Karin van Roosmalen's work was about space and spaces—how we inhabit our built environments, about the effects of our mobile lives on those environments and about the tension between functioning effectively in the world with minimal means and the compulsion to accumulate stuff.

In response to the organisation of the exhibition swap between Blue Oyster Gallery and the artist run spaces Enjoy Public Art Gallery in Wellington and High Street Project in Christchurch, Enjoy Presents seeks to reveal the gestures of union and support that constitute the community of spaces such as Enjoy.

As part of the series of New Zealand artist-run-space gallery exchanges, The High Street Project presented Reaching Out, Calling New Age Power.

An installation using interactive sound based objects, Interference presented the challenge inherent in sharing information.

Paying dual homage to the kiwi handy man and reality T.V., Harvey performed for us his own home renovation show.

Certain cult films and their obsession with murder form a starting point for Auckland artist Kristin Perrett.

exquisite craft: six pieces, six processes, six people, six weeks

Six toasters and six bread plates borrowed from New Zealand personalities were the focus of the exhibition.

An eye for an eye: but whose eye was first?

Fjærestad's work references everyday life, and her sensitivity to social and cultural interactions, played out through the materials and techniques she uses. In a previous exhibition she wowed audiences by crocheting fuse wire into the forms of 1980's and 1990's middle class, domestic appliances.

Lissa Mitchell scrutinised the Number Nine series as a sample of contemporary curatorial practice.

Art, the closest function. Our closest concept to serendipity and truth, her lover, artifice. Art is our last ditch attempt at understanding perfection (cease the AESTHETIC) at battle with the great paradox, both called by name ARTIFICE. All construction.

Projections was an exhibition involving nine artists, working with slide projectors as their medium.

Rule: Once your mattress is installed you are able to invite, set up, bring, do, sleep when you want. Once your mattress is installed.

To have boundaries, one must create boundaries.

Exploring urban landscapes and their populace is the subject of this exhibition curated by Rosemary Ford of the Physics Room (Christchurch). Although at first the work by artists Douglas Kelaher, Dominic Forde and Rachel Brunton may seem disparate, on closer inspection they work well together. Each piece suggests a different kind of society, fantastical, contemporaneous or futuristic, breaking away from the overwhelming dominance of the rural landscape in New Zealand art practice.

What is identity? How is it manipulated and formed within the construct of Post-Modern culture?

Two people collaborating for the first time will focus SPAT on wads - in the form of used chewing gum.

Teresa Andrew is an installation/performance artist who works with narratives, using the body, whether present or absent, as the locus of behavior.

Political spoof involving the intro to the television series Monkey. In Rex Republica (Rex's Cybernautic Dreamscape, releases candidate nine) Tripitaka is Helen Clark, Pigsy is Winston Peters, Sandy is John Campbell (Jonjon), and Monkey is Busta Rhymes.