I touch the surface, we draw wild beauty
Sena Park, I touch the surface, we draw wild beauty, 2025.
upcoming
31 Jan
–
14 Mar
2026
Sena Park
I touch the surface, we draw wild beauty features new work by Sena Park, who is contemplating the contradictions and evolving relationships between human-designed environments and natural ecosystems. Drawing inspiration from her everyday observations across several domestic environments, including Auckland CBD and Paihia, Park explores the blurry line between natural and artificial environments. This exhibition explores how tension that she has witnessed in these spaces, where human intervention has such a strong impact, quietly shapes how we understand nature and ourselves. Incorporating installation, photography, and moving image, Park uses natural and synthetic materials to evoke the natural world while highlighting its increasingly controlled presentation. Park questions our relationship with te taiao while also celebrating its adaptability and resilience.
Sena Park is a Korean-born New Zealand artist working across painting, mixed media, and installation. Her practice is grounded in analogue, labor-intensive processes and has recently expanded to include sensory media.
Park’s work often begins with familiar subjects drawn from surrounding nature, architectural and cultural environments, which she reconfigures into non-functional and deliberately imperfect forms in her installations. Her nomadic studio life shapes the materials, forms, and scale of her work.
Park completed an MFA from Elam in 2015. She has since undertaken residencies in Mongolia, Thailand, China, Japan, and New Zealand.
of forests and concrete
Matt Tini, of forests and concrete, 2025.
upcoming
31 Jan
–
14 Mar
2026
Matt Tini
of forests and concrete is an exhibition of new work by Matt Tini developed from his ongoing research into harakeke as both resonant material and a ground for image-making. Using harakeke harvested from the whenua around Kuku as well as Pukeahu in inner-city Te Whanganui-a-Tara, Tini first processes the flax fibres to make paper, then uses extracts from the crushed plants to create a light-sensitive surface on which to expose photographic images. The resulting works are anthotypes, a historic method of image-making that uses pigments developed from plant material with the light of Tamanuiterā. Though paper making is not a customary practice in te ao Māori, Tini draws upon existing mātauranga and tikanga, alongside material experimentation and research, to expand its possibilities as a medium. Through a reciprocal exploration of his own whakapapa and that of harakeke, Tini works with this traditional material as a site of knowledge transmission and exchange. Notably, the images he produces are self portraits—a collaboration between himself and te taiao—and, in turn, a reflection on the lived realities of urban Māori and the complexities of the contemporary relationship to whenua.
Matt Tini (Waikato, Ngaati Tiipa, Ngaati Mahuta, Ngāti Rākaipaaka, Ngāti Kahungunu)
Matt Tini is an artist and educator who works with photography, moving image, and native fibres. Deeply grounded in whakapapa, Māori cosmologies, and contemporary lived experiences, Tini’s practice considers what it means to be tangata whenua in relation with and through te taiao. These ever-shifting reflections influence Tini’s material and conceptual curiosities.