Anthea had been working on a series of photographs involving the process and outcome of dropping milk into glasses of water. The photographs were intended as part of a body of work toward a masters degree trough the Melbourne Institute of Technology, and brought to light some of the problems where ulterior motives can interfere with curating a successful show.

Hannah and Aaron Beehre followed with another collaborative series of work for the #3 series.

The #3 series began with a collaborative, untitled show by Richard Reddaway and Sean Kerr.

Photo Extraction was a photographic installation exploring the function and production of certain cultural elements that go towards the formation of a national identity.

New work from Andy Irving and Clem Devine.

Amanda Ra was the last artist to show in the Siren series. This exhibition also focused on a twisting of the siren’s allure, targeting the subject of its gaze.

Number four in the Siren series was a collabortive work by Clem Devine and Sam Trustrum.

Reuben Fischer exhibited a film piece, choosing to block off the main gallery space, instead using the foyer to present the work.

Ciaran's was the first show in the Siren series.

Antony Milton put on the third show of the Siren series. 

As the sixth exhibition in the Viewfinder series, these works were sourced in everyday domestic tasks and functions that are performed to maintain our existence. 

The fifth show in the viewfinder series was an installation by Dan Arps.

The fourth show in the Viewfinder series was an installation by Andrew Thomas. 

The third show of the Viewfinder series involved an installation of fruits and vegetables by Chris Clements.

For the second exhibition in the Viewfinder series, John Lake installed five pairs of large glossy photographs based on a polystyrene shape. Each pair of photographs was hung in relation to the windows in the space.

Enjoy began the Viewfinder series and opened the gallery with a collaborative work by the Enjoy project team.