New Zealand Portrait Gallery Te Pūkenga Whakaata, Wellington |
2021 |
| Deckers, Peter (curator) |
handSTAND |
handSTAND, Upper Hutt |
2009 |
| Tomoaki, Taki |
Jewelry & Drawing |
soda design, Tokyo |
2010 |
| Curnow, Wynstan (author); Barton, Christina; Leonard, Robert; Sleigh, Thomasin (eds.) |
The Critic's Part: Wystan Curnow Art Writings 1971-2013 |
Adam Art Gallery Te Pātaka Toi, Wellington; Institute of Modern Art, Brisbane |
2014 |
| Handshake; Peter Deckers (curator) |
SPECIALS: a HandShake Alumni exhibition |
JEMbooks, Upper Hutt |
2016 |
| Handshake; Mary Jane Duffy; Peter Deckers (eds) |
Handshake: 12 contemporary jewellers connect with their heroes |
JEMbooks, Upper Hutt |
2013 |
| Tawale, Salote (artist); Amy Barrett-Lennard; Ruth McDougall; June Miskell |
I don't see colour |
Perth Institute of Contemporary Arts, Perth |
2021 |
| Vicente, Mercedes; Beck Jee-sook (curators) |
Activating Korea: Tides of Collective Action |
Govett-Brewster Art Gallery |
2008 |
| Chitham, Karl; Māhina-Tuai, Kolokesa U; Skinner, Damien (authors and eds) |
Crafting Aotearoa: A Cultural History of Making in New Zealand and the Wider Moana Oceania |
Te Papa Press, Wellington |
2019 |
| Hamish Petersen (ed.) |
Correspondence, Volume One, Issue One (November 2021) |
The Physics Room, Ōtautahi |
2021 |
| Becky Hemus (ed.) |
The Art Paper, issue 01 (December 2021) Touch |
The Art Paper Magazine, Auckland |
2021 |
| Chow, Broderick; Eero Laine; Claire Warden (eds.) |
Performance and Professional Wrestling |
Routledge, Oxon/New York |
2016 |
| Trolove, Jack |
Keening |
Te Manawa Museum, Palmerston North |
2021 |
| Rosemary Forde (ed.) |
un Magazine, Issue 2.2 (November 2008) |
un Projects Inc., Melbourne |
2008 |
| Lisa Radford (ed.) |
un Magazine, Issue 6.1 (June 2012) |
un Projects Inc., Melbourne |
2012 |
| Angela Brophy (ed.) |
un Magazine, Issue 4.2 (November 2010) |
un Projects Inc., Melbourne |
2010 |
| Pardington, Fiona (artist); Baker, Kriselle; Lister, Aaron (eds.) |
Fiona Pardington: A Beautiful Hesitation |
Victoria University Press, Wellington |
2016 |
| dissanayake, romesh; mcmath, sal |
two hands for safety |
Self published, Te Whanganui-a-Tara |
2021 |
| Batchen, Geoffrey |
Emanations: The Art of the Cameraless Photograph |
DelMonico Books/Prestel Verlag, Munich; London;New York; Govett-Brewster Art Gallery, New Plymouth |
2016 |
| Shelley McSpedden; Meredith Turnbull (eds.) |
un Magazine, Issue 10.1 (2016) |
un Projects Inc., Melbourne |
2016 |
| Ruka, Tanya; Urban Dream Brokerage |
Rongoā-Marae-Roa-A Rangi: He Moemoeā /Forest Rongoā teahouse (set of three postcards:) |
Self published |
2021 |
| Grace Shelley (ed.) |
Overcommunicate: Love Poems |
Overcommunicate, Tāmaki Makauau |
2020 |
| Clare McIntosh (ed.) |
Art Toi, no. 5 (November 2021) |
Auckland Art Gallery Toi o Tāmaki, Auckland |
2021 |
| Clare McIntosh (ed.) |
Art Toi, no. 4 (Juy 2021) |
Auckland Art Gallery Toi o Tāmaki, Auckland |
2021 |
| William Dart (ed.) |
Art New Zealand, no. 184 (Summer 2022-23) |
Art New Zealand, Ltd., Auckland |
2022 |
| Armanious, Hany (artist); Heather Galbraith; Robert Leonard (curators and eds) |
Morphic Resonance: Hany Armanious |
IMA Brisbane and City Gallery Wellington |
2007 |
| Asia Pacific Triennial; Stephanie Kennard (ed.) |
Artlines 4 (2015) The 8th Asia Pacific Triennial of Contemporary Art |
Queensland Art Gallery Gallery of Modern Art, Queensland |
2015 |
| Blue Oyster Art Project Space; Jamie Hanton (ed.) |
Blue Oyster 2011 2012 |
Blue Oyster Art Project Space, Dunedin |
2013 |
| Fletcher, Graham |
Twilight's Edge |
Sarjeant Gallery Te Whare o Rehua Whanganui, Whanganui |
2022 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 66 (2018) Parenting |
Self-published, Wellington |
2018 |
| Goethe-Institut; Jeanette Neustadt; Stephan Schwingeler (curators) |
Games and Politics |
Goethe-Institut, Munich |
2016 |
| Becky Hemus (ed.) |
The Art Paper, issue 04 (November 2022-February 2023) Soil |
Fair Ground Art Ltd, Auckland |
2022 |
| Aull, Margaret (artist); Nigel Borell and Ema Tavola (curators) |
Concealed Ancestors |
Papakura Art Gallery, Papakura |
2013 |
| Glass, Alexie; Rahel Joseph; Anurendra Jegadeva (eds) |
The Independence Project |
Gertrude Contemporary Art Spaces, Melbourne; GALERIE PETRONAS, Kuala Lumpar |
2007 |
| MOP Projects; Adams + Adams (curator) |
Alien Invasion |
MOP Projects, Sydney |
2005 |
| Grace Shelley (ed.) |
Overcommunicate: Sex Poems |
Overcommunicate, Tāmaki Makauau |
2020 |
| CIRCUIT; Williams, Mark (director); Vicente, Dr. Mercedes (curator) |
The Thickness of Cinema (Symposium) |
CIRCUIT Artist Film and Video Aotearoa New Zealand; Christchurch Art Gallery Te Puna O Waiwhetu |
2017 |
| Dart, William (ed.) |
Art New Zealand, no. 181 (Autumn 2022) |
Art New Zealand, Ltd., Auckland |
2022 |
| Cheng, Xin |
Following the Rubber Trails |
HFBK Materialverlag, Hamburg |
2019 |
| Blackley, Roger (curator) |
Te Mata: The Ethnological Portrait |
Adam Art Gallery and Victoria University of Wellington |
2012 |
| Hazenberg, Evan and Meyerhoff, Miriam (eds); Parker, Karen; Hutton, Christopher; Tao, Kimberly; McD |
Representing Trans: Linguistic, Legal and Everyday Perspectives |
Victoria University Press, Wellington |
2017 |
| Dunlop, Dido |
Storm Weathering: A Workbook for our Inner & Outer Climate |
Wisebirds, Wellington |
2016 |
| Tidoni, Davide (ed.) |
Where Do You Draw the Line Between Art and Politics? |
a.pass, Bruxelles |
2021 |
| Sharman, Ataria (ed.) |
Awa Wahine: Kotahi, Edition 1 |
Awa Wahine Limited, Whangārei |
2022 |
| Yasmine Ganley (ed.) |
ISLAND, issue 03 (Ngahuru Autumn 2022) |
Index Corp Ltd., Auckland |
2022 |
| Block, René (curator); İlkay Baliç (ed.) |
Starter, Works from the Vehbi Koç Foundation Contemporary Art Collection |
ARTER, Istanbul |
2010 |
| BRUD; Aditya Mandayam |
The Ooze |
Kunstverein, Munich; Roma Publications, Amsterdam |
2018 |
| Sarkis (artist); İlkay Baliç (ed.) |
Sarkis: Interpretation of Cage / Ryoanji Yorumu |
ARTER, Istanbul |
2013 |
| Huber, Sasha (artist and ed.); Maria Helena P.T. Machado (ed.) |
(T)races of Louis Agassiz: Photography, Body and Science, Yesterday and Today |
Capacete Entretenimentos, São Paulo |
2010 |
| McIntyre, Sophie (curtor and ed.); Duncan Campbell; Emily Cormack; Danae Mossman (eds.) |
Concrete Horizons: Contemporary Art from China |
Adam Art Gallery Te Pātaka Toi, Wellington |
2004 |
| Clare McIntosh (ed.) |
Art Toi, no. 7 (July 2022) |
Auckland Art Gallery Toi o Tāmaki, Auckland |
2022 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 75 (2020) |
Self published, Te Whanganui-a-Tara/Wellington |
2020 |
| Aslan, Volkan (artist); İlkay Baliç (ed.) |
Don't Forget to Remember |
ARTER, Istanbul |
2013 |
| Bell, Leonard; Barton, Christina (ed.) |
Gordon H. Brown Lecture 05: In Transit: Questions of Home & Belonging in New Zealand Art |
Art History, School of Art History, Classics and Religious Studies, Victoria University of Wellingto |
2007 |
| Barton, Christina: Blackley, Roger (ed.) |
Gordon H. Brown Lecture 16: Towards a History of the Contemporary |
Art History, Victoria University of Wellington |
2018 |
| Leonard, Robert; Barton, Christina (ed.) |
Gordon H. Brown Lecture 10: Nostalgia for Intimacy |
Art History, School of Art History, Classics and Religious Studies, Victoria University of Wellingto |
2012 |
| Ron Hanson (ed.) |
The Subconscious Restaurant, Issue 4, New Zealand issue |
White Fungus, Taichung City |
2015 |
| Aladağ, Nevin (artist); İlkay Baliç (ed.) |
Stage |
ARTER, Istanbul |
2012 |
| Ataman, Kutluğ (artist); İlkay Baliç (ed.) |
Mesopotamian Dramaturgies |
ARTER, Istanbul |
2011 |
| Baykal, Emre (curator); İlkay Baliç (ed.) |
Second Exhibition: Book 1/2 |
ARTER, Istanbul |
2010 |
| Baykal, Emre (curator); İlkay Baliç (ed.) |
Second Exhibition: Book 2/2 |
ARTER, Istanbul |
2011 |
| Baykal, Emre (curator); İlkay Baliç (ed.) |
Envy, Enmity, Embarrassment: 1/2 |
ARTER, Istanbul |
2013 |
| Baykal, Emre (curator); İlkay Baliç (ed.) |
Envy, Enmity, Embarrassment: 2/2 |
ARTER, Istanbul |
2013 |
| Baykal, Emre & Daniela Zyman (curators); İlkay Baliç (ed.) |
Tactics of Invisibility |
ARTER, Istanbul |
2011 |
| Bruyckere, Berkinde De (artist); İlkay Baliç (ed.) |
Yara | The Wound |
ARTER, Istanbul |
2012 |
| Bucak, Fatma (artist); İlkay Baliç (ed.) |
Yet Another Story About the Fall |
ARTER, Istanbul |
2013 |
| Çavuşoğlu, Aslı (artist); İlkay Baliç (ed.) |
The Stones Talk |
ARTER, Istanbul |
2013 |
| Collishaw, Mat (artist); İlkay Baliç (ed.) |
Afterimage |
ARTER, Istanbul |
2013 |
| Gül, Deniz (artist); İlkay Baliç (ed.) |
5 Person Bufet |
ARTER, Istanbul |
2011 |
| Hatoum; Mona (artist); İlkay Baliç (ed.) |
You are still here |
ARTER, Istanbul |
2012 |
| Helvacıoğlu, Erdem (artist); İlkay Baliç (ed.) |
Freedom to the Black |
ARTER, Istanbul |
2012 |
| Moffatt, Tracey (artist); Paula Savage; Lara Strongman (eds) |
Tracey Moffatt |
City Gallery, Wellington |
2002 |
| John McCormack (ed.) |
Art News New Zealand, vol. 42, no. 1 (Autumn 2022) |
Art News New Zealand, Auckland |
2022 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 60 (2016) |
Self published, Wellington |
2016 |
| Richards, Becky (ed.) |
Ceramics New Zealand, Volume 4, Issue 2 (Summer 2021) |
Ceramics Association of New Zealand |
2021 |
| Dart, William (ed.) |
Art New Zealand, no. 182 (Winter 2022) |
Art New Zealand, Ltd., Auckland |
2022 |
| Dart, William (ed.) |
Art New Zealand, no. 183 (Spring 2022) |
Art New Zealand, Ltd., Auckland |
2022 |
| Hood, Rob (artist) |
Who Laughs Last? |
Jonathan Smart Gallery |
2012 |
| Cunnane, Abby, Hinemoa Heta, Elisapeta, Huddleston, Charlotte and Langdon, Matin Awa Clarke (eds) |
Unfolding Kaitiakitanga: Shifting the institutional space with biculturalism |
ST PAUL St Publishing |
2015 |
| Becky Richards (ed.) |
Ceramics New Zealand, vol. 5, issue 1 (Winter 2022) |
Ceramics Association of New Zealand |
2022 |
| Sharman, Ataria (ed.) |
Awa Wahine: Rua, Issue 2 |
Awa Wahine Limited, Whangārei |
2022 |
| Huddleston, Charlotte; Roger Nelson (eds); Erin Gleeson; Vera Mey (curators) |
Fields: An Itinerant Inquiry Across the Kingdom of Cambodia |
ST Paul St Gallery, AUT University, Auckland; SA SA BASSAC, Phnom Penh |
2015 |
| Lacey, Sonya (artist); Melanie Oliver (curator) |
Bathers: Lightweights: Weekend |
The Dowse Art Museum, Lower Hutt |
2021 |
| Tolnay, Alexander; Rhana Devenport (curators) |
Date Line: Contemporary Art from the Pacific |
Hatje Cantz Verlag, Ostfildern |
2007 |
| Lisa Radford (ed.) |
un Magazine, Issue 6.2 (November 2012) |
un Projects Inc., Melbourne |
2012 |
| Kyla McFarlane; Patrice Sharkey (eds) |
un Magazine, Issue 5.2 (November 2011) |
un Projects Inc., Melbourne |
2011 |
| Kyla McFarlane; Patrice Sharkey (eds) |
un Magazine, Issue 5.1 (June 2011) |
un Projects Inc., Melbourne |
2011 |
| Burke, Gregory; Ann Calhoun (curators and eds) |
Art and Organised Labour |
Wellington City Gallery, Wellington |
1990 |
| Ngakuru, Ammon (artist); Simon Genard (ed.); Ngahuia Harrison, Ammon Ngakuru, Will Pollard (texts) |
Weather Paintings |
Medium Duty, Ngāmotu New Plymouth |
2022 |
| Asia Pacific Triennial; Stephanie Kennard (ed.) |
Artlines 1 (2016) The 8th Asia Pacific Triennial of Contemporary Art |
Queensland Art Gallery Gallery of Modern Art, Queensland |
2016 |
| John McCormack (ed.) |
Art News New Zealand, vol. 42, no. 2 (Winter 2022) |
Art News New Zealand, Auckland |
2022 |
| Yasmine Ganley (ed.) |
ISLAND, issue 01 (Kōanga Spring 2021) |
Index Corp Ltd., Auckland |
2021 |
| Adam Bryce, Yasmine Ganley (eds) |
ISLAND, issue 05 (Kōanga Spring 2022) |
Index Corp Ltd., Auckland |
2022 |
| Upritchard, Francis (artist); Alex Farquharson (ed.) |
Francis Upritchard: A Hand of Cards / Alfred Kubin: The Other Side |
Nottingham Contemporary, Nottingham |
2012 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 55 (2014) |
Self published, Wellington |
2014 |
| Clare McIntosh (ed.) |
Art Toi, no. 6 (April 2022) |
Auckland Art Gallery Toi o Tāmaki, Auckland |
2022 |
| Asia Pacific Triennial; Chris Saines (curatorial director) |
apt8: The 8th Asia Pacific Triennial of Contemporary Art |
Queensland Art Gallery, Brisbane |
2015 |
| Lara and Ella (eds) |
six cents issue 3 (September 2022) |
Self-published |
2022 |
| Lara and Ella (eds) |
six cents issue 2 / ono pene putanga tuarua (November 2021) |
Self published |
2021 |
| Lara and Ella (eds) |
six cents issue 1 (April 2021) |
Self Published |
2021 |
| Conland, Natasha (curator, ed.); Amiria Taumata (contributor) |
Walls to live beside, rooms to own : the Chartwell Show |
Auckland Art Galley Toi o Tāmaki, Auckland |
2022 |
| Amodeo, Gabrielle; Jill Sorenson |
By The Rules |
Self-published |
2013 |
| Devenport, Rhana (curator) |
Break Construct |
Govett-Brewster Art Gallery, New Plymouth |
2007 |
| Bustos Oyanedel, Beatriz; Zara Stanhope (curators); Clare McIntosh (ed.) |
Space to Dream: Recent Art from South America |
Auckland Art Gallery Toi O Tāmaki, Auckland |
2016 |
| Amodeo, Gabrielle |
PODOCARPACEAE / Dacrycarpus - ASTERACEAE / Pachystegia |
Self-published; Enjoy Public Art Gallery, Wellington (host institution) |
2011 |
| Amodeo, Gabrielle (author); Christina Read (designer) |
Spurious Facts and Apocryphal Tales |
Self-published; RM, Auckland (host institution) |
2012 |
| All the Cunning Stunts (Liz Allan, Clare Noonan, Rachel O'Neill, Marnie Slater); Mary Jane Duffy (cu |
All the Cunning Stunts: So Gay! |
Self-published; WCC Courtenay Place Light Boxes, Wellington (host institution) |
2011 |
| SCAPE; Sally Airey (writer); Lauren Trangmar (illustrator, designer) |
6th SCAPE: Kid's Map and Activity Booklet |
Art & Industry Biennial Trust, Christchurch |
2011 |
| SCAPE; Blair French; Julia Morison, William Field (curatorial group) |
6th SCAPE Volume Two: Artist Projects |
Art & Industry Biennial Trust, Christchurch |
2012 |
| SCAPE |
6th SCAPE: Auckland Christchurch: Artist Projects & Events (leaflet) |
Art & Industry Biennial Trust, Christchurch |
2011 |
| SCAPE; Fulya Erdemci; Danae Mossman (curators and eds) |
SCAPE 2008: Wandering Lines:Towards a New Culture of Space |
Art & Industry Biennial Trust, Christchurch |
2009 |
| Dan Arps and Gwynneth Porter (co-editors) |
Natural Selection Magazine, Issue 5 (2006) |
Natural Selection, Auckland |
2006 |
| Dan Arps and Gwynneth Porter (co-editors); James Lynch (guest ed.) |
Natural Selection: Australasian art reviews, Issue 2 (Winter 2004) |
Natural Selection, Auckland |
2004 |
| Barr, Jim and Mary; Lauren Gutsell (curators) |
Light switch and conduit: The Jim and Mary Barr Collection |
Dunedin Public Art Gallery, Dunedin |
2016 |
| Beekhuis, Katrina (artist); Rebecca Boswell (text) |
Katrina Beekhuis: Pensieri |
Ilam Campus Gallery, Christchurch |
2018 |
| Best, Holly; Tony de Latour (artists); Alice Tappenden (ed.) |
DOMESTIC ABSTRACTION |
Chambers 241, Christchurch |
2015 |
| Barrar, Wayne (artist); Aaron Kreisler (curator and ed.) |
Wayne Barrar: An Expanding Subterra |
Dunedin Public Art Gallery, Dunedin |
2010 |
| Acquittal Report |
Number Seven: don't show me your poverty |
Self-published, unknown |
101 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 02 (March 2002) Film |
Self published, Wellington |
2002 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 13 (2003) The (Two-faced) Autumn Issue |
Self published, Wellington |
2003 |
| SCAPE; Natasha Conland and Susanne Jaschko (curators) |
SCAPE 2006: don't misbehave! |
Art & Industry Biennial Trust, Christchurch |
2006 |
| SCAPE Christchurch Biennial; Blair French; Julia Morison, William Field (curatorial group) |
6th SCAPE 2011 (SCAPE 2010) Volume One: Guide & Reader |
Art & Industry Biennial Trust, Christchurch |
2010 |
| SCAPE; Julie King; Tessa Gibin; Felicity Milburn; Deidre Brown; Jonathan Mane-Wheoki; Tobias Berger |
SCAPE: From a Different Angle |
Art & Industry Biennial Trust, Christchurch |
2004 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 11 (Dec 2002) The Disc Jockey |
Self published, Wellington |
2002 |
| Blink (Ian Jorgensen) |
D.I.Y. Touring the World |
A Low Hum Publishing, Petone |
2012 |
| Rose, Hanahiva (curator); Sione Faletau; Ayesha Green; Turumeke Harrington; Ana Iti et al. |
The long waves of our ocean |
National Library of New Zealand Te Puna Mātauranga o Aotearoa, Wellington |
2022 |
| Blink.; Shahidul Alam; Marcelo Brodskey; Joan Fontcuba et al (curators) |
Blink. 100 Photographers, 010 Curators, 010 Writers |
Phaidon Press, New York |
2002 |
| Piccinini, Patricia; Troy Innocent (artists); Kathy Cleland (curator) |
artificial life: installations by Patricia Piccinini & Troy Innocent |
Artspace, Auckland |
1999 |
| John McCormack (ed.) |
Art News New Zealand, vol. 41, no. 3 (Spring/Summer 2021) |
Art News New Zealand, Auckland |
2021 |
| Physics Room; Ayse Erkmen (artist): Danae Mossman (text) |
Ayse Erkem: awesome |
The Physics Room, Christchurch |
2006 |
| Su Baker (ed-in-chief); Edward Colless (ed.) |
Art + Australia, Issue 7, 56.2 (Aug. 2020) Event Horizon |
Victoria College of the Arts, Melbourne |
2020 |
| Su Baker (ed-in-chief); Edward Colless (ed.) |
Art + Australia, Issue Zero, 53.1 (May 2016) Recomposite |
Victoria College of the Arts, Melbourne |
2016 |
| Su Baker (ed-in-chief); Edward Colless (ed.) |
Art + Australia, Issue Two, 54.1 (Oct. 2017) The Plague |
Victoria College of the Arts, Melbourne |
2017 |
| Lawrence McDonald (ed.) |
Illusions: New Zealand Moving Image and Performing Arts Criticism No. 38 (Winter 2006) |
The Imaginary Partnership, Wellington |
2006 |
| Lawrence McDonald (ed.) |
Illusions: New Zealand Moving Image and Performing Arts Criticism No. 39 (Winter 2007) |
The Imaginary Partnership, Wellington |
2007 |
| Ioana Gordon-Smith and Lana Lopesi (eds.) |
Localise 001 (15 October 2015) |
Whau Arts Festival, Auckland |
2015 |
| Ioana Gordon-Smith and Lana Lopesi (eds.) |
Localise 003 (17 October 2015) |
Whau Arts Festival, Auckland |
2015 |
| McLeod, Robert (artist); Aaron Lister (ed.), Tim Bollinger, Ian Wedde, Christine Whybrew |
Dandini Comes Clean: Paintings by Robert McLeod |
PAULNACHE Publishing, Gisborne |
2011 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 44 (2012) |
Self published, Wellington |
2012 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 76 (2021) |
Self published, Te Whanganui-a-Tara/Wellington |
2021 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 82 (2022) chance poetry/collage workshop |
Self published, Te Whanganui-a-Tara/Wellington |
2022 |
| Bryce Galloway |
Incredibly Hot Sex with Hideous People, Issue 83 (2022) |
Self published, Te Whanganui-a-Tara/Wellington |
2022 |
| Una Rey (ed.), Tristen Harwood & Dean Cross (guest eds) |
Artlink, vol.42, no. 3 (Warltati/Summer 2022) INDIGENOUS_ |
Artlink Australia, Tarntanya/Adelaide |
2022 |
| Buchanan, Ruth; Judith Hopf, Marianne Wex (artists), Christina Barton (ed.) |
BAD VISUAL SYSTEMS: Ruth Buchanan, Judith Hopf, Marianne Wex |
Adam Art Gallery Te Pātaka Toi, Wellington |
2017 |
| Amituanai, Edith (artist), Ane Tonga and Stephen Cleland (curators), Christina Barton (ed.) |
Edith Amituanai: Double Take |
Adam Art Gallery Te Pātaka Toi, Wellington |
2019 |
