Pivotal to how thousands of commuters and inhabitants daily meet and view the city at large, the Wellington Railway Station processes a diverse, transient and challenging community daily. 

Is it possible to communicate a real sense of place through dislocated signifiers? Is our own terra firma firmer in reality or metaphor?

Spatially unsettled, and without the secure foothold of a single-point perspective, Sanné Mestrom's large drawings and watercolours allude to the presence of a larger continuum, a massive unravelling of space that can be imagined well beyond the paper's edge.

The Enjoy Trust proudly presents Fronting Up, an exhibition collating an eclectic selection of video works, produced over a ten-year period and never seen together before.

We'll make great pets! We will make great pets!

Pets by Porno for Pyros

With an interest in the process of construction and design, utopian plans, and quotidian ideas of interactivity, T & G Building briefly inhabited the gallery as a working studio.

It's a Wonderful Tonight is a new installation by Louise Clifton. Over the past two years the artist has created a series of photographic portraits based around a mysterious figure in a red suit.

Enjoy is proud to present a solo project by Pippa Makgill, whose sculptural installation wraps up the gallery in a playful and formally structured assemblage of materials and objects.

What can concepts like freedom and revolution mean in the present?

The lubricator for countless political and historical transactions, oil's relationship with our late industrial society was investigated through Sophie Jerram's project Oil on Troubled Water.

A LIMITED SUBJECT LIST:

Enjoy welcomed Melbourne-based artist Stuart Bailey to Wellington during the opening week of the City Gallery’s survey of contemporary New Zealand art - Prospect 2007

With a departure from the usual residency format, in 2007 Enjoy hosted an art writing residency.

The 2006 Enjoy fundraiser!

On not forgetting: Before relational aesthetics became well articulated in international critical discourse, performance-based practices occupied similar contentious territory.

Language, personality and the parameters of two specialised diciplines: physics and romance writing were investigated in O'Neill's Hallways of Lives.

The opening was followed by a performance at 8pm in Wellington's Oriental Bay and featured the lighting of Celebrate Crate - a special edition box of fireworks that retailed in 2005 marking the 400th anniversary of Guy Fawkes.

Enjoy Public Art Gallery was proud to present Royal Alumni, a dynamic group show curated by artist Fiona Jack, featuring Nate Harrison, Rebecca Hobbs, Fiona Jack, George Kontos, Kim Schoen and Josh Stone.

Featuring works by Kaleb Bennett, G-Fab and the Meat Pack, Murray Hewitt, Beth O'Brien, Raised by Wolves and Gemma Tweedie, performances were situated in and outside Enjoy Gallery, across Wellington and reaching as far as South America.

In Sometimes a kiss is... not just a kiss, Sandy Gibbs explored the slippery slopes of gendered identity, selfhood and subjectivity.