Sometime later explores an interest in how an art work can exist as myth or ritual. By delving into a very sited act, such as a pilgrimage to a monument, Baxter’s work investigates the function of our own investment into the notion of the ‘significant moment’.

For the exhibition What Would I Do Without You, Betham employs the medium of video to explore contemporary notions of spirituality and nihilism in a poetic and absurd fashion. The films rehearse contemporary rituals or ad hoc games performed in sporting arenas. These games are original attempts at spontaneous questing—for the moment of fulfillment—in a post-nihilist or neo-transcendental manner.

Featuring three moving image practitioners, this exhibition at Enjoy brings the work of Manukau Institute of Technology graduates to Wellington. Here, each of the artists enact, articulate and sometimes question social and cultural protocols that are specific to their own perspectives and experiences.

Featuring artists from New Zealand, Mexico, Palestine and Australia, Was that cannon fire, or is it my heart pounding? is a collection of videos, photographs, sculptures and installations that explores the interplay between art and cinema.

Everything is perfect and as it should be. If I could be more pleased, this would be a perfect increase in pleasure. It would result from further elements slotting into place, and the realisation that this now was as it had always been intended.  

Lance Cash's digital photographic works seek to explore ideas of dislocation, representation and mediation with strong ethical and environmental concerns framing the content. The exploration of these ideas and concerns seeks to raise questions about the ontology of photographic representation, practices of viewing and established relationships to the assumed real world.

Blending scientific enquiry, philosophic thought and everyday lived experience, Illuminated investigates the New Zealand terrain and landscape. Using recycled glass, the artist connects this work to the tangible matter of everyday life. Robertson's practice has long been involved with issues surrounding natural and imposed features in the landscape, Illuminated forms a response to the patterns that are formed by built structures of domestic life and the architectures of our day to day existence.

Exploring the tensions between live performance and the documentation of the event that follows, Ephemeral Traces is a 2 week schedule of performances and recordings at Enjoy Public Art Gallery.

...sometimes the alphabet is ABJFHaaaGiLNrstyYCDETCF......and sometimes you get Nat, Lisa and Gary and mash them together (with a bit of cheap whiskey) in alphabetical order...linguistically speaking...

Featuring a dozen international and New Zealand-based artists the show is an exploration of the Chinese Zodiac. Guest curated by Erica van Zon, the twelve contributing artists have been asked to consider and respond to their zodiac sign. The result is an eclectic range of work in various media that is both engaging and playful.

Immerse your body and psyche in an upside down geological vista; a circus for your senses; an alchemical mishmash of sights, sounds, delights and a whole other gauntlet of wonderful sensations.

In the exhibition Force-Morph, Bowen examines the schism between the real and the virtual.

The installation They don’t know where you want to go attempts to explore the sensation of mediation through the metonym of magnified vision.

The Apocalypse Tent is an installation exploring ideas of habitation in our current doomed-filled predicament.

Infinity Pool is an exhibition of paintings and sculptures, that considers the relationship between water and gesture through the simplicity of materials. Infinity Pool takes the ubiquitous resource of water as a starting point to examine monumentality as existing within everyday considerations.

"Knock on the sky listen to the sound" is a Buddhist proverb Tiffany Singh first heard while travelling over the Himalayas on a pilgrimage to Lamayuru or Yuru Gompa, a Tibetan Buddhist monastery in Western Ladakh.

BEES Forever is an investigation into the possible reasons bee populations have declined. Offering a potential solution to the problem, BEES forever presents artificial bee construction as a viable option.

Consisting primarily of gaseous and liquid matter, the atmospheric composition of Jupiter renders the gas giant without a solid surface; seemingly appropriate, considering it was named after the Roman God of Sky and Thunder.

Enjoy Gallery presents What is Post-Formalism? a show by Sydney based artists Billy Gruner and Sarah Keighery.

With various speculative interpretations surrounding 2012, and 2012 as the International Year of Astrology, the Horoscopes show, Aquarius, Pisces, Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius, Capricorn has been conceived of as a playful exploration of the Zodiac, with twelve artists responding to their sun sign.