Anyone who has ever experienced a live piece of performance art is likely to have experienced confused expectations, a sense of embarrassment for the artist and or a desire for something successful to happen. Enjoy's 2008 performance series addresses these issues for both audience and artist.

When working in close proximity, people's frames of reference inevitably draw nearer together, and certain resonance spring from shared concerns. But what are these resonances? 

Enjoy was proud to present four moving-image works from Wellington-based artist Murray Hewitt.

Creating a dense and contemplative space within Enjoy Gallery, Hewitt's formally composed videos are subtle, open-ended and politically complex.

In the film Tetris: From Russia with Love (2004) Randy Broweleit, an ebullient Californian video-game developer from Nintendo, visits Moscow during the mid eighties, a city still isolated by the Cold War. 

A great work of fiction will easily draw out the imagination of readers of any age. Joanna Langford's constructions also open doors in viewer's imaginations, taking them into mysterious environments. 

Laura Preston has begun her occupation of the gallery as a workspace for research on contemporary sculptural practice, activating the gallery as a site for action, pause and reflection through a month of dance, sculpture and research.

Enjoy was proud to host (Ready-made) Everyday an exhibition of new work from Hong Kong based artist Lee Kit. 

Taking inspiration from the eclectically patterned, empty domestic spaces of interior design books of the 50's, 60's and 70's, Benjamin Buchanan examines the nature of abstraction and attempts to re-negotiate the clichés that it brings to mind.

Tao Wells' exhibition featured large-scale distressed installation, and video for a very limited time.

Travelling from Auckland, yet arriving without artwork in hand, Patrick Lundberg's kit contained the tools necessary to create his paintings, which do not always require application, relying on removal instead.

Reactive structures and light sculptures occupied the gallery space in Peter Trevelyan's exhibition.

Kannika Ou is interested in the migration of materials and products between their places of production, to their subsequent places of consumption.

Make Space Your Space My Space by Beth O'Brien and Kendra McCarthy attempts to address the lengths we as a public go to, in order to maintain some form of anonymity and ownership over our own physiological and physical space.

Speakers Corner is an Enjoy Public Art Gallery project that brings together members of diverse Wellington communities to discuss with the public the one thing they all have in common - experiences of living in Wellington.

Pivotal to how thousands of commuters and inhabitants daily meet and view the city at large, the Wellington Railway Station processes a diverse, transient and challenging community daily. 

Is it possible to communicate a real sense of place through dislocated signifiers? Is our own terra firma firmer in reality or metaphor?

Spatially unsettled, and without the secure foothold of a single-point perspective, Sanné Mestrom's large drawings and watercolours allude to the presence of a larger continuum, a massive unravelling of space that can be imagined well beyond the paper's edge.

The Enjoy Trust proudly presents Fronting Up, an exhibition collating an eclectic selection of video works, produced over a ten-year period and never seen together before.

We'll make great pets! We will make great pets!

Pets by Porno for Pyros

With an interest in the process of construction and design, utopian plans, and quotidian ideas of interactivity, T & G Building briefly inhabited the gallery as a working studio.