Enjoy
Blog
Here you’ll find interviews with artists, reading lists and more. Contributed by Enjoy’s interns, staff, artists and friends.
It All Began with a List
Posted on January 7, 2014
In October 2013 Eliana Joy sent Enjoy a collection of four books to be added to our Library. Each book contains a group of notes collected at a different New Zealand art institution; Creative Arts from Massey, Elam from University of Auckland, Ilam from University of Canterbury, and Visual Arts from Auckland University of Technology. The following is her reflection on the project.
Peeking In Through The Keyhole of Guilt
Posted on September 13, 2013
by Meredith Crowe
Through The Keyhole's three artists talk about guilt and shame in quite different ways. Some visitors peek through the keyhole for a moment at Olaf's video installation Keyhole Woman, 2012, and then seem to glance around to check if anyone has seen their voyeuristic action.
Erwin Olaf: The Suggestion of a Story
Posted on August 23, 2013
by Clare Callaghan
Erwin Olaf is a unique Dutch artist who creates his work through often haunting, cinematic drama. His photographs possess an emotional stroke of brilliance throughout each artwork, connecting the photographs together to create a cohesive and expansive story; or rather the idea of a story, the suggestion of a story. He does not explicitly inform the viewer, he creates his work for interpretation, to suggest narrative rather then impose it.
The Art of Connection
Posted on August 16, 2013
by Clare Callaghan
Art connects each one of us and draws us in, each in a uniquely personal way. Many artists choose to do this through exploring human connection and relationships.
Ways of Looking
Posted on July 10, 2013
by Matilda Fraser
Attention has its own behavior, its own dynamics, its own consequences. An economy built on it will be different than the familiar material-based one.
What Would Jim Do
Posted on February 27, 2013
Ema Tavola is a writer, curator and self described art-hustler based in South Auckland.
Artist Statement
Posted on February 27, 2013
by Christina Read
When working on my art projects I like to count the hours I spend working. I mark the hours off on a piece of paper taped to the wall. I’ve been doing this for years now. I feel more secure this way. I realise quality of output is more important than time spent but since I started this routine, I cannot seem to stop.
The Art Fair and Sleeping
Posted on October 11, 2012
by Jeremy Booth
I was interested to hear that vagrancy is one of the key complaints from anti-dOCUMETA factions, of which there are several. So I decided to visit the Hessian city with no concrete plan beyond seeing a lot of art.
Gallery Girls....
Posted on October 11, 2012
by Julia Lomas
Though only two of the show's stars actually work in what can truthfully be described as a "gallery", and "art" makes but peripheral, fleeting cameos, Gallery Girls has been occupying my waking and working thoughts lately.
Boundless Energy: Ashlin Raymond and Zhoe Granger
Posted on September 12, 2012
by Tim Gentles
There is a lot going on between the three separate works that make up Zhoe Granger and Ashlin Raymond’s Boundless Energy exhibition. The show edges toward a substantive and very Now critique of cultural autonomy and authenticity, while simultaneously engaging with the complexities of having such a discussion in the context of a scene of young Auckland artists.
Our Film Festival Pick: We Feel Fine
Posted on August 9, 2012
The weather is particularly awful today, and this moves me to suggest a film. Adam Luxton, who just arrived back from Berlin, has a film showing tonight in the Festival. The gallery Hopkinson Cundy features in a few scenes, and the film uses my "dire and damp concrete jungle" (thank you Paula Booker for that great quote!) of a hometown, AK City, for its backdrop. There are also some great cameos from local artists and musicians.
Possible Composition: The 18th Sydney Biennale
Posted on July 26, 2012
by Emily Goldthorpe
At the Museum of Contemporary Art in Sydney, the personal and the collective is brought together in an exhibition titled Possible Composition as part of the 2012 Biennale of Sydney. All Our Relations, the eighteenth Sydney Biennale, “focuses on inclusionary practices of generative thinking, such as collaboration, conversation and compassion, in the face of coercion and destruction.”
The Daryl Hannah Experiment
Posted on June 4, 2012
by Megan Dunn
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An Interview with Raewyn Martyn
Posted on February 17, 2011
Raewyn Martyn in conversation with Simon Morris and Erica Van Zon
Transcribed by Duncan McNaughton