In the exhibition Force-Morph, Bowen examines the schism between the real and the virtual.

The installation They don’t know where you want to go attempts to explore the sensation of mediation through the metonym of magnified vision.

The Apocalypse Tent is an installation exploring ideas of habitation in our current doomed-filled predicament.

Infinity Pool is an exhibition of paintings and sculptures, that considers the relationship between water and gesture through the simplicity of materials. Infinity Pool takes the ubiquitous resource of water as a starting point to examine monumentality as existing within everyday considerations.

"Knock on the sky listen to the sound" is a Buddhist proverb Tiffany Singh first heard while travelling over the Himalayas on a pilgrimage to Lamayuru or Yuru Gompa, a Tibetan Buddhist monastery in Western Ladakh.

BEES Forever is an investigation into the possible reasons bee populations have declined. Offering a potential solution to the problem, BEES forever presents artificial bee construction as a viable option.

Consisting primarily of gaseous and liquid matter, the atmospheric composition of Jupiter renders the gas giant without a solid surface; seemingly appropriate, considering it was named after the Roman God of Sky and Thunder.

Enjoy Gallery presents What is Post-Formalism? a show by Sydney based artists Billy Gruner and Sarah Keighery.

With various speculative interpretations surrounding 2012, and 2012 as the International Year of Astrology, the Horoscopes show, Aquarius, Pisces, Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius, Capricorn has been conceived of as a playful exploration of the Zodiac, with twelve artists responding to their sun sign.

The Three Wise Men of Kurow is a show of Bob Kerr's paintings based on the story of Girvan McMillan, Andrew Davidson and Arnold Nordmeyer who lived in Kurow during the Depression of the 1930s.

The Return revisits images from the family archive as a means of evoking a connection with physical and psychic spaces of the past.

Raewyn Martyn’s residency takes the form of a working studio set up around the investigation of how abstract paint-based interventions and wall works operate in public space, both on-site and outside of a public gallery setting. The working studio will research recent related practice and present these findings in the form of a reading table in the gallery, a blog, and studio work.