Feminism in Aotearoa/New Zealand and abroad is often represented in the mainstream media as a white middle-class issue focused around sex and career. But this barely touches the edges of the multiplicity of feminisms and how feminisms have affected all of our lives. This year the Enjoy Trust put out a proposal call for exhibition works, actions, and pieces for the Enjoy Occasional Journal which expand the discourse on feminisms. 

Death Workshop documents a workshop project Mori undertook with a group of student actors over the course of several months. The students were asked to imagine how they will die (not how they wished to die) and direct other student actors in enactments of these scenes as a short play.

Clear your head. Breathe. Inhale the air and clear your mind. Write what you know. This is my mind speaking to yours. What does it want to tell you?

"She was the standard," Garcia says, "so whenever we printed anything, we had to pull Shirley in. If Shirley looked good, everything else was OK. If Shirley didn't look so hot that day, we had to tweak something—something was wrong.”

Jersson Garcia

“It's incredible...It's all ours” is a statement that poses multiple scenarios, aligning with the mentality of first-seen, then first-owned. It is a statement that has, in the past, referred to the land, its gifts and also to women. European men who travelled to the Pacific Islands, such as Jack London and Bengt Daniellson, wrote whimsical reports on their encounters with young women living there, with an enamoured fervency that shows both an infatuation and unnervingly predatory focus.

Drawing on the early developments and success of the recent performance work Triumphs and Other Alternatives, this immersive installation invites different understandings of how material substances influence creative outcomes. Another Garden offers a new reading and landscape for materials once destined for the stage. No longer intended for part of a scene, the materials have been reconfigured to be experiential rather than performative, with new sound and light scapes created for the installation.

Mountain climbing is the oldest metaphor in the book for success, an analogy for conquering, a punch to sky in a kind of fuck-yeah triumph. 

Strange frequencies are channelled through personal narratives and poetic placeholders in Something felt, something shared. 

A Lonesome Scene… The lonely Tiger... Solitary Enlightenment... A Triumphant Rest…

A single scene stuck in a loop inside one texture… attached to only one moment... existing in its only world.

The photographs in the series Homewardbounder show the entrances to ‘adits’, or horizontal mineshafts, left in the West Coast landscape after exploration by gold miners during the 1860s gold rush. These dark, damp spaces convey a history of aspiration and struggle, as the men that sought to make their fortune there faced harsh realities: an unforgiving landscape, difficult working conditions and a hand to mouth existence.  

From the luxury Comme des Garçons concept store to Enjoy Gallery, Jade Townsend brings a selection of LED light works developed during her recent three-month residency in Beijing, China. Exploring the interplay between human values and the material world, the works focus on the construction of ‘taste’, reflecting the language of consumerist trends and the incredible vibrancy encountered in Beijing.

This is a site-specific project that excavates several overlapping areas of interest:

1. The complex histories of Wellington's Puke Ahu (Mt Cook), less visible than the site’s dominant narrative – war commemoration.

2. The potential for contemporary artists to catalyse conversation and contribute cultural value, in responding to a carefully controlled government site of remembrance.

Harboured is a real time exchange between the Port of Duluth and the Port of Auckland–respectively the artist’s hometown and the city in which the artist is establishing a new life. A personal narrative interweaves with issues of contemporary immigration–finding comfort in familiarity, navigating vast physical and emotional distances, integrating into a new society.

Soundtrack to viewing:

This is an object of installation.
(exhibition. consternation. inhibition)

A group exhibition featuring new work by Tanu Gago, Leilani Kake and Luisa Tora

Curated by members of the Enjoy Trust, Loaded explores the cultural weight of materiality by bringing together a group of antipodean artists that over the past two-decades have utilised various material surfaces to convey a(n often highly-charged political) message. Stripped of traditional iconography, these works—covered in excrement, gold, nail polish, plaster, oil, enamel and bark—offer rich and beautiful surfaces and textures, evoking a whole world of complex relationships beneath if one only cares to look.

Some plans are carried out, others never happen, only ever existing as intentions, drawing, models and artist impressions. In July there was an occupation – a modest intervention. One car park co-opted in the car space below Enjoy. From the imagined to a reality – a version of anyway. It's gone now but don’t worry if you missed it, it will be back, brought into this space, re-presented for you.

Ebbing Tagaloa features a series of Tagaloa (Polynesian god of the ocean) figures that reference the nineteen beaches and bays of Wellington by Paula Schaafhausen.

Showcasing a range of techniques and processes used in contemporary photography, Two photographers presents a selection of photographs from Breckon’s Real State series alongside new works in the Covenant cut-outs series by Shaun Waugh. Both bodies of work explore ideas around place, shelter and protection, through physical or digital manipulation of the image.

News stories overwhelm other news stories, events oust each other from the headlines and ten second items are squeezed out of hourly news bulletins by other things happening in other places. As shrinking mobile devices and expanding networks continually reconfigure our relationships to these events, the role of “the citizen” as participant, reporter and observer takes on new meanings. The Screen features two video works that test the ability of news media to traverse the misalignments of a world somehow made both bigger and smaller by network technology.