He sees you when you're sleeping, he knows when you're awake, he knows if you've been bad or good , so be good for goodness sake...... A Christmas Story was an exhibition exploring the sinister side of Santa Claus and the mythology surrounding him. 

In Between drew on social history, anthropology, narrative, personal belief systems and media representations of strange phenomena to create a project marking the intersection of the everyday and the supernatural. 

Drawing was an exhibition of mixed-media work by Christchurch-based artists Zina Swanson, James Oram and Clare Noonan.

In association with Wellington Architecture Week, Enjoy presented a week-long sound installation.

For six days, from Monday through Saturday, each day at various and multiple times, Enjoy Gallery was host to diverse and exciting performance work by an illustrious line up of local artists.

For the opening celebration, Golden Axe created a multi-media installation, incorporating sculpture, sound and video projection. 

The Story of Three Sentences was an installation of sculpture and video work by emerging Wellington artist Amy Howden-Chapman.

A painting show, Hullbreach by Christchurch artist Miranda Parkes. The work referenced painting's history, subverting some of its conventions.

Room service was a pick-and-mix from some of the latest happenings at Rm103 Gallery in Auckland.

"....First there is nothing, then there is a deep nothing, and then there is a deep blue."

Gaston Bachelard, ‘Air and Dreams’, 1944

Running for seven consecutive days, Jessica Pearless and Kate Woods collaborated in a game of virtual 'Battleship.' Like the children's game of strategy, neither artist knew the other's plan of attack. However, in this instance the players were separated by over five hundred kilometres in geography. 

A MECHANISM OF LIFE 

Combining a self-conscious performance of Bon Jovi anthem 'You Give Love a Bad Name' with cutesy adolescent wall drawings in makeup and biro My Sister's Lashes treads the fine line between parody and reverence.

TAKE: 001 came about from the desire of curator Louise Tulett to run a video programme that considered moving image as a medium well suited to capturing experiences in relation to their length. Essentially, as quoted from the submission call: "I want to make a show of screenings about the decision to press record and the decision to stop". The videos on show are a varied and intriguing response to this initially open-ended parameter.

6pm Friday 23rd - 6pm Sunday 25th April 2004

Another 48 Hours: 24 hours to make the work, 24 hours to see it. 24 hours is a loop. A day. A night. A cell. A window.

With overtones of frustration and failure, I've given up on you tapped into the unavoidable expectations and ambitions we place on ourselves, our surroundings and not in the least, the experience of art.

Til Tomorrow examined time in flux, the construction of moments and the temporary. It employed the mechanics of the everyday to create a collection of interchangeable moments.

On behalf of Ryan Chadfield and Tao Wells and the Enjoy Public Art Gallery we bring you a show. Death and beauty in young naked people is a timeless subject explored here by two of Wellington's most enigmatic officers of insight.

The Length series opened with the 1999 calendar year of Shana Brown's project, The Nine O'clock Photos. As descriptive as the title suggests, for six years and counting, every evening at nine o'clock Brown takes a photograph. Operating as a retrospective slice of her on-going project, this first installment presents a whole year gathered in one room. 

FLOORED was a two-part installation project. The first part of the project was in the hallway from 17th February to 19th June, the second part opened in the gallery on 22nd June and ran until 3rd July.