Wildness in the Garden of Empire
By Shaun Matthews
"She was the standard," Garcia says, "so whenever we printed anything, we had to pull Shirley i...
Enjoy is pleased to present an exhibition of new work by George Watson, accompanied by ...
Latent Image* responds both to the material qualities of the gallery space and its past incarnati...
Look out, Fred!
Look out, Fred! is a new installation by Evangeline Riddiford Graham that explores relationships ...
Once there were no windows
Ephemera from the Enjoy Archives
walking forwards backwards
walking forwards backwards explores the practice and traditions of weaving within contemporary so...
A show about earth, flames, pottery and your location
A landscape discovered through a series of physical conversations
TYPEFACE: Live Tattoo Session and DJ Linda T.
The Asia-Pacific Century
Beginning with film stills and photographs from 1970s gay cinema and print erotica, Robbie Handco...
turn left at the end of the drive
Through physical and chemical processes, Jay Hutchinson’s elaborate hand-embroidered pieces...
Untitled Examination Project
As a constructed space, the exam room is exhausting in its banality. Stripped bare of any visual ...
The making of bread, etc. #3
Caressing the Silver Rectangle
As digital technologies shift and evolve, they open up new and increasingly complex interfaces wi...
it's not what you know, it's what you don't know
Clear your head. Breathe. Inhale the air and clear your mind. Write what you know. This is my min...
The Button knot: holding what was separated together The ‘Caisson’ knot: establishin...
The photographs in the series Homewardbounder show the entrances to ‘adits’, or horiz...Load more