The second half of the Feature Wall series hosts a confronting challenge to the activity of space. Kim Paton's installation TIME WILL BREAK THE WORLD presented a sharply site responsive work calling on Minimalist traditions of monumentality and physicality through a use of distorted scale and a grandness of structure.

Colour, a constant companion of nearly all forms of life on this earth, has, like other great forces, potentials of good and evil.

In Dear Dancer Maddie Leach continued her inquiry into what has been termed 'sentimental minimalism' through the presentation of works that operated both as aesthetic objects and venues for participation, layering nostalgia and popular entertainment over minimalist formality.

Portable portrayed Dunedin's transient and nostalgic existence, and developed an almost tongue-in-cheek take on 'the other', looking to the local art community's perceived position as gently marginalised in the national context.

Do you watch film to understand?
She said something about life for her parent's generation.

Newall's residency at the Whangerei Polytechnic resulted in her investigation of materials such as glass and clay. Kelvin S. C. Corpus stemmed from these observations and experiments with materials and associated ideas of scientific processes and the creation of new beings.

In response to the organisation of the exhibition swap between Blue Oyster Gallery and the artist run spaces Enjoy Public Art Gallery in Wellington and High Street Project in Christchurch, Enjoy Presents seeks to reveal the gestures of union and support that constitute the community of spaces such as Enjoy.

Utilising robotics and animation, combining the domestic and the industrial Save the Robots observed the constant arrival of technology presenting hybrids of the human/machine interface.

A mix of works that made a fresh and persuasive play with what constituted the desired destinations and imagined locations of contemporary travel.

Karin van Roosmalen's work was about space and spaces—how we inhabit our built environments, about the effects of our mobile lives on those environments and about the tension between functioning effectively in the world with minimal means and the compulsion to accumulate stuff.

In response to the organisation of the exhibition swap between Blue Oyster Gallery and the artist run spaces Enjoy Public Art Gallery in Wellington and High Street Project in Christchurch, Enjoy Presents seeks to reveal the gestures of union and support that constitute the community of spaces such as Enjoy.

As part of the series of New Zealand artist-run-space gallery exchanges, The High Street Project presented Reaching Out, Calling New Age Power.

An installation using interactive sound based objects, Interference presented the challenge inherent in sharing information.

Paying dual homage to the kiwi handy man and reality T.V., Harvey performed for us his own home renovation show.

Certain cult films and their obsession with murder form a starting point for Auckland artist Kristin Perrett.

exquisite craft: six pieces, six processes, six people, six weeks

Six toasters and six bread plates borrowed from New Zealand personalities were the focus of the exhibition.

An eye for an eye: but whose eye was first?

Fjærestad's work references everyday life, and her sensitivity to social and cultural interactions, played out through the materials and techniques she uses. In a previous exhibition she wowed audiences by crocheting fuse wire into the forms of 1980's and 1990's middle class, domestic appliances.