Til Tomorrow
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archived
23 Mar
–
3 Apr
2004
Fiona Gillmore, Jeremy O'Sullivan
Til Tomorrow examined time in flux, the construction of moments and the temporary. It employed the mechanics of the everyday to create a collection of interchangeable moments.
Til Tomorrow included sculptural, aural, moving images and graphic vinyl elements constructed collaboratively in the gallery in the 48 hours preceding the opening. It was a constructed environment rather than an exhibition of separate pieces of work and was a collision of temporary surfaces and skeletal structures.
The exhibition had no clear focal centre giving it a restless feeling - indicating a captured moment in a continuum rather than a fixed point in time. Til Tomorrow existed in a state of constant flux as an exploration of fluid and ephemeral practice. Placards featuring graphic arrows, lines and slogans such as 'virtually anything' and 'none the less' gave the installation a sound bite feel which kept the eye and mind moving around the space, never resting in any one place for long.
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Traditionally Enjoy had focused on projects that addressed issue of place and spatial location. The Length series (February – July 2004) sought to encourage the exploration of time, not as a concept, but in reality as it applied to the individual projects through their duration and conceptual underpinnings.