With an interest in the process of construction and design, utopian plans, and quotidian ideas of interactivity, T & G Building briefly inhabited the gallery as a working studio.

It's a Wonderful Tonight is a new installation by Louise Clifton. Over the past two years the artist has created a series of photographic portraits based around a mysterious figure in a red suit.

Enjoy is proud to present a solo project by Pippa Makgill, whose sculptural installation wraps up the gallery in a playful and formally structured assemblage of materials and objects.

What can concepts like freedom and revolution mean in the present?

The lubricator for countless political and historical transactions, oil's relationship with our late industrial society was investigated through Sophie Jerram's project Oil on Troubled Water.

A LIMITED SUBJECT LIST:

Enjoy welcomed Melbourne-based artist Stuart Bailey to Wellington during the opening week of the City Gallery’s survey of contemporary New Zealand art - Prospect 2007

With a departure from the usual residency format, in 2007 Enjoy hosted an art writing residency.

The 2006 Enjoy fundraiser!

On not forgetting: Before relational aesthetics became well articulated in international critical discourse, performance-based practices occupied similar contentious territory.

Language, personality and the parameters of two specialised diciplines: physics and romance writing were investigated in O'Neill's Hallways of Lives.

The opening was followed by a performance at 8pm in Wellington's Oriental Bay and featured the lighting of Celebrate Crate - a special edition box of fireworks that retailed in 2005 marking the 400th anniversary of Guy Fawkes.

Enjoy Public Art Gallery was proud to present Royal Alumni, a dynamic group show curated by artist Fiona Jack, featuring Nate Harrison, Rebecca Hobbs, Fiona Jack, George Kontos, Kim Schoen and Josh Stone.

Featuring works by Kaleb Bennett, G-Fab and the Meat Pack, Murray Hewitt, Beth O'Brien, Raised by Wolves and Gemma Tweedie, performances were situated in and outside Enjoy Gallery, across Wellington and reaching as far as South America.

In Sometimes a kiss is... not just a kiss, Sandy Gibbs explored the slippery slopes of gendered identity, selfhood and subjectivity.

Douglas Bagnall created a machine that takes the hard work out of cloud watching.

G. Bridle is a cryptozoologist; he investigates and studies the mirrorical, an entity which is ‘hidden' or possibly unattainable. He describes it as a demanding existence requiring perseverance and faith in the face of scepticism, but tirelessly he does not waver from this lifelong vocation. G. Bridle here documented this quest for the mirrorical, an aesthetic spirit, through the portrayal of potential habitats and sites of reference.

In 2005, Enjoy Gallery moved from 174 to 147 Cuba Street. Although this move was short in distance, producing a street number that is satisfying, albeit confusing in its reversal, the relocation brought about a great change in terms of new architectural challenges and considerations for exhibiting artists to work with.

CLUBSproject Inc. was an artist-initiated project, which initially resided above the old Builders Arms Hotel in Fitzroy, Melbourne, Australia, operating from this site for three and a half years. Since the closure of this pub CLUBSproject encountered a struggle with the new landlords and it became untenable to remain on these premises.

Green Belt Video Suburb was a collaborative multimedia installation by Wellington artists, vjRex and Jenny Gillam, which explored relationships between environmental and suburban anxiety.